ice carries and art of show of art which led to the pentagon cracking down on their rights? >> who would like to comment west and mark when we go to the next question. we will ponder and there was somebody, yes. no, but it's coming. [inaudible] >> going back to thelonious monk, it's my understanding that department conjured a lot of jazz musicians as well as expressionistic conditions to show how free we were in the united states so that's another case that maybe you could comment on and that is people making art and being used perhaps by various political organizations to show something to someone . >> the days the cia were sort of liberal. >> would anybody like to say something to this? >> you spoke to unforeseen consequences and that sounded very well. it's all kinds of things that you can put but i agree with julian that in naming and creating a consciousness about different states that gives it tools, but all those tools they use. >> i'd like to comment about role models and what they had to go through. a personal experience where i had my daughter and i had my female c

can art change society? it raises another question which is should art change society and after all, art with a message often, there's a description for bad art and there are those who say art should have no purpose beyond itself. but of course, the issue is a bit more complicated than that. sometimes, the very fact of producing a work of art is an expression of persecuted minorities, for example is itself a political act even if it has no overt message. art can also be used by power in the ways that change society which are not always desirable . a famous example is the spark of the cultural revolution in china which was a performance of a chinese opera and i don't remember the exact contents of it but it involved a character who challenged the authority of the emperor in this place which was seen as an attack on him and this started bloodshed of many years. and propaganda of course doesn't always necessarily lead to bad art either. i would mention the films by surrogate eisenstein which were clearly commun

are great with modern art, performance art, contemporary art. they have no background stated in their paperwork regarding this work of art. the big part of the original case was about government speech i would like to quote from the opinion, pleasant grove, utah and numbers zero seven-665. they gave the opinion on february 25th of '09. item three, page 8, what is it fair to say that throughout our nation's history, the general government practice with respect to donated monuments has been one of selective receptivity equally on my personal side, i say they were not talking about their removal or storage. on section four, subsection b., page ten and 11, they say it respondent voices a legitimate concern the government speech doctrine not be used as subterfuge for favouring certain private speakers over others based on viewpoint, the respondent suggested solutions to require government entities accepting a privately don't dove donated monuments to go through a formal process of adopting a resolution publicly. then they go on to say that the messag

guidelines for the city civic art collection. these policies address the removal of public art from city property. on october 7th, the arts commission unanimously adopted a resolution requiring staff to initiate the review process described in the policies and guidelines i mentioned. to consider this of the early day statue, staff completed this review process. on march 5th, 2018 after a thorough public process, and the arts commission voted unanimously to remove the early days statue and placed it in storage, not to destroy it until the arts commission could determine the future location. the arts commission based it's decision on significant adverse public reaction over an extended period of time. a clear criteria established in our policies and guidelines. as explained earlier kept, the charger makes clear that the commission had the authority to vote to remove the early day statue and to elect to place it in storage. not to destroy it. at the heart of this appeal is the challenge it presents to the authority of the arts commi

it‘s very hard to make value with art. 0nly it‘s very hard to make value with art. to do with this. let me ask you about israelis. you know, you have talked about israelis in your life experience, being soldiers who have raided your exhibitions, or who have raided your exhibitions, or who once briefly put you in prison. but you have come to know it is rarely others too. have you actively sought out collaboration with israeli artist? does that seem something important to you, or do you find that very difficult?m depends on the type. like from 1980 until 2004, i think, depends on the type. like from 1980 until2004, ithink, we depends on the type. like from 1980 until 2004, i think, we are in very good relationships, and we made lots ofjoint exhibitions. more than 30, 35 exhibitions together. mo5t ofjoint exhibitions. more than 30, 35 exhibitions together. most of them under the title of down with 0ccupation, them under the title of down with occupation, and so on. now, today, it‘5 occupation, and so on. now, today, it‘s impossible to make a joint exhibition or to meet

