but i get more reaction now from all of more details we should say from the artes peter all over in berlin covering the story for us updated just bring us up to date then on what triggered this reaction. well going to has roared back from those comments now that he suggested that the markets in the decline that we've seen in them should really be a director and an indicator to italians how they should vote in the next round of elections now after he made those comments well he was criticized roundly by some of his closest allies. the european council president and. the european commission president both coming out and saying this isn't the right way to be saying things this isn't the right thing to be doing the populist leaders though he was kind of addressing as well in those comments they've jumped on this incredibly critical of the e.u. budget commissioner saying that people like him they treat italy like a summer camp and promising that that will change in the future essentially these comments from. highly placed official they play directly into the hands of leader nords and the five s

art scene? >> reporter: peters says that many artists camouflaged their s using conventional art forms. still lifes and portraits became heavy with symbolism. landscapes, like the 1936 painting "expectation" by german artist richard oelze, depicted f dark aeboding scenes. >> it's a little bit apocalyptie landscape onne side if you have, on the ther side, a group of people standing there and looking maybe into a dark or unknown future. >> reporter: those artists who did not conform could not find a safe venue for their work. how watheir work received at the time by the public? of some are so overt when it comes to critiquhose circumstances, the living conditions of the third reich, that is impossible to... to show them. >> reporter: one artist who chose self-exile was the german painter max beckmannleft germany for the netherlands in 1937. there he painted a work called "birds' hell," which contains polical references to the na party. >> it was painted one year after max beckmann has left... had left germany. and in amsterdam, he made the decision to create ts allegory of his country whe

. >> welcome to the flight in the arts gallery here at the smithsonian museum in washington, d.c. i'm peteracob, the chief curator of the museum and of our exhibition in our art gallery artist soldiers, artistic expression in the first world war. from 1914 to 1918. and our exhibition focuses on a particularly interesting aspect of the story. the artistic work that was produced during the war. the first world war was different in that it was really the first industrial war. it was the first war where millions of people were mobilized, massive resources put to the effort and not only military people but civilians were broadly affected. and artistic expression was also a little bit different in world war i. unlike previous war art where you would have heroic depictions of leaders long after the battle far from the battlefield, these artists were, to use the modern term, embedded with the soldiers and trying to give an in the moment experience of what was happening in world war i. the american art effort during world war i was comprised by the aef artist, aef, american expeditionary force, the

art business. welcome back to crossfire all things considered i'm peter lavelle to remind you we're discussing the korean peninsula and the possibility of peace. ok let's go back to daniel in new york you were taking us down history lane you were you were just talking about the axis of eagle to pick up from there go ahead dan you. want to thousand and two of this axis of evil speech george w. bush essentially declared war on north korea and that's that speech has never been rescinded anyway this one nope no apology issued no you know no taking back etc so so so kim jong un figured quite logically that it's only protection lay and having a nuclear weapon capable of striking the united states mainland which he apparently has achieved so that is his that is his is great you know is great chess pieces ace in the hole and i don't think i want to live here but i really doubt that he will agree to full denuclearization unless the us needs is willing to engage equally and equally grand gesture which trump might be willing to do but i can guarantee the rest of the foreign policy establishment or blogs as y

art room. we've got shots fired right now, guys. >> reporter: freshman peter describes the callus actions of the shooter as he hid underneath a table. >> i looked up tweg the legs of a chair and he locked eyes with me. i did make eye contact with him. and he had a -- a face of rage. he was mad. why, i don't know. but he first opened fire with a shotgun in which he shot one of my other friends in the head and her body fell down not too far away from where i was under the table. that is when he turned like this and opened fire with the revolver. >> he had two guns? >> he had two guns, yes, sir. a sawed-off shotgun then a revolver. and students were running around screaming. one kid flipped a table up for cover. >> everybody just started running outside. next thing you know, everybody looks. and you hear, boom, boom, boom. and i just ran as fast as i could to the nearest place to hide. i called my mom. >> reporter: a call many of those would make in those immediate moments of terror. >> as soon as i heard the shots i called my mom. i told her, mom, there are gunshots. i heard four shots. and -- and

photographers like peter limp back so modeling fashion as a form of performance art the clothes weren't just about looking pretty anymore expressed a mood and that. these days artists take a more critical approach to fashion. this installation by michelangelo pistol it is a commentary on mass production and cheap labor in the supply chain. social media and fashion blogs are increasingly important sources of inspiration for designers an artiste. passion has never been more democratic. well but pictures on social media blocks a mostly photo shop in the era you can't trust your eyes german photographer. has created a new kind of post-production without using a computer his works allow you to take a trip back in time and here's how it works. that's not at eighteen at thirty five a leap of seventeen years in the blink of an eye that's possible thanks to a technique that says a has developed he digs in all of us of the archives sticks bits of it onto a glass place and says sit in front of the same scene today. then you photograph the image of me. as a photographer and you have to ask yourself

