>> plaza on the boston center of the arts. >> so for you, public art is important? >> indeed. listening is a big aspect of public art. in general, i feel like public art is a catalyst. >> on that note, thank you for being here. the public trust, and up next, travel to concorde, massachusetts to the meeting house. stay tuned. ? amazing sleep stays with you all day and all night. don't miss the biggest sale of the year. right now save 50% on the labor day limited edition bed, plus 36-month financing. hurry ends monday! discussion, we are bringing art into the discussion. the meetinghouse is a multifaceted art installation design for the public to share and explore history and issues of race. it is a national historic landmark. a location that was an important setting for discussions dating back to the revolution. first emancipated african american men and women and features an open space as seen here. it is con wanted -- it is complemented by objects indoors including a manuscript including the first published african-american -- and a warning poster from 1951. and also a profes

the fine arts museums, the asian art museum and i would imagine the war memorial as well. how do you -- number one, track and inventory your culture resources and assets and to what city oversight is there to ensure that a city official actually knows that it's being done well and right? >> well, the director of the museums is the city department head, so it is ultimately his responsibility to report to the fine arts museums san francisco board on those cases, and we do have two -- as charlie pointed out two registrars who are city employees. our collections information data base is quite complex. the files on the works of arts themselves are voluminous. we do regular audits of the collection. what we call spot audits because the collections are over 120,000 works of art at this point to check and see if works of art are where they're supposed to be according to the system and in reverse identifying works of arts and it has all of its records in place and in the electronic system and the paper files. >> thank you for that. and this may be a question for mr. castillo but re

boston arts academy is both's only public high school for the arts. serving 440 students from predominantly low-income families. over the last two years nor than 97 percent of their graduates have been accepted to college. to tell us more about the award headmaster anne clark . >>> before we talk about the award let's talk about bogs tan art academy. i hear that each year 700 students apply for just 125 openings. i guess how do you admit student sentence . >>> we like to say that we're looking for the student passenger's seat who can't not do art. the student who just loves to daps, loves to sing, loves to draov these aren't necessarily students opportunities but before passion. so they come through the school and go through an audition process. we put them in an interactive class and we see how they engage. >> and how the school for the arts, i guess how do you integrate arts into a high school program until how do you >> there are many different models but our model focuses on being as inclusive as possible. so when we admit students we don't look a

the fine arts museums, the asian art museum and i would imagine the war memorial as well. how do you -- number one, track and inventory your culture resources and assets and to what city oversight is there to ensure that a city official actually knows that it's being done well and right? >> well, the director of the museums is the city department head, so it is ultimately his responsibility to report to the fine arts museums san francisco board on those cases, and we do have two -- as charlie pointed out two registrars who are city employees. our collections information data base is quite complex. the files on the works of arts themselves are voluminous. we do regular audits of the collection. what we call spot audits because the collections are over 120,000 works of art at this point to check and see if works of art are where they're supposed to be according to the system and in reverse identifying works of arts and it has all of its records in place and in the electronic system and the paper files. >> thank you for that. and this may be a question for mr. castillo but re

there's an italian art movement called "art porvera" which means poor art. >> poor art. so from struggling artists in. >> it's artists who moved away from traditional art forms and started using basic tools in their work. so they ripped canvasses. used every-day objects. there are artists such as fontana, names like that. are people buying across the spectrum or are collectors, as we traditionally see, you hone in on one particular era, that's what you invest in? >> the spectrum is pretty large. at masterpiece we cover over 5,000 years of art history. we have a lot of different categories. what we see there when we are dealing with collectors is that they can enter the full spectrum. there are many opportunities. those overlooked areas that we touched on, especially in classical art. >> what if you're not a passionate art investor? what if i don't know a thing about the art market but you think i want to invest in that space. it's offering more yield than other government bond markets, equities. can you still invest through an etf or through an art fund if you don't want

the art in public places program had been started by a three person committee at the endowment. what they wanted to do was make it possible for american cities to commission an original work of art for that city. the seed, this is money, we will give you $45,000 and you have to match it. and anything else you need. i was active with the art museum at that time, and they had an exhibit of american te deum sculpture. the man who was responsible for curating the collection was henry gill zeller. he worked at the metropolitan museum in new york, and that asked them to come to grand rapids to lecture. when he came, i picked them up and brought him for a tour of the city. we were in the middle of urban renewal at the time, and this place was a hole in the ground, what i said, this is where the new city hall and county buildings will be. well, he said, you should have a piece of sculpture there. i said that was a great idea, how do i do that? you write your congressman. it was gerald ford at the time. i wrote him a letter and said, dear, congressman ford, i found that there will be man

