most important thing is that amazing actors worked here in this organization, starting with arkady sakavich raikins lucky because my dad took me to the estrada theater to see arkady sakovich's program, i even remember his program, which was called. two to fifty, i remember my father's performances, the hall, which swayed like a mug in the wind, falling out of seats, when the audience laughed physically, they laughed not just with their voices and sounds, they laughed with their whole bodies, they leaned over like this, then came back, leaned back, this is the kind of hall that... i'm talking, like a mug in the wind, i looked at it, i'm walking down the street, imagine, you're walking down street, you meet me, come to me in the evening, why, come and see, i come to you, you through the warehouse, through the director-store, through the goods got, dry, neuka, utivayus. i tried in my mouth the site taste of lists, lists, huh? i respect you, listen, you respect me, listen, i respect you, you respect me, you and i are respected people, suddenly in the hall there were several hundred more people somehow

most important thing is that here. in this organization worked amazing actors, starting with arkady isavich raikin took me to the estrada theater to see arkady sakovich's program, i even remember his program, which was called from two to fifty. i remember my father's performances, the hall, which swayed like a face in the wind, falling out of the chairs, when here... i come to you, you through the warehouse manager, through the store director, through the goods you got, chish, but you have it, i tried it, it saet in my mouth, the taste, lists, lists, no. "i respect you, listen, you respect me, listen, i respect you, you respect me, we with you, dear people, suddenly there were several hundred more people in the hall, somehow, and it turns out they took apart a brick wall, they took apart the wall, the audience, quietly entered the hall, and i remember another case, when suddenly among the audience at the beginning in the pofai there was a very dirty man walking, very, well, just so to speak, incredibly dirty, some kind of just dirty face, all in dust, in cobwebs, in soot, it turns out he crawled i

today, silence, and we decided to go to the estrada theatre, which now bears the name of arkady sakivich raikinto see, and how do they hand it over, what kind of procedure is that? someone there then the commission says someone doesn't, boys, come on, what do you have there, and there were papers, jeans somehow awkwardly, loudspeakers, i say, give me something, one of the actors gives me a suit, the trousers were somewhere two or three sizes bigger than i could afford then, i went out with a piece of paper, but the main actor's task was not to lose pants when reading, so i, as it seemed to me, misha mishin, here we were together performing, vitya belevik, unfortunately, he is no longer there, we have such a program, laugh to your heart's content. the conductor was sitting in the service compartment and noisily drinking tea, looking out the window. there, in the light of rare lanterns, a man with a suitcase flashed, he was already in his underwear. and then the conductor could not stand it. leaning out the window, she screamed: "well, what, are we not people or what, there is no face left, give