interestingly, though, like eyes wide shut, it's adapted from a work by arthur schnitzler. yeah.it is? yes. i mean, if there is such things as coincidences. or it was meant to be. but, yeah, isn't that crazy? but it was, yeah. when sam said to me and patrick... sam mendes? yeah, yeah. sam mendes was like, "oh...". i'm like, "hold on. that's just totally weird. "la ronde? what? what" but what was so just enthralling about that was that sam believed i could play the five different characters. and that was like, you know, as an actor, i was like, "oh, wow, play all of them? ok, that's kind of exciting. on stage? wow. yeah." i look back on that and i think... and i wasn't that scared. i didn't have stage fright to the degree that i had it when i did photograph 51, which i've now learned a lot of actors get the stage fright, it becomes more intense as you get older, so i'm one of those people. it was in a very small london theatre, a two—hander with iain glen, and a really exposing role both physically and emotionally. did it feel like a risk? it felt like an amazing chance. it felt l