subway because you see art wherever you go and you don't have to visit a museum or art gallery you get high quality art is just by going by the metro. some of the stations resemble cape broughton. the earliest was sculpted out of the such rain in bedrock in the nineteen seventies and they now a source of inspiration for many new artists. this study on the station is famous for its rainbow design and its colorful signage . it opened in one nine hundred seventy three and was designed by eno honey. as the professor at sweden's royal institute of arts he's always been fascinated by the vibrant colors of the sky in full in its manifestation. even now eighty seven years young. struggle. for. in store called. story short i saw. a report that if the all read the. story make a. law i would like however. some people come to stockholm specifically to see the subway on special to us of some of the stations even take place in some of the goddess marie under sun no secret deal about the stockholm underground. and. personally i'm very fond of public art because normally it's so you lauch and especial

but also for lovers of art. this nine hundred sixty one lincoln continental once belonged to because so by combining it with one of her own sculptures to serve if you he has turned it into. yet transforms cars made by his family's firm into a lot style objects. and design professor paolo to me nearly has turned his experiences with an old fear into a video installation the vote of cause in modern life and culture is the theme at grandpa's of. my cars my studio when i drive a field because i'm keeping the attention on the road and of course what i'm doing . it doesn't completely stop another area of my brain to think but it but you know it just does a trick that it helps me create somehow exhibition organize the color to me nearly invited people from all over europe cultures seem to work together for grand including george. who was once voted card designer of the twentieth century by a jury of experts. and stephen bailey it is signed critic and co-founder of london's design museum. this creates a more very multi-

the way because you see art whatever you go and you don't have to visit a museum or art gallery you get high quality artists just by going by item x. ray or. some of the stations resemble cave. the earliest was sculpted out of the subs raney and bedrock in the nineteen seventies and they now a source of inspiration for many new artists. this study on the station is famous for its rainbow design and its colorful signage. it opened in one nine hundred seventy three and was designed by eno hunnicutt. the professor at sweden's royal institute of arts he's always been fascinated by the vibrant colors of the sky in all its manifestations. even now eighty seven years young. stud bjork. for. station in install called where the. station so we think of this report that if the all read the. above. story make a. large brood like i have heard. some people come to stockholm specifically to see the subway on special terms of some of the stations even take place in some of the guys mary on the suddenness a great deal about the stock underground. personally i'm very fond of public art because normally i

♪ how great thou art ♪ then sings my soul ♪ my savior god ♪ how great thou art ♪ how great thou art♪ my burden gladly bearing ♪ he bled and died to take away my sin ♪ ♪ then sings my soul ♪ my savior god to thee ♪ how great thou art ♪ how great thou art ♪ then sings my soul ♪ my savior god to thee ♪ how great thou art ♪ how great thousand art ♪ when christ shall come with shout of acclamation ♪ ♪ and take me home what joy shall fill my heart ♪ ♪ then i shall bow in humble adoration ♪ ♪ and there proclaim my god how great thou art ♪ ♪ then sings my soul my savior god to thee ♪ ♪ how great thou art ♪ how great thou art then sings my soul my savior god to thee ♪ ♪ how great thou art ♪ how great thou art >> a reading from the gospel, john 15:12-13. jesus said, this is my commandment, that you love one another as i have loved you. no greater love than this, to lay down one's life for one's friends. the word of the lord, thanks be to god. >>> let us remember john mccain with the words of the jesuit poet gerard manly hopkins. what i do is me. for that i came. but i say more that just man j

without light there would be no life without light there would be no art. no white or something that goes through portico physical. removal or through of the skin the tree or for a life and produce for him and so what happens three of. us we don't think of it that were. james charles body of work focuses on the perception of light both natural and artificial now seventy five the american as one of the most foremost artists of our time. has installations that a few is difficult to grasp. both deeply unsettling and deeply moving us a bathed in light dazzled until they lose their grip on the material world. no focused no object no thing and you see that when you get the white out while skiing you can see it. all flying when you enter the cloud and africa gauge an instrument flying. also when you dive there are times when you are aware that you know which way is up this is by watching your bubbles we are entering this new. landscape which is the landscape with our horizon and we're learning today advocated. the works challenge sensory experience. but looks at f

