arkady eskin played the piano and two musicians, pyotr and dina, simply enjoyed his ira. his way, there were already three of us cape eskin plus vonzilovsky, but then the question arose of how to transfer the jazz scores to the on-camera composition. the fact is that with fasman's repertoire in the same composition bent i heard in the performance. benda george goryanyan. yes, you know from the notes, but there everything was played very accurately. well, you know what it was like, there was no feeling of primacy of some kind of freshness. that is, as if it were all this and not that, i shared this with my business. he thought and said, but you know, let's go then, let everything be different. i say, well, like this, he says, you understand? we need to make special jazz arrangements for the chamber staff. but we both knew, both peter and i, that such a person is able to transcribe a jazz score there is only one person on-camera orchestra in minsk, this is the former. and at that time , the virtuoso guitarist, honored artist of belarus vladimir nikolaevich tkachenko , vandil