as you heard jenny is a practitioner and engaged with language as art. the main focus of the art is delivery of words and delivery in public spaces and this provokes responses in the viewers. while her subversive work often blends in in advertising and public spaces it's a resting that goes over expectations and [inaudible] and ignoring informs is the best way to fight or response is the response to these situations and have been on posters and signs. [inaudible] has seven works of jenny holzer in the collection, two from the survival series and two media works of led electronic signs from the survival series and 10-foot installation entitled "i am a man" and a truism golf stand a small sculpture with plastic balls and tees and astro it ever and those that are owned out right there are two in the fisher collection at deposit to the group and survival series men don't protect you anymore and truism. i am a man is the acquisition of the museum and has been on view in three exhibitions recently. once in 1995 when we first opened the third street museum. als

the fine arts museums, the asian art museum and i would imagine the war memorial as well. how do you -- number one, track and inventory your culture resources and assets and to what city oversight is there to ensure that a city official actually knows that it's being done well and right? >> well, the director of the museums is the city department head, so it is ultimately his responsibility to report to the fine arts museums san francisco board on those cases, and we do have two -- as charlie pointed out two registrars who are city employees. our collections information data base is quite complex. the files on the works of arts themselves are voluminous. we do regular audits of the collection. what we call spot audits because the collections are over 120,000 works of art at this point to check and see if works of art are where they're supposed to be according to the system and in reverse identifying works of arts and it has all of its records in place and in the electronic system and the paper files. >> thank you for that. and this may be a question for mr. castillo but re

the fine arts museums, the asian art museum and i would imagine the war memorial as well. how do you -- number one, track and inventory your culture resources and assets and to what city oversight is there to ensure that a city official actually knows that it's being done well and right? >> well, the director of the museums is the city department head, so it is ultimately his responsibility to report to the fine arts museums san francisco board on those cases, and we do have two -- as charlie pointed out two registrars who are city employees. our collections information data base is quite complex. the files on the works of arts themselves are voluminous. we do regular audits of the collection. what we call spot audits because the collections are over 120,000 works of art at this point to check and see if works of art are where they're supposed to be according to the system and in reverse identifying works of arts and it has all of its records in place and in the electronic system and the paper files. >> thank you for that. and this may be a question for mr. castillo but re

the fine arts museums, the asian art museum and i would imagine the war memorial as well. how do you -- number one, track and inventory your culture resources and assets and to what city oversight is there to ensure that a city official actually knows that it's being done well and right? >> well, the director of the museums is the city department head, so it is ultimately his responsibility to report to the fine arts museums san francisco board on those cases, and we do have two -- as charlie pointed out two registrars who are city employees. our collections information data base is quite complex. the files on the works of arts themselves are voluminous. we do regular audits of the collection. what we call spot audits because the collections are over 120,000 works of art at this point to check and see if works of art are where they're supposed to be according to the system and in reverse identifying works of arts and it has all of its records in place and in the electronic system and the paper files. >> thank you for that. and this may be a question for mr. castillo but re

what is bringing art to the next level. >> letting people understand art is not just for rich people. that's why when i first went to reebok five years ago, part of my deal was to keep the estate part of the deal. and the reason why i wanted that a part of the deal was because i could bring people into the art world through fashion. so i put basqua face on all these shirts so people can know world to move forward, you have to be forward thinking mentality. >> swiz swizz beatz, thanks for inspiring so many like myself. >> thank you, too. >> know doubt. >> definitely. >> >>> up next we have a little fun in seeing how swiz beatz handles himself in th this car is traveling over 200 miles per hour. to win, every millisecond matters. and thousands of miles away. with the help of at&t, red bull racing can share critical information about every inch of the car from virtually anywhere. brakes are getting warm. confirmed, daniel you need to cool your brakes. understood, brake bias back 2 clicks. giving them the agility to have speed & precision. because no one knows & like at&t. in the fight ag