art room. we've got shots -- shots fired right now, guys. >> reporter: student peter matuza tells marcus moore he was right there when the shooter unloaded. >> he opened fire with a shotgun and shot one of my other friends in the head. her body fell down not too far from where i was. he turned and opened fire with the revolver. >> reporter: kids lining up on the field opening backpacks for officers to inspect. they were patted down. with students shaken outside others hiding in classrooms. their parents getting the dreaded phone call. >> she called. she said, "mom, there's shots." i turned around, i said, "i'm coming, i'm coming." stayed on the phone with her the whole time. just kept talking to her, kept telling her to stay calm, stay quiet, until the police finally let her out. >> reporter: by 9:00 a.m., the shooter had surrendered, but the danger wasn't over. the suspect wanting to take his carnage to a new level of evil. >> there have been explosive devices found in the high school and areas adjacent to the high school. >> reporter: tonight, 10 people dead, most of them students. others wo

art business. welcome back to cross like we're all things considered i'm peter lavelle to remind you we're discussing the korean peninsula and the possibility of peace. ok let's go back to daniel in new york you were taking us down history lane you were you were just talking about the axis of eagle to pick up from there go ahead daniel yeah so in two thousand and two with this axis of evil speech george w. bush essentially declared war on north korea and that's that speech has never been rescinded anyway this one nope no apology issued no you know no taking back etc so so so kim jong un figured quite logically that it's only protection lay and having a nuclear weapon capable of striking the united states mainland which he apparently has achieved so that is his that is his is great you know is great chess pieces ace in the hole and i don't think we're going to limp here but i really doubt that he will agree to fold denuclearization unless the us needs is willing to engage equally and equally grand gesture which trump might be willing to do but i can guarantee the rest of the foreign policy establishme

painting sold by the metropolitan museum of art in new york five years ago — because it was deemed unexceptional is in fact a masterpiece by flemish painter, peteraul rubens. it's now being re—sold by its new owner for up to $5 million. ouch! so let's begin. with me is oliver cornock, the editor—in—chief andmiddle east managing editor at oxford business group. it is good to see you. a story you would have a lot to say about. a quiet dramatic televised event on the part of the israeli prime minister, benjamin netanyahu, pulling the curtain across and revealing all of this information about what iran has supposedly been up about what iran has supposedly been up to. first it came down and it was the files. then the second curtain, dvds. very odd and very staged. the us met with israel on sunday to discuss this. you cannot help but feel this is part of the border buildup to donald trump's look at this iran deal, on the 12th of may, he will make a decision. one of the things that characterises donald trump is his random approach to foreign policy. so rhetoric in this stage—managed negotiation seems part in parcel of that. step back and look at this.

to welcome to washington dc, i am peter and the chief curator of the museum and exhibition in our art gallery. artistic expression in the first world war. we are observing this from 1914 to 1918. are exhibition focuses on a particularly interesting aspect of the store. what was produced in the first world war. it was different in that it was the first industrial war. the first one where millions were mobilized and massive resources in the effort. not only military but also civilians were affected. artistic expression was different in world war i. unlike previous art where you would have heroic depictions of leaders long after the battle, these artists were embedded with the soldiers. we were trying to give them a in the moment experience of what was happening in world war i. the american art effort in world war i was comprised of the aef are, the american expeditionary forces, the troops that went over to france in 1980 -- 1884 the war. this was part of the war mobilization effort. it was trying to give the emotional component for the story back home. we had photography which gave you

painting sold by the metropolitan museum of art in new york five years ago — because it was deemed unexceptional is in fact a masterpiece by flemish painter, peterby its new owner for up to $5 million. 0uch! so let's begin. with me is 0liver cornock, the editor—in—chief andmiddle east managing editor at oxford business group. it is good to see you. a story you would have a lot to say about. a quiet dramatic televised event on the part of the israeli prime minister, benjamin netanyahu, pulling the curtain across and revealing all of this information about what iran has supposedly been up about what iran has supposedly been up to. first it came down and it was the files. then the second curtain,

art business. hello and welcome to crossfire where all things are considered i'm peter lavelle u.s. president donald trump says he wants american troops to leave syria the foreign policy blob surrounding him says differently so what are exactly washington's goals in syria a partition war for war sake or a means to sticking it to iran and russia all or poorly thought out. cross talking syria i'm joined by my guest in washington he's an independent investigative journalist and historian as well as author of manufactured crisis the untold story of the iran nuclear scare and london we have danny makki he is a serious.

