said thiss denzel morning, he is up there in the heights with arthur miller, -- tennesseelions williamsppreciated this remarkable achievement. constanza: i think so. i think so. exactly, the american century cycle. he had a lot more to do, and he would often tell me, "i cannot wait to write things outside of the american century cycle." ist he did with the 10 plays he cut the 10 hour of the same cloth so they would fit as a whole, it and, you know, each a novel in he had him, another play. as soon as he finished one play, with start another one, so he would rewrite, yes, yes, but it was more like making the plays fatter. you know, making the plays more rich. charlie: more adding to it. adding to yes, more it. he did not like to cut. [laughter] constanza: he said that is important, that is important, even though some may have thought it was extraneous, but all of those little tidbits that he put in their are large ideas e areat he put in ther large ideas about the common man. charlie: casting. we talked about viola. en henderson,teph who plays bono. ,> when i first met this woman hitch u

arthur miller, fantastic and i got a great cast. >> jimmy: you really --. >> mark.: what's not to love? >> fuhgedaboudit. >> jimmy: what's not to love? >> tony shalhoub, -- hello jessica heck. hmm. the director i'm not going to mention. >> jimmy: why? >> no, no. i like him. terry kenny. very, very nice. i'm kidding. >> jimmy: this is the first time on broadway? i don't believe it. >> i've never been on broadway. >> jimmy: i've walked on broadway once. >> a couple times. i used to go a lot on broadway. >> jimmy: but this is a big deal. this is -- i mean -- gosh, when was "taxi"? and bring us all back to "taxi." >> ooh [ cheers and applause ] >> thank you. well, "taxi" was 1 1978 we started "taxi." before you were born. >> jimmy: no, it was not. it was not before i was born but i love the show so much, you know i --. >> aw good. >> jimmy: every time you come on i always talk to you about it. but i did not know that the show was based on an article. >> oh, yeah. it was a -- i think it was it "the new yorker." "new yorker." "new york" magazine article, it was just a one

writer and has written a beautiful play but can he rise to the level of a tennessee williams and arthur miller and can he write the classic american play? and i think he rolled up his sleeves, and it's not that he sat out to write, you know, with those two giants sitting on his shoulder, but he did say, i want to write a treatise on american life. the people that surrounded him while he was growing up, the men that surrounded him, you know, he wanted to add value to their lives. he wanted to say, you know, what is it about them that makes them so noble, so, you know, people who are worth remembering. and he wrote this play and asked two of those questions, and if you look at the body of his work, this is the only play that has one central figure, and the central figure is the larger than life-size man. and the others are much more -- sure, there are some central figures, but the attention has spread a little bit more as an ensemble. >> rose: did you get viola to do this? >> i wouldn't have done the movie out her. >> rose: having her was essential to having you? >> yeah. yeah, because, i mean,

and he has written a beautiful play, but can he rise to the level of a tennessee williams and arthur milleran he write the classic american play? and i think that he rolled up his sleeves and it is not that he set out to write, you know, with those two giants, you know, sitting on his shoulder, but he did say, i want to write a treatise on the -- on american life. the people that surrounded him while he was growing up, the men that surrounded him, you know, he wanted to add value to their lives. he wanted to say, you know, what is it about it that makes them so noble, so, you know -- people who are worth remembering? and he wrote this play to answer those questions, and if you look at the body of his work, this is the only may that has one central figure, and the central figure is larger than life sized man, and the others are much more, sure there are some central figures but the attention is spread a little more as an ensemble. nea♪ >> rose: mere is a look at the week ahead. sunday is the first day of the spring, paris fashion week. monday is the first day of the federal tax filing season

we have falcons owner, not arthur miller, but arthur plank. look how he danced.a self-made billionaire, who bought the team 15 years ago and decided to run it the way he built home depot. it is working beautifully. only on fox business. exclusively with us. art blank, right here, can't miss it. even if you're a pats fan. we have a crew very atlanta falcons focused. >>> we have turf wars within the trump administration. turf wars already? we have one side, former leader of skybridge, anthony scaramucci, a friend of this program and the winner of "the apprentice," omarosa. >> how do you say her last name? minagaul it. liz: scaramucci is easier. >> a lot of people in trump cabinet are not getting appointed because of fights with congress and democrats. they're holding up steve mnuchin and jeff sessions as well and maybe others this is interesting. scaramucci was supposed to get his appointment in the public liaison's office. this office deals directly with the business community. that appointment was supposed to be made in the second week of january. it has been hel

and he's one of the, i think, top five, you know, tennessee williams, arthur miller, august wilson. >o iconic, pulling it off? >> no, because we had done the play and success with the play i knew we could do it. >> it was a challenge. >> yes, a motivating factor. because it's not easy. >> no. >> no. every morning after about 2 1/2 hours sleep i'd pop up, panicking about the shots i didn't do. and immediately start working on them on the next day. >> what did you see in troy that reminded you of your family, your own father? >> my father was nothing like troy other than he was working class. he was a real gentleman. i father wasn't a yeller or screamer, nothing like that. not highly educated. made some of the same suggestions to me, like get a good trade. he told me -- he worked for the department of water and power, whatever they called it in new york. talked about getting me a job there. in 25 years i'd be a supervisor or something. >> did he live to see you become the star you became? >> i remember going to -- he passed away in virginia. i remember being down there and going in the

he is the president of farr p miller and washington. arthur, you have the hat. you go first. does this, in your mind, have staying power? >> i believe it does. i like the broadness of the move in the sense that the diverse participants, boeing is a big help, travelers, triple m. it is not a sector. it is not the financials to the text that are slowly leading the way. it has staying power. your previous conversation on set, the one thing that does disturb me about the vix, we are making record high was a reasonably low vix. that always worries an old-timer about signs of complacency. i don't feel it in my gut yet. >> you have made the argument that you think this trump rally has gone too far too fast. what do you think today? >> i think it is going farther. may west said too much of a good thing can be wonderful. let the pind juns loose. market prices are out stripping the fundamental evaluations. what's so lacking in fundamentals? >> okay. so the banks look really good. i like the banks. i own the banks. i'm going to continue to own the banks. the roes on the banks are below