as you heard jenny is a practitioner and engaged with language as art. the main focus of the art is delivery of words and delivery in public spaces and this provokes responses in the viewers. while her subversive work often blends in in advertising and public spaces it's a resting that goes over expectations and [inaudible] and ignoring informs is the best way to fight or response is the response to these situations and have been on posters and signs. [inaudible] has seven works of jenny holzer in the collection, two from the survival series and two media works of led electronic signs from the survival series and 10-foot installation entitled "i am a man" and a truism golf stand a small sculpture with plastic balls and tees and astro it ever and those that are owned out right there are two in the fisher collection at deposit to the group and survival series men don't protect you anymore and truism. i am a man is the acquisition of the museum and has been on view in three exhibitions recently. once in 1995 when we first opened the third street museum. als

as you heard jenny is a practitioner and engaged with language as art. the main focus of the art is delivery of words and delivery in public spaces and this provokes responses in the viewers. while her subversive work often blends in in advertising and public spaces it's a resting that goes over expectations and [inaudible] and ignoring informs is the best way to fight or response is the response to these situations and have been on posters and signs. [inaudible] has seven works of jenny holzer in the collection, two from the survival series and two media works of led electronic signs from the survival series and 10-foot installation entitled "i am a man" and a truism golf stand a small sculpture with plastic balls and tees and astro it ever and those that are owned out right there are two in the fisher collection at deposit to the group and survival series men don't protect you anymore and truism. i am a man is the acquisition of the museum and has been on view in three exhibitions recently. once in 1995 when we first opened the third street museum. als

que trajo las cenizas de uno de los mayores Ídolos populares de mÉxico hasta el palacio de bellas artesnde estamos transmitiendo que ha sido el escenario elegido para el emotivo homenaje final (aplausos) (aplausos) (aplausos) ♪ ♪ ♪ ♪ tu eres la tristeza de mis ojos ♪ ♪ que lloran en silencio por tu amor ♪ ♪. >> buenas tardes aquÍ en palacio de bellas artes una multitud ya estÁ lista para darle el Último adiÓs al "divo de juÁrez" hemos sido testigos de tantos momentos de tanta emociÓn, si tuviera que elegir uno, serÍa sin lugar a duda el momento que estaba entrevistando al hijo mayor de juan gabriel alberto aguilera y a nuestras espaldas empezÓ a llegar el cortejo con las cenizas de su padre y vio la reacciÓn del pueblo mexicano y rompiÓ en llanto, vamos a ver esas imÁgenes que realmente conmueven a cualquiera. >> quiero que te des vuelta porque estas viendo aquÍ atrÁs. >> quÉ amor, que amor. >> escucha a la multitud. >> alberto (lloran) . >> yo sÉ que es muy duro, no es lo mismo. >> yo sÉ que es muy duro (lloran) silva es muy duro para Él, yo lo sÉ, el estÁ actuando como cualquier hijo,

jessica: me encuentro aquÍ, en el palacio de bellas artes.ivo de juÁrez en la vida de este hombre. juan gabriel no ha muerto. ricardo es uno de los mexicanos que lo sigue manteniendo vivo, cada fin de semana. desde hace una dÉcada, ricardo es uno de los principales indicadores del cantante. comenzÓ a hacerlo cuando se quedÓ sin trabajo. ha retocado varios trajes para parecerse a Él. cada vez que se sube al escenario es como si el vivo estuviera presente -- el divo estuviera presente. >> se f en materia, pero Él vive en mi. si tuvo tantos problemas en su niÑez, su vida y fue tan fuerte para salir adelante. jessica: ha sentido como pocos el cariÑo que le profesan al cantautor al que pudo saludar en dos ocasiones. pero el hombre le cambiÓ la vida. >> esto que estoy tocando aquÍ es gracias a juan gabriel. esto y esta casa, es gracias a juan gabriel. todo lo que me llevÓ a mi boca es gracias a Él. jessica: tiene agenda llena. hasta un barrio popular. dicen que todos lo consuelan por la muerte. >> la seÑora nos vio y me dice: usted es imitador, me