it's very hard to make value with art.ople, who sometimes i work with, they have a lot to do with this. let me ask you about israelis. you know, we've talked about israelis in your life experience, being soldiers who have raided your exhibitions, or who once briefly put you in prison. but you'ave come to know israeli artists too. have you actively sought out collaboration with israeli artist? does that seem something important to you, or do you find that very difficult? it depends on the time. like, from ‘80 until 2004, i think, we were in very good relationships, and we made lots of joint exhibitions. more than 30, 35 exhibitions together. most of them under the bit title of down with 0ccupation, and for a two—state solution, and so on. now, today, it's impossible to make a joint exhibition or to meet in ramallah, it's very hard. but i hope things will change. and what of pressures from the palestinian side? 0ver recent years, we have seen hamas, for example, but clearly there are political divisions within the political

group that is so supportive of the arts.hey have paid for a home for us to be in and as you have heard before, there are some of our contemporaries that have left the city because it is just not viable to be here. it is very difficult in this economic environment. we have a unique opportunity to support the arts and make this a very real thing. most of these kids travelled to russia with us earlier and studied there for a week at the old troy -- bolshoy academy. i am passionate about it and we want to support the art form. this building will be a huge part of that. i thank you all for your time and you're listening. >> president hillis: thank you , very much. next speaker, please. if anybody else would like to speak, line up on the screen side of the room. >> hello. obviously, i am supporting the arts. it is something i believe in very much. having the arts district expand anyway it can to provide more opportunities, especially for our young artists, is something we can get behind. i think that we have an opportunity here to

musicians to this art form. want to today's most important artists care how to reach their has found new ways to use light is still life skull with candle plays with our perceptions. the images are indistinct blurred shimmering nothing is as it seems. james to rail uses many of these same effect in his works images to blend into one another playing tricks on the viewer's imagination. in college to real studied psychology mathematics and astronomy these disciplines are reflected in his work a sophisticated attempt to alter our sense of perception one might said you are even more than an artist you're a kind of a philosopher of a spiritual guy maybe a scientist how do you see yourself as an artist i mean as i say this is not things that inform science i'm informed by science an interesting point is that life is also used in para p. and one of your pieces is called healing light so is it kind of a healing experience or do you try to balance it in terms of the frequencies if you stay in their version so it has kind

[applause] >> hello, the topic today is the art of the accused. when we say accused these days we are often referring to artists who have been accused of sexual misconduct and it's a category that seems to be growing larger by the minute unfortunately. just this morning, i was reading the guardian and i saw that the latest writer to be accused of sexual malfeasance and manuscript found by his second wife in which it accuses him and writes in the book, for instance, that he was very unhappy when she had their two sons because she said children interfere with the writer's schedule, how dare you have children, how will i get my writing done and and also pointed out that he had a pet rat named bergis which he kept in his room and when people came over he liked to let the rat out and watch as they screamed and lifted their legs and that she took this as evidence of his sadism generally. the question that i want to ask our panelists is once we know that an artist is not a perfect human being and in fact, maybe guilty of truly reprehensible act does it a

and her very who came to germany to study art. you know we're. more appreciative words more precious. when james tarell frames light as in a painting he's following a centuries old tradition of western art. from the baroque period to modern times artists have been captivated by the power of light. light can bring a scene to life increase its dramatic effect and focus the viewer's attention. in the seventeenth century the use of light transformed the world of art. for the first time artists used like to highlight their subjects and not just saints but mere mortals. and even the artists themselves. they created a world of sharp contrast between light and dark. the renaissance sought to bring light into darkness using science and reason to counter the influence of the church and religion. rembrandt's the anatomy lesson of dr nicholas tulip is the quintessential renaissance art work the participants are gathered around the corpse of a criminal and the body is bathed in light. in the eighteenth century the english painter william turner took the use o

