archibald graham key when i was reading the book white lies about walter frances white in acp i wanted to know you ever find research data that the graham keith sisters had any kind of with harriet tubman or william still and what what came about there there was any findings there. and i also wanted to know how come the grim key had the name graham key instead of their mother's name. so. oh, an interesting question. so, so nancy weston, according to her son, nancy weston, could neither read nor write. i always preface that this is according to her sons recollection and recollection of. family members who were the westons was that nancy was adamant her sons. colored westerns as she called them so that sort of free family but that they were grim kids as well and. there's a lot of sort of historians who have done a lot of work on that. there's book by chakrabarti meyers. that's forging freedom. it's about free black women, charleston and how they kind of negotiate their lives within this sort of very racially and, sexually violent charleston at the time. and so she was somebody or nancy w

archibald graham kyi was a political independent. it was race not party. he was not beholden and tied at the propublica party. it ended up voting with the black party. it's dealing with the cleveland administration. in the book, i point out the dichotomy through the boys was not the rivalry that we think of. they did talk to each other all on the schools of blacks are at the moment -- this is very radical at the time. all these people talking conversed thrown another. by the time we got 1905 in 1906 with the brownsville incident in texas. they began to question allegiance. is that the public facing accommodation. at this point, archie had been helping facilitate scholarship programs. so, even though publicly archie was critical. also, critical of dubois. behind the scenes, they're all working together, right? in terms of this elite black people that i talk about. that being some type of contest or disagreement between them. and boston is a huge issue between the back community. and d.c. in this particular community. he stayed with francis often when he vis

graham 7th. touched on partly on the hammock. denise harrison i've been in touch here. so whenever you're touching a bureau arch in salt lake for them arch, lauren was junior on jack archibald. bid him as you loom said, she jenaya has shouldn't have been told what trouble in the corner says smith. benny suddenly quoted the courtroom be the best friend midship is firmed up. shouldn't been him. a lovely may be deemed dead in bed. bitterly childish machines are hampshire near to see that the lyrics change as well. i mean, if you look at the lyrics of the 19 sixty's, the very 1st arabesque bit tacitly that for example, or, and angela's break arabesque. and so i suppose you could say and that of the 19 seventies and then looking forward to the 1980s as well the quality of the lyrics and the toner. the lyrics change is quite significantly the place of the beloved, the construction of the idea of suffering. and these are all things the elements of kind of pain and a g, and the relief as it were of that pain that i get. these are all the things that have changed over the course of the decades. ah, with me again, a very good example to look at is bust him we do year which has got a

graham 7 little touched on parkway, on the head mcdonalds various in the beginning to touch some brand new touch nebular arch in song google leads for the arch loading was junior on jack archibald been im as you loom shit should jenaya has shouldn't be to trouble no trouble in the corner. smith. benny suddenly quoted the recording, but the best thing midship is firmed up. shouldn't been him. a lovely man being dead in bed. bedfellow bay childish mashanda hem says you let me see that the nor exchange as well. i mean, if you look at the lyrics of the 1960 is the very 1st arabesque bit tacitly that for example, or an angela's great arabesque. and so i suppose you could say and that of the 19 seventies and then looking forward to the 1980s as well the quality of the lyrics and the toner. the lyrics change is quite significantly the place of the beloved, the construction of the idea of suffering. and these are all things the elements of kind of pain and a g, and the relief as it were, of that pain and of that object. these are all the things that have changed over the course of the decades. ah, with me again, a very good example to look at is boston with julia, which has got a lot o