on move on from fighting talk to talk of fighting art shell maligned live in maybe russia's best combat support of more tie this young aspiring part. russian a bear of a kids of his prime in himself and even greater glory as michael crabtree found out despite being only twenty two of is ready to compete with the best the russian bear has already been crowned three time world and four time european amateur champion. and made an instant impression stateside when he defeated louis in a glory nine matches including two blistering blows that wowed the crowd. i suppose i'm a workaholic when i was young i was always told to finish what you started and as a child i always dreamed of winning the war through sport you know becoming a world champion and it's taken a long time and quite a few losses but i never lowered my game and it's got me to where i am now but he does his also emerging from the shadow of russia's most successful. live in the to come from the same city in southern siberia and have known each other since they were kids and although twenty six year old live in beat but he dove in

art facts, i have his purple heart. he was gassed. and also, a bullet shell. on it is carved 1918. >> yeah. that's common, actually.> oh. >> there a whole field -- >> i might have to have talk with the dealer. [laughter] >> maybe. [laughter] >> i wonder if anybody tried to call him. that's called trench art. soldiers had a lot of down time in the trenches with and they would often carve thing kind of like sailors did scrim shaw a century earlier. that's interesting. but that -- you know, i heard from a lot of people since the book was published who tell me that they never realized they had somebody in their family in world war i until they opened an old chest and found a bunch of paper or opened an old book on a shelf and found a letter home from fran or something like that. and, you know, it's an interesting thing. i talk about bella wood and people dug art facts up out of the earth. in other part of the france, you don't have to dig. every time a field plowed, to this day, things pop up. every time. i have walking through a field in the town of are main, france. a morning in june of 2009, and a couple of minutes

shell was inside of the building. we have been constantly testing. we have been in contact with neighbors. i mean almost daily, just to make sure because this is not a science, it's an art. and even though we have brought in west coast sound solutions three times for consulting. they would give us one idea and it wouldn't always quite work and then try it again. i think we -- there is no doubt that our communication not only with our neighbors but with everybody else in the community as well that has really improved. and we really put this effort in, and i am hoping if the commissioners have further questions. i was not there when the commissioners were there to inspect, but i am happy to answer any questions you have now. >> thank you. commissioners. comments/questions? hyde. >> can you define what you are asking for tonight? what is it you want? >> i would like our decimal level to be raised on a nightly basis, and also for our live permit to go to 12:30 during the week and 1:30 on the weekends. >> is there a certain decibel level you are requesting? >> i think 95 is not an issue. based on our personal tests. i think when the department of health ran their tests we we

shell that's been cut in half or sectioned. and in looking at other examples of this kind of an instrument or tool in maya art, it's clear that these were used as receptacles for paint. this is basically his paint pot. and what that tells us is that the figure in this niche represents a scribe or a patron of classic maya scribes. keach: the lord of the compound may have been a scribe. he was also one of the most powerful men in eighth century copan. not only did his compound boast ornate sculpture and masonry, he owned an elaborately carved throne. the discovery of this hieroglyphic bench or throne in sepulturas was one of the most exciting moments in the history of archaeology in the copan valley. the text starts with the date, like in all maya inscriptions, telling you when the events took place, in the latter part of the eighth century a.d. after they give you the date, then they always present you with the verb. the verb is a house dedication ceremony. in fact, in this part of it, you can actually see the glyph for house, with thatching in the roof. so we know that on this date, late in the eighth century a.d., this house or bu