welcome to art's twenty one. molders politicians have capitalized on the cultural capital the letter. staff has james to round creates masterpieces out of light. and germany. writes about christian terrorism in imperial china. but first culture wars in europe cities candidates wants to be a european capital of culture but will the outbreak of far right violence after the stopping of a german nip that in the part. this is the bad can it. and this is the good chemists. scenes of violent mobs hunting down immigrants. scenes of sixty five thousand people at a concert against racism if you look at the. chemist's as making of it to be european capital of culture in twenty twenty five given the recent unrest it seems like a few tarnishes on the contrary says egmont from the cultural advisory council. i've been struggling with bids become more important than ever we need to make the city more open to be a capital of culture to reach out to europe and have europe reach out to us as we want to show what we're proud of. str

>> yes, the arts commission has received interest. the interest received was in the early part of the process towards the end of 2017. we have not heard recent interest. but, again captured a scenario that presents itself on the commission decides that it could be appropriate, that is on the table. >> so rather than being in storage in perpetuity, it could go somewhere else other than this place? >> correct. the contextualization is an important factor in that decision. >> thank you. >> ok. thank you. commissioners, this matter is submitted. >> may i? >> thank you. we have been living, for most folks in this audience, you have been living with this all your life. your ancestors have been living with it for hundreds of years. and the pain of that has been reflected very clearly today and in previous hearings. i was just like to thank you for all of your energy about being here. i thank you for the educational offerings. because i have learned a tremendous amount. also, thank you for the enlightenment, which actually is one of the reaso

in the seventeenth century the use of light transformed the world of art. for the first time artists used like to highlight their subjects and not just saints but mere mortals. and even the artists themselves. they created a world of sharp contrast between light and dark. their renaissance sought to bring light into darkness using science and reason to counter the influence of the church and religion. rembrandt's the anatomy lesson of dr nicholas tool is the quintessential renaissance art work the participants are gathered around the corpse of a criminal and the body is bathed in light. in the eighteenth century the english painter william turner took the use of light to a new level in his work the slave ship the sky and see the low. light of lunch the canvas and contrasts turner also made use of dissolves and fading effects which he copied from early photographs. in the twentieth century photography became the preferred medium for experimenting with light. gifted photographers like man ray made substantial contributions to this art form. one of today's mos

art wherever you go and you don't have to visit a museum or art gallery you get high quality artists just by going by the metro. some of the stations resemble cain brought home. the earliest was sculpted out of the subterranean bedroom in the nineteen seventies and then now a source of inspiration for many new artists. the study on the station is famous for its rainbow design and its colorful signage . it opened in one nine hundred seventy three and was designed by and ohana. the professor at sweden's royal institute of arts he's always been fascinated by the vibrant colors of the sky in full in its manifestation. even now eighty seven years young. the struggle. for. station in store called. saw. a report that if the all rika. story make a. large blue like. this some people come to stockholm specifically to see the subway amounts. of some of the stations even take place in summer with god it's marie on the sun no secret deal about the stockholm underground. and. personally i'm very fond of public art because normally it's so you lauch and especially in the make choices just. they sho

james to rail uses light to create art. is not a god but many consider him one of our greatest contemporary artists his works don't simply make use of light they are light itself. these installations bayne the viewer in light. you lose your orientation. outlines disappear. everything into color. three you're going to museum in body is now hosting a retrospective the largest ever seen in europe. seldom gives interviews but at the museum we talked to him at length. seventy five years old now he rarely travels to these kinds of exhibitions which are held all over the world it's. a conversation focused on the main theme of his work the secrets of light. mist that are out when and how did you first realize that the world is all about flights i don't know the very can tell you anything about religion or or science but i do know that you know a lot of artists about if you look at just the history of art in our you know our culture is littered with people who are depicting life in amazing ways and using it for the staging of the dr