the art... life is beautiful" in southern nevada how this huge festival continues to rejuvenize downtown las vegas and the one band that edm fans should be on the look out for! rachel plus - rockers "imagine dragons" set to perform at the third annual tyler robinson foundation gala tonight why this grammy award winning band continues to give back to the community jason then before vegas headliner matt goss says his final goodbyes to see what he tells "more" about what may be next in his future! rachel [ cellphone ringing ] it's just another scandal from danny tarkanian. tarkanian was the corporate lawyer for those with an elaborate scam that tricked hundreds of seniors into donating to fraudulent charities, totaling millions. and when shady tarkanian deal went bust, he refused to pay back $17 million, sticking taxpayers with the bill. why would we ever send danny tarkanian to congress? here's a look at some of the 'all new' stories we are working for fox5 news at ten. life is beautiful... is bac

the fine arts museums, the asian art museum and i would imagine the war memorial as well. how do you -- number one, track and inventory your culture resources and assets and to what city oversight is there to ensure that a city official actually knows that it's being done well and right? >> well, the director of the museums is the city department head, so it is ultimately his responsibility to report to the fine arts museums san francisco board on those cases, and we do have two -- as charlie pointed out two registrars who are city employees. our collections information data base is quite complex. the files on the works of arts themselves are voluminous. we do regular audits of the collection. what we call spot audits because the collections are over 120,000 works of art at this point to check and see if works of art are where they're supposed to be according to the system and in reverse identifying works of arts and it has all of its records in place and in the electronic system and the paper files. >> thank you for that. and this may be a question for mr. castillo but re

for their students. >> our job is to make sure our students see art, understand art, appreciate it, and if theye are passionate enough, created it. >> woodruff: plus, explaining the disconnect of white working class americans from the rest of the country, and how it's playing into this election. >> they feel like their communities have really been struggling for 20-30 years and no one has really cared and trump is the first person to at least see these communities.mm >> woodruff: all that and more on tonight's pbs newshour. >> major funding for the pbs newshour has been provided by: >> lincoln financial-- committed to helping you take charge of your financial future. >> and with the ongoing support of these institutions: >> this program was madepr possible by the corporation for public broadcasting.ca and by contributions to your pbs station from viewers like you. thank you. >> woodruff: it's the debate "day-after," and the two presidential candidates have decidedly different takes on how things went. john yang begins our coverage, with this report. >> yang: 12 hours after stepping

arts.a self-proclaimed conceptualist, he uses dance as a source of physical communication, and his complex works withstand examination from all angles, revealing intimate truths about human nature and offering broader insights into the american experience. [applause] >> luis valdez. [applause] the 2015 national medal of arts to luis valdez for bringing chicano culture to american drama. as a playwright, actor, writer, and director, he illuminates the human spirit in the face of social injustice through award-winning stage, film, and television productions. [applause] >> jack whitten. [applause] the 2015 national medal of arts to jack whitten for remaking the american canvas. as an abstract artist, he uses casting, acrylic paints, and compounds to create new surfaces and textures, challenging our perceptions of shape and color. his powerful works of art put the american story in a new light. [applause] [laughter] >> i can make up the citation. >> let's do that. let's do that, sir. >> you don

las puertas del palacio de bellas artes estarÁn abiertas.emos cobertura especial el dÍa de maÑana. dora: fueron transportadas hasta la capital mexicana las cenizas del cantautor juan gabriel. con sus canciones interpretadas por solistas, grupos, coros y mariachi, se rinde un gran homenaje pÓstumo mientras miles de fila frente a las cenizas. en esta entrevista en exclusiva el hijo mayor del divo de juÁrez explicÓ porque fue cremado el cuerpo de su padre. y maÑana vence el plazo para que los salvadoreÑos renueven el estatus de protecciÓn temporal. ♪ buenas noches. miles de personas continÚan definiendo frente a la una en reposan las cenizas de juan gabriel en el palacio de bellas artes en la ciudad de mÉxico. esta tarde fue transportado junto a su familia en un aviÓn de la presidencia de la repÚblica mexicana. a pesar de la lluvia, muchos salieron a las calles para ver pasar el cortejo fÚnebre. ivÁn: muy buenas noches. ha sido un dÍa de muchas emociones porque el pueblo que impulsÓ la trayectoria de juan gabriel hoy, a 8 dÍas de su muerte, por