art as long as they can paint or draw. the sleeping giant while the work of the artist peter. snoozing on the exhausted characters can be found on the sides of buildings and. in . central france. makes a statement about the underprivileged members of society refugees the homeless or the elderly who are often neglected or even forgotten. for many of these projects the artists receive sponsorship and it's enough to be able to live from their. work out of their studio and. there are a couple both personally and professionally with no clear division of labor in their work. now maybe people are. because they feel. stuck in. maybe something that. was once a boom town for coal production but the last of the mines closed down in the early one nine hundred seventy s. and since then the town a struggle to find a new industry to sustain it as well as its residents. learn peter's murals reflect this reality in almost every corner of the city back in the studio the artists prepare their subjects on paper they then paste them on a wall or on the side of a building for the larger murals they

peter paul rubens. but with an irreverent plasticine quality. motion designers play with centuries old themes in art history. like humankind's eternal struggle for unattainable perfection. these bizarre animations are created with computer technology and special software each movement is meticulously calculated for a mouse and animation programs replace paint brush and canvas the cut off in five you can definitely bend the rules of physics you can adjust the settings so everything is normal like the flow of water that the effect of gravitation so that it flows downwards but i can reverse that too and decide that ok now the water flows up to the ceiling and stays there. where there's suddenly zero gravity like in space there are no limits to what i can do the possibilities are endless it's intimately couldn't. instagram is a virtual gallery for our has shrunk all over the world a platform to share their work and draw inspiration. many clips go viral and are watched by millions successful videos stir viewers emotion. motion graphic artist draw on every day motifs and transform them into something surr

welcome to cross talk for all things considered i'm peter lavelle donald trump claims he's the master of the deal but when it comes to iran it is the art of no deal the reasons the american president withdrew from the nuclear deal to range from allies in distant from ation to outright political propaganda trump claims he has made america safer a dubious claim closer to the truth this probably attempted to force regime change in iran. crosstalk in the iran deal i'm joined by my guest mohammad marandi and to rand he's an associate professor at the university of to run in london we have adel darwish he's a political commentator and author of the book the edge of war and in pittsburgh we have. the he is our partner ed global growth advisors international strategic consultancy group based in new york are gentlemen cross-like rules in effect that means. you can jump in anytime you want and i always appreciate it mohamed let me go to you to iran since you know donald trump's obsession with your country i watched live the live stream on r t his reasons if they can be called reasons for withdrawing from the from the deal and as i said in the in

welcome to cross talk for all things are considered i'm peter lavelle donald trump claims he is the master of the deal but when it comes to iran it is the art of no deal the reason is the american president withdrew from the nuclear deal to range from alliance and distant from ation to outright political propaganda trying to claim.

welcome to crossfire are all things are considered peter lavelle donald trump claims he's the master of the deal but when it comes to iran it is the art of no deal the reasons the american president withdrew from the nuclear deal to range from allies and distant from ation to outright political propaganda claims he has made america safer a dubious claim closer to the truth this probably attempt to force regime change in iran. crosstalk in the iran deal i'm joined by my guest mohammad marandi and taran he's an associate professor at the university of tehran in london we have adel darwish he's a political commentator and author of the book the edge of war and in pittsburgh we have. the he is a partner red global growth advisors international strategic consultancy group based in new york or a gentleman cross-like rules in effect that means he can jump in anytime you want and i always appreciate it mohamed let me go to you to rand since you know donald trump's obsession with your country i watched live the live stream on r t his. reasons if they can be called reasons for withdrawing from the from the deal and as i said in the introduction

peter lavelle from foreign policy could be. described as doublespeak the president doesn't have a defined policy approach even goals are difficult to discern is this what the art of the deal means is trumps foreign policy making america great again and the world safer. cross talking terms foreign policy i'm joined by my guest michael block who is in washington he's a professor of strategy at the johns hopkins university also in washington we have and then you for achi he is the director of grassroots political consulting and in new york we cross to george samuel he is a fellow at the global policy institute in london and author of the book bombs for peace are gentlemen cross-like rules in effect that means you can jump in anytime you want i always appreciated michael let me go to you first in washington you are after all a professor of strategy so given what we've seen of this administration well so they'd say does this president have foreign policies strategy go ahead mr strategists. strategy can be the thing itself or it can be a representation of the formulas and nostrums that float among the the privilege the ruling elites and thus i think you see trump sp