now it goes by the name street art. one company has turned its street art into a big business.hler has more on this. >> reporter: street art attracts those looking for the perfect selfie backdrop. they are grand and intricate, colorful and sometimes controversial. and increasingly, they're selling something. >> you don't often think of advertising as art. >> you don't. i think what's unique about what we do is that it's art first, right? >> reporter: paul is the co-founder of colossal media. his brooklyn-based company may be the largest hand painted advertisement firm in the u.s. with clients including samsung, delta, comedy central, and nintendo. >>> what is the allure to these companies that are hiring you to do these? >> i think the allure is that they get access to these neighborhoods that we live in and that we work in. we really know about brooklyn, we really know about the arts district in los angeles. i think that if you're a brand, it's about, you know, getting connected. it's about getting people's attention, you know? we do that in a real truthful way. >> reporter: h

because you never think about does art cones art is something you can do especially well if that's art isn't it because those chords go well. and i like home and her likes a bit of an adrenaline rush well if you do and are ever in norway we have just the place for you it is up in the northwest of the country just south of the town of bor do the beautiful but deadly salt and fuel watch when the tide changes in the fuel that the strength of the current rises to a velocity of over twenty knots creating well poles that form up to five meters deep no small sailboat would ever be able to cope with these currents but one custom made high speed military vessel manages to make its way through this stunning force of nature. stroman is a little village on the west coast of norway. it would likely be relatively unknown if it weren't for the straits. between ebb and flow when the title current is at its weakest the water looks quite camp but as the tide rises so does the excitement . and up to four hundred million cubic metres of water rushed through the straits that's just one hundred fifty meters

on the street boys did not distinguish between man and art he declared meant to be a work of art thatwas an essential component to his understanding of art and he believed that our can anticipate what still lies beyond the reach of the human mind . curt finds his style his paintings are photo realistic yet alien much like those by the successful contemporary artist gary hart who stuck his aunt was killed by the nazis while his father in law was a nazi gun ecologist who carried out the forced sterilization of women. parliamentary system leading from elements from get out of this life became the starting point for this film that's your point. but then i created my own path and story from there. because i find fiction somehow becomes more real and true when it isn't tethered to pure facts and real life events. a noble ambition but honest mark wanted to much displeased decades of german history and love story and art theory into a three hour film. the results doesn't quite add up despite many strong scenes and strong performances. that sent from ops twenty one this week but before we go i

the art classes offered throughout the year include traditional art form and most featured in the museum's exhibits. it highlights special events mayo, many nco de holiday celebrations. other special community events include the presentation of films throughout the year as well as summer and outdoor screening of latino movies. magdalena garcia is passionate about the arts. prior to creating el museo latino, she volunteered many museums, including the museum of fine arts in houston and the art museum in erie, new york. after completing her arts egree in syracuse, she went to omaha. she had the support of community leaders including activists, educator, jim ramirez. through years of hard work, perseverance, passion, her dream became a reality. the museum officially opened on the help of with many volunteers. she has -- the mexican government honored her lifetime of achievement. over the past 25 years, the museum has had more than 150 exhibitions. without this treasure, much of the hispanic culture would be lost. thanks to ms. garcia and her board and the many contributions to the communities

in return, you have to let the white people keep it's art. white community, i refer to the white people who are still justifiably proud of civilization's magnificent accomplishments. if the indians want to stay true in civic centre, i will personally recruit -- will create one if you stop trying to vandalize my sculpture. i will hang around after the meeting to talk to any indians who want to make a deal so we can erect a statue in civic centre. thank you. >> thank you. >> i am paula randle. i am a guest living in the inner richmond. i was really interested in your question about what was the intention of the first dorsal person who gave $100,000 in regard to that statue. my question is, who cares klee individuals and cities and organizations make mistakes all the time. a mistake was made in 1890, whatever it was, it can be rectified in 2017. it is time that we did this. >> thank you. >> i am a third generation of my family to be so proud and happy to call san francisco my home. it is with humility that i offer myself as an ally and solidarit