the fine arts museums, the asian art museum and i would imagine the war memorial as well. how do you -- number one, track and inventory your culture resources and assets and to what city oversight is there to ensure that a city official actually knows that it's being done well and right? >> well, the director of the museums is the city department head, so it is ultimately his responsibility to report to the fine arts museums san francisco board on those cases, and we do have two -- as charlie pointed out two registrars who are city employees. our collections information data base is quite complex. the files on the works of arts themselves are voluminous. we do regular audits of the collection. what we call spot audits because the collections are over 120,000 works of art at this point to check and see if works of art are where they're supposed to be according to the system and in reverse identifying works of arts and it has all of its records in place and in the electronic system and the paper files. >> thank you for that. and this may be a question for mr. castillo but re

the 2015 national medal of arts. [applause] [applause] >> the recent years of the 2015 national humanities medal. [applause] >> they don't ♪ ♪ ♪ ♪ >> ladies and gentlemen, the president of the united states. [cheers and applause] ♪ >> thank you. everybody, please have a seat, have a seat. thank you so much. everybody, please sit down. i can tell this is a rowdy crowd. sit down. welcome to the white house, everybody. throughout my time here, michelle and i have tried to make it a priority to promote the arts and the humanities, especially for our young people, and it's because we believe that the arts and the humanities are, in many ways, reflective of our national soul. they're central to who we are as americans, dreamers and storytellers, and innovators and visionaries. they're what helps us make sense of the past, the good and the bad. they're how we chart a course for the future while leaving something of ourselves for the next generation to learn from. and we are here today to honor the very best of their fields,

years from now people will be talking about art, looking at art and saying that looks picasso-esque or renoir-esque, people will say that looks cantor-esque. when you look at one of tim cantor's paintings, you're pretty sure tim cantor painted that without seeing his signature in the corner. a nice guy. over the past year or two, it's been crazy. it's been a crazy exciting time for cantor but his famous fans extend even beyond vegas... as oscar winners robert deniro and robert redford love his work and even empire's own terrence howard has quite the collection. now for the first time - vegas will be home to his art thanks to a special exhibit at the afa gallery this weekend. tim: and that's what's fulfilling. i just had an eye. i want to share my work with as many people as i can. >> >> tim has become involved with imagine dragons "tyler robinson foundation" charity... and he's donating art to their gala tonight. he's also auctioning off a saturday night. proceeds will also go to the charity. tickets are still available for the gala. little monsters rejoice! lady gaga will perform at t

continÚan definiendo frente a la una en reposan las cenizas de juan gabriel en el palacio de bellas artesudad de mÉxico. esta tarde fue transportado junto a su familia en un aviÓn de la presidencia de la repÚblica mexicana. a pesar de la lluvia, muchos salieron a las calles para ver pasar el cortejo fÚnebre. ivÁn: muy buenas noches. ha sido un dÍa de muchas emociones porque el pueblo que impulsÓ la trayectoria de juan gabriel hoy, a 8 dÍas de su muerte, por fin llegaron las cenizas a la ciudad de mÉxico. las muestras de cariÑo fueron emotivas. son los momentos culminantes de un traslado que fue acompaÑado por miles de personas que salieron al paso del cortejo fÚnebre de juan gabriel. con estas imÁgenes queda claro el cariÑo que por momentos paralizÓ la ciudad de mÉxico. todo comenzÓ esta maÑana con el -- en el aeropuerto de la ciudad de mÉxico. minutos despuÉs, el autobÚs del mariachi que siempre acompaÑÓ al hijo de juÁrez, y despuÉs de las dos de la tarde el aviÓn presidencial que destinaron para el vuelo, tocÓ suelo. policÍas se prepararon para encabezar e. unos como videos porque dios

las puertas del palacio de bellas artes estarÁn abiertas.aÑana vence el plazo para que los salvadoreÑos renueven el estatus de protecciÓn temporal.

tell me about art in the park. i know you are expecting 100,000 people this weekend. >> absolutely. 100,000 people in the next two days, saturday and sunday. we've ever had for art. over 350 booths. lots of food, lots of entertainment. >> dana: it's not just art but we're getting an idea what it looks like. you have lots of different styles of art. linda, tell me about the food. that's what i am really interested in. you can tell by looking at me. i like to eat. what kind of food are you going to have for the people? >> we have 20 food vendors this year. and we try to make sure that they aren't they want. just like everybody has the kind of art they want. for everybody and there's also a beer garden. it's very popular. i run he beer garden. [ laughter ] >> dana: it's supposed to be close to 90 this weekend which is perfect. but a cold cup of brew might cool you down a little bit. is this art for sale? >> absolutely. all the artists have come in and the art is for sale. you buy raffle tickets and you can win anywher