considered i'm peter lavelle chromes foreign policy could be described as double speak the president doesn't have a defined policy approach even goals are difficult to discern is this what the art of the deal means is trumps foreign policy making america great again and the world safer. cross talking terms foreign policy i'm joined by my guest michael la who is in washington he's a professor of strategy at the johns hopkins university also in washington we have identifier achi he is the director of grassroots political consulting and in new york we cross to george them yuli he is a fellow at the global policy institute in london and author of the book bombs for peace or a gentleman cross-like rules in effect that means you can jump in anytime you want i always appreciated michael let me go to you first in washington you are after all a professor of strategy so given what we have seen of this administration well so they say does this president have a foreign policy's strategy go ahead mr strategists. a strategy can be the thing itself or it can be a representation of the formulas and nostrums that float among the the privilege of ruling elites and thus i think you see trump spea

arts international the team investigating malaysia airlines flight m h seventeen which was done to over eastern ukraine in twenty fourteen has been reporting its conclusions to the media our europe correspondent peter oliver told me the details earlier. well this press briefing hard to main aims it was to update people on the investigation and also to appeal for witnesses and information the first part of that well there wasn't really much more presented that we didn't already see back in september of last year was put forward by the joint investigation team is that a book surface to air missile system fired from a field that was under control of eastern ukrainian separatists shooting down the airliner that was flying from amsterdam to kuala lumpur killing two hundred ninety eight people and now the head of the dutch police who is part of the joint investigation team did say that most of the evidence that they were presenting was either similar all the same is that that was put forward by the group who of course who based all of their data that they put forward on things that were taken from social media we realize that the investigation collective has already concluded the same and published it we

peter science and data science. i think we will see an update from that. many more people working in tech companies. it comes out of the liberal arts. already we see this in microsoft. for me who came to the liberal arts side. they get a phd in computer science. more and more often it takes both of us to find the right answers. it reminds us of why diversity is set and such an imperative for the future of technology. with the ai systems and data sets. and then the last thing i want to say. if one wants to end on a more optimistic note i think it's quite fascinating and one of the disciplines that they can make more impactful. the truth is almost any of them. as we look at where ai is going it is changing healthcare it will play a fundamental role in the cures for cancer. with broadband --dash mike brunt bad connections. as you've seen the future of assess ability is going to be influenced by ai and even the protection of the planet will be impacted by this. two examples really bring this to light. right here on the princeton campus. there is a wonderful work going on in the department of the mideastern study. and one of the real lea

art of the deal. >> does the president have a game plan. >> a lot are relieved. >> that is -- i don't think it is a secret. peter, this is a huge, wow, for us? >> laura: did you catch that. a, wow, for us, bit? at least stephanie is admitting that the media don't exist to report on trump but to revel in his perceived missteps. that is a, wow, for us. >> these people has not been so happy since they thought oprah would run for president. >> trump is damned if he does or addison. we know that. might i offer arlington possibility. trumps retreat from the summit might have been a grand negotiating tactic not admission of failure. testing kim's seriousness and squeezing more concessions from him. the president gotten little rocket man to hand over the american hostages and they detonated that nuclear testing facility. a. p. is reports the north violates the mroej to allow inspect office to monitor the implosion. this was part of the reason trump backed away from the table. the dictator bristled of talk of denuclear iegz his counts real. we learned that north korean officials never showed up for talk in singapore last

art good to see you. so it's no secret we've got these two sort of sides in the trade battle within the trump white house. you got peter navarro who we just saw and wilbur ross on one side. you've got larry kudlow and steven mnuchin on the other side , the latter two being free-traders the first two being fair traders so-called so whose going to win in this battle could you sense that anybodies going to win or maybe it's just that donald trump likes the tension between the two sides. >> well it may be that donald trump likes the attention but in all honesty larry kudlow and steven mnuchin should win it's the right thing to do. they're completely correct and any type of real trade war as you know, david, would be very harmful to the u.s. to our companies, to our society our economy as well as to china and the rest of the world there's no winner in the trade war it's two losers, if there's 10 countries there's 10 losers, it's just not smart doing it. now should we get china to lower it's tariffs on u.s. products? yes. david: could we get them to stop stealing our intellectual property? yes. >> sure and we should stop oth

art laffer and steve poor crunched numbers. they say each of the next three years 800,000 people will leave california and new york. another half million leave connecticut, new jersey and minnesota. congressman peter, i think you are in new york facing that kind of tax exodus, but i'm not sure what you can do about it? >> well, there is two things. one because of the high taxed swaying in new york, but also one of the reasons why new york is highly-taxed because so much our money goes to the southern states which these people are going. they can afford to have lower taxes because they get so much states from new york. we get 79 cents back on the dollar, other states get 1.20, $1.30 back on the dollar. that is a big disparity. taking away the state and property tax deduction, that was unfair in the tax bill. overall the bill was good. but unfair to states like ours where people are working hard, gets sent to other states. they get double-whammy taking the salt deduct away. stuart: you're entirely right, congressman, no question about it, but what can you do about it? you're facing a serious problem here. i just don't see what you can do? >> it will be very difficult. no matter how much you cut back