hello and welcome to a new edition of art's twenty one. this is its literature i'm intentionally messing with you dove it's the best german language novel of the year will be announced at the upcoming frankfurt book fair we meet the six contenders for the coveted judgment book prize for. first we had to san francisco and an exhibition showcasing contemporary muslim fashion that explores the fusion between faith and fashion modesty and maternity. is america ready for the show. when the do young museum in san francisco announced contemporary muslim fashions two years ago the idea immediately sparked criticism dedicating an exhibition to muslim fashion given the current political climate in the us is a bold move but the museum's director at the time maps whole line enjoys courting controversy. as ads for late for a. move on the one hand there's islamophobia criticism at the front and. on the other there's also criticism from feminists who feel the exhibition celebrates the subjugation of women in muslim countries looking for fall in with the

this is where art happens in this country this is exhibit this is the crucible where art is made. this his there is dominated by large format paintings and object art. these two works by stanley an installation artist cut-n. of its cover are also attracting lots of attention. the. former beatle paul mccartney has written a new children's book called he grabbed the picture book relates to the benches of a gentleman with his grandchildren. eight grandchildren and they're all beautiful. one of them said to be a grown. up so from then on the arsenal roos round. the common spurs children's book and adventure novel called high in the clouds came out in two thousand and five but kids will have to wait until september two thousand and nine team to read a grand. character choose a french president manuel micro are currently on display at the draw me a macro exhibition in more switzerland works by eighty artists from france belgium and other countries are on show at the house of press caricature as. some caricaturists say the politician is hard to satirize because he's simply too attractive

lives filled with art music entertainment and fun everything that i.a.s. set out to destroy. is cycling from western mosul which is almost completely destroyed to the eastern part of the city on the other side of the river tigris there the destruction is less widespread the bridges near the old one was destroyed during the nine month battle for the city when the iraqi army return mosul. omar is studying economics he resumed his studies after the city was liberated in twenty seventeen. during the i.a.s. occupation the university was closed the militants set up their administration in the building making it a target for iraqi forces and their allies including u.s. fighter jets it will take a long time to rebuild the campus but the material loss is less painful for the students than the memory of what happened. the worst part about trying to study and i asked rule was the oppression and the feeling of being totally at their mercy and it lasted for three years. i suffered a lot of the students who managed to flee to other provinces like a beer or dog are now one or two years ahea

what is an art loss register certificate the precious open sesame of the art market a document which states that an object wasn't stolen. founded in london twenty five years ago as a private information service with over four hundred thousand listed objects are lost register owns the largest database of stolen artifacts in the world for a fee any buyer or seller can ask art loss register to verify that a piece is not listed on its database. these registrations these. could also be registrations from a museum just in case items ever started on the register them on the database just in case they show off for sale somewhere else in my stuff is examples of the thefts from the national museum of iraq in two thousand and three and two thousand and four. and what was amazing is they were very careful and you can tell it was well because they went into the basement once they'd stolen everything and they destroyed all the documentation for the objects so that people wouldn't know what had been stolen unfortunately the major objects have been recorded elsewhere. they can say actually a differe

lives filled with art music entertainment and fun everything that i yes set out to destroy. is cycling from western most of which is almost completely destroyed to the eastern part of the city on the other side of the river tigris there that is struction is less widespread the bridges near the old one was destroyed during the nine month battle for the city when the iraqi army rito mosul. oma is studying economics he resumed his studies after the city was liberated in twenty seventeen. during the i.s.i. occupation the university was closed the militants set up their administration in the building making it a target for iraqi forces and their allies including u.s. fighter jets it will take a long time to rebuild the campus but the material loss is less painful for the students than the memory of what happened. the worst part about trying to study and i asked rule was the oppression and the feeling of being totally at their mercy and it lasted for three years. i suffered a lot of the students who managed to flee to other provinces like a beer or are now one of two years ahead o