me encuentro aquÍ dentro del palacio de bellas artes.a juan gabriel, para darle un Último adiÓs. hemos visto desfilar a miles y miles de personas. hay estimaciones de que 150,000 personas han pasado por aquÍ. como este lugar va a estar abierto 24 horas, creemos sin duda que serÁ el homenaje más numeroso que se haya hecho en la historia de mÉxico. llegaron las cenizas de juan gabriel y la canciÓn que lo recibiÓ fue amor eterno. quien le cantÓ fue aÍda cuevas. ella fue la primera en cantarle. dijo que lo definÍa como el mejor de todos. se hicieron varias guardias de honor. la primera fue a cargo de su hijo, ivÁn. fue el que llegÓ con sus cenizas y estuvo acompaÑado del secretario de cultura de mÉxico. despuÉs, hubo una segunda guardia de honor en michoacÁn, donde naciÓ el "divo de juÁrez". estuvo tambiÉn pablo montero, quien tocÓ la una cuando fue su momento. fue ya lucÍa mÉndez quien compartiÓ algo muy bonito con la prensa, marÍa elena. dijo que ella ya habÍa visto que se sentÍa mal juan gabriel. que no podÍa respirar, alberto, como ya le

por fin juan gabriel llegÓ a su querido palacio de bellas artes. llegÓ hace poco la urna con las cenizas de juan gabriel. la urna se encuentran en el centro del vestÍbulo. inmediatamente, la gente que estaba esperando afuera para poder ver a su Ídolo pudieron entrar. es un recorrido rÁpido. no tienen permiso de pararse ni de tomar fotografÍas. la mayorÍa de ellos guardan su momento con los telÉfonos celulares. lo primero que ocurriÓ fue una guardia de honor encabezado por sus hijos. tambiÉn por el secretario de cultura de este paÍs. en la segunda guardia, la encabezaron los gobernadores de michoacÁn, estado donde naciÓ juan gabriel. tambiÉn, el gobernador de chihuahua. sabemos que ciudad juÁrez fue muy importante para el desarrollo y la vida de alberto aguilera. despuÉs de muchos aÑos regresa este cantautor. recordemos que la primera vez que estuvo juan gabriel y su historia. en 1990 cuando vino a cantar por primera vez al escenario principal de este recinto. fue la primera vez en la historia de mÉxico que un cantante de mÚsica popular fue acompaÑa

un bellas artes ya limpio. listos. juan gabriel sÍ había hablado con sus hijos, y les pidiÓ que no se pelearÁn por lo material. alan: hemos platicado con muchÍsima gente, y parecía que juan gabriel lo estaba presintiendo. orlando: o que sÍa algo que nosotros no. roberto, ¿sabes si se rumoreÓ que Él sabÍa que estaba enfermo? roberto: tuve la oportunidad de platicar con diego verdaguer, y nos comentÓ que habÍa platicado con gabriel, y que Él sentÍa que estaba cerca a la hora de su partida. lo platica como una charla amena, no fue triste. sin embargo, juan gabriel se sentÍa cansado. su fÍsico ya no le daba el rendimiento que antes tenÍa. alan: y confirmaba un poco la informaciÓn. orlando: del stent. alan: que sÍ le habían hecho una operaciÓn hace dos aÑos en houston, y que Él se habÍa sentido ultrajado y que ya no querÍa hacerse otra operaciÓn, porque tenÍa que cambiÁrselo. y creo que eso se fue complicando. ricardo: hay que recordar tambiÉn los compromisos que tenÍa, porque tenía toda una gira por la uniÓn americ

llegÓ al palacio de bellas artes. sÉ, lo hicieron muy rÁpido. reportero: ¿vas a hablar con tu familia? reportera: ¿te hubiera gustado que tu papÁ no se cremara? alberto aguilera jr.: no me avisaron. >> nada mÁs hasta aquÍ, por favor. reportera: unas palabras para el pÚblico! unas palabras que quieras decir a toda esta gente que estÁ aquÍ. alberto aguilera jr.: gracias! gracias. orlando: ahÍ vieron las imÁgenes. alan: se me hace tristÍsimo. peleados o no peleados, no pueden no dejar a un hijo ver a su padre. orlando: en colombia se dice que le estaban bailando el indio. lo dejaron afuera, no le avisaban... alan: es para "sin rollo ni tapujos". william: bueno, en momentos regresamos con mas de nuestros queridos alan tacher y orlando desde la ciudad de mÉxico, en donde se estÁ llevando a cabo este gran tributo juan gabriel. pero les cuento que la cantante mexicana belinda estÁ causando un revuelo en las redes sociales, luego de que le pidiera a una de sus seguidoras que se marchara del concierto que ofreciÓ el sÁbado en

me encuentro afuera del palacio de bellas artes. le estÁn pidiendo a la poblaciÓn, a la gente que quiera venir? pues que vengan con ropa cÓmoda, que no vengan con sombrillas o paraguas, porque no podrÁn introducirlos al palacio de bellas artes. les piden que vengan en transporte pÚblico. ustedes saben lo caÓtico que puede convertirse el centro de la cia de mÉxico. estÁn --ciudad de mÉxico. estÁn pidiendo que se vienen acompaÑados por muchas personas, que por favor establezcan un punto de reuniÓn. y sigue lloviendo. nosotros vamos a estar muy pendientes de lo que ocurre en este lugar. aquÍ estÁ mi paraguas, porque estÁ bastante fuerte la lluvia. ya hay gente que estÁ haciendo fila para tratar de entrar al lobby principal, donde se va a colocar la urna con las cenizas de juan gabriel, para quienes quieran darle su Último adiÓs. regreso contigo, natalia. natalia: jessica, muchÍsimas gracias. estÁ lloviendo, pero no se pueden ingresar paraguas a esta Área. y asÍ fue cÓmo los restos del querido juan gabriel cruzaron la frontera de estado

and i say that in the highest celebration of our arts building but your appreciation for arts but say it in combination will have our city and our country's defraction to the develops and going on theme of education and performing arts the city continues to be i'm proud of what they've done in so many ways the restoration of a very important building but more importantly i say this to you i'm proud of city and county of san francisco because it is the people that causes the events to be had and to make history in those buildings performances at the highest level and to look at each other and say we will help you do better it is an occasion in which i will continue to be unbashful in announcing we will end chronic homeless for the conveniences by the ends of this year i promise you that that is what. >> deserve our veterans have a place (clapping.) this beautiful recorded seismic building is complimented by a most well-designed and beautiful memorial next door thanks to the councilmember justus charlotte and george you honor us here again, we all want to make sure that the history and

it onis an art historian bringing contemporary art into a historic house setting. her book about the morris-jumel mansion is available for sale downstairs, and carol though the -- will be signing her book after the program. she will be available for your questions at that time. please welcome carol ward. [applause] carol: thank you everyone. i will try to keep us on track this evening. i have wanted to thank the historical society and kathleen and everyone for inviting me this evening. this is a topic i know can fill a room, as it's friday night in the summer at 6:30 and there are cocktails being served somewhere and the sun is still out. i am excited you are all here in the room with a. we are going to talk a little bit about the history behind the musical as it relates to the mansion. we will talk about musicals, leslie out of junior, all these amazing people that are part of the history of the mansion. just a warning a little bit, there are sound clips in the powerpoint. one of the technical things we worked on right before the guys walked in is that the sound c

years from now people will be talking about art, looking at art and saying that looks picasso-esque or renoir-esque, people will say that looks cantor-esque. when you look at one of tim cantor's paintings, you're pretty sure tim without seeing his signature in the corner. tim: he's so supportive and such a nice guy. over the past year or two, it's been crazy. it's been a crazy exciting time for cantor but his famous fans extend even beyond vegas... as oscar winners robert deniro and robert redford love his work and even empire's own terren h has quite the collection. now for the first time - vegas will be home to his art thanks to a special exhibit at the afa gallery this weekend. tim: and that's what's fulfilling. i just had an eye. i want to share my work with as many people as i can. tim has become involved with imagine dragons "tyler robinson foundation" charity... and he's donating art to their gala tomorrow night. he's also auctioning off a piece of work at his exhibit on saturday night. proceeds will charity. tickets are still available for the gala. we'll be right back. vegas w

she is an art historian who is an expert bringing contemporary art and to this setting. her book about this mansion is available or sailed down stairs and she will be signing her book downstairs after the program. she will be available for your russians at the time. please welcome carol ward. >> thank you. i wanted to thank the historical society and cap me for inviting me. this is a topic that can fill a room. there are cocktails being served the somewhere. i am glad that you are here in the room with me. we are going to talk a little bit about the history behind the musical as it relates to the mansion. about these amazing people that are part of the history of the mansion. there are sound clips in the powerpoint, one of the technical things that we worked in -- on is the sound clips start at the beginning. how many people have heard the soundtrack? about half of us. there are a couple that start really loud, just to warn you a little bit. hands who has been to the mansion before? about half of us again. thank you to those who have been. i will expect to see you soon a

[applause] the 2015 national medal of arts goes to roll for his contributions for dance and visual artss dance as communication as complex work as examination from all hinders with - - shingles with an intimate truth for the american experience. [applause] if mr. bell does. [applause] the 2015 national medal of arts goes to mr. velez for bringing chicano culture to eliminate the iq and spirit with social injustice through stage and television and film production. [applause] >> the 2015 national medal marts to make america as an abstract artist for the compounds to create new services and textures challenging perceptions of change and color to put those perceptions into a new light. [applause] [laughter] [inaudible] [laughter] [laughter] >> arthur mcdonald. [cheers and applause] the 2015 national medal of arts for lighting up broadway is one of our brightest stars in under forgettable performer winning six tony awards and her rich voice continues to take audiences to new heights. [cheers and applause] [inaudible] [laughter] [applause] the 2015 national team in kennedy's up metal grills f

it's hard to believe there's a place for the arts. this event is immense.r a city, and for the theater, it's the start of a revolution. >> anticipation builds as the opening day of the festival approach approaches. >> i'm ecstatic. i never dreamed there would be an opera and ballet theater here in the far east. it's wonderful that we're bringing back culture to the city. >> i haven't taken a close look at the program yet. but i want to go twice at the very least ♪ >> lyubov is anxiously looking forward to the festival. during the soviet era. lyubov was a prima ballerina. ♪ >> she was born in vladavostok and began studying ballet at age 5. it was a closed city with limited recreational facilities, and there was nowhere for her to perform ballet. >> there were theaters for plays, but none for ballet. the people loved the ballet. >> at age 10, she left home and enrolled at a ballet academy located in central siberia. after graduation she performed for 20 years as prima ballerina at a theater in western siberis. in recognition of her achievements, she received

sus cenizas estarÁn maÑana en el palacio de bellas artes.de lo que podemos esperar maÑana. jaime: hoy es una tarde de domingo diferente en la ciudad de mÉxico. se confunden la gente que pasea con los centenares de personas que han venido para rendir homenaje a juan gabriel frente a este teatro de bellas artes. tambiÉn otros han decidido desafiar la lluvia y permanecer hasta maÑana esperando el arribo con las urnas. . nunca antes en los cien aÑos de historia del palacio de bellas artes frente a sus puertas centenares de personas se habÍan reunido para cantar. colocar flores y velas. prueba de que la figura de juan gabriel sigue transmitiendo luego de su muerte. >> yo tengo 60 aÑos de vivir en el distrito federal. nunca habÍa visto una ofrenda asÍ. >> soy fans de Él desde los setenta. asÍ como estaba feliz por ver sus conciertos lo vengo a despedir. jaime: como ella mucha gente se quejaba de la informaciÓn de lo que estaba pasando. se anticipa que mires acudan a rendir tributo. >> aquÍ hemos estado desde ah? -- mayer. -- aayer. jaime: mucha ge

so, when a portfolio of 271 appeared in 2010, the art world was stunned. but the biggest surprise may be where they had been for nearly 40 years. picasso's former electrician, 77-year-old pierre le guennec, and his wife, danielle, kept the art treasures in their garage, works they say were a gift from pablo picasso and his last wife, jacqueline. the picasso family heirs don't believe it. they suspect theft, but the le guennecs stand by their story, and it's a story that has captivated the art world. danielle and pierre le guennec are a retired couple living in the south of france. back in 1971, he was an electrician hired by pablo picasso and his wife, jacqueline, to fix their american-made stove. the picassos were so pleased, they had him to do other odd jobs on their properties, how would you describe the relationship? was it employee/employer, or did you have a friendship? >> pierre le guennec ( translated ): i believe that monsieur had total trust in me, particularly because of my discretion. >> whitaker: his discretion might be the only thing in this