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we meet the head of the berlin savvy artspace bon of and to of soy to kong an internationally renowned curator who has worked for the documentary exhibition his exhibitions examine the present day effects of colonialism and the challenge of displaying foreign cultures in european museums. he argues for a fundamental change in perspective. what knowledge is created above when you bring the so-called objects over each year museums we have to go back to the huge tree of it in the graphic museums we have to go back to. the birth of the notion of anthropology to be able to understand what went wrong and i think that at the core of all of this is the creation of of when we do. talk about. history's. situation it is not about the office it's a whole. how can you enable such a shift in perspective. in 2017 jonathan fine curated the exhibition beyond compare and berlin's botha museum. it juxtaposed to european mostly christian influenced art with works of art from africa posing a fundamental question are we still seeing the world through a colonial lens when for instance we regard christian cul
we meet the head of the berlin savvy artspace bon of and to of soy to kong an internationally renowned curator who has worked for the documentary exhibition his exhibitions examine the present day effects of colonialism and the challenge of displaying foreign cultures in european museums. he argues for a fundamental change in perspective. what knowledge is created above when you bring the so-called objects over each year museums we have to go back to the huge tree of it in the graphic museums...
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we need the head of the berlin savvy artspace bon of and to of soy to kong an internationally renowned curator who has worked for the documentary exhibition his exhibitions examine the present day effects of colonialism and the challenge of displaying foreign cultures in european museums. he argues for a fundamental change in perspective. what knowledge is created above you speak when you then bring the so-called objects over into museums we have to go back to the huge tree of graphic museums we have to go back to. the birth of the notion of anthropology to be able to understand what went wrong and i think that at the core of all of that is. ease the creation of the other when we do. talk about. history's. situation it is not about the office it's a whole. how can you enable such a shift in perspective. in 2017 jonathan fein curated the exhibition beyond compare and berlin's botha museum. it juxtaposed to european mostly christian influenced art with works of art from africa posing a fundamental question are we still seeing the world through a colonial lens when for instance we regard
we need the head of the berlin savvy artspace bon of and to of soy to kong an internationally renowned curator who has worked for the documentary exhibition his exhibitions examine the present day effects of colonialism and the challenge of displaying foreign cultures in european museums. he argues for a fundamental change in perspective. what knowledge is created above you speak when you then bring the so-called objects over into museums we have to go back to the huge tree of graphic museums...
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we meet the head of the berlin savvy artspace bon of and to us to kong an internationally renowned curator who has worked for the documentary exhibition his exhibitions examine the present day effects of colonialism and the challenge of displaying foreign cultures in european museums. he argues for a fundamental change in perspective. what knowledge is created. when you bring the so-called objects over us we have to go back to the huge tree of graphic museums we have to go back to. the birth of the notion of anthropology to be able to understand what went wrong and i think that at the core of all of that is. ease the creation of the other when we do. talk about. history's. situation it is not about all of this it's about us all. how can you enable such a shift in perspective. in 2017 jonathan fine curated the exhibition beyond compare and berlin's botha museum. it juxtaposed to european mostly christian influenced art with works of art from africa posing a fundamental question are we still seeing the world through a colonial lens when for instance we regard christian cult object as art but
we meet the head of the berlin savvy artspace bon of and to us to kong an internationally renowned curator who has worked for the documentary exhibition his exhibitions examine the present day effects of colonialism and the challenge of displaying foreign cultures in european museums. he argues for a fundamental change in perspective. what knowledge is created. when you bring the so-called objects over us we have to go back to the huge tree of graphic museums we have to go back to. the birth of...
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we meet the head of the berlin savvy artspace bon of and to of soy. an internationally renowned curator who has worked for the documentary exhibition his exhibitions examine the present day effects of colonialism and the challenge of displaying foreign cultures in european museums he argues for a fundamental change in perspective. what knowledge is created. when you bring. the so-called objects over us we have to go back to the huge tree of it in the graphic museums we have to go back to. the birth of the notion of anthropology to be able to understand what went wrong and i think that at the core of all of this is ease. the creation of of when we do. talk about. history's. situation it is not about the office it's a whole. how can you enable such a shift in perspective. in 2017 jonathan fein curated the exhibition beyond compare and berlin's botha museum. it juxtaposed to european mostly christian influenced art with works of art from africa posing a fundamental question are we still seeing the world through a colonial lens when for instance we regard
we meet the head of the berlin savvy artspace bon of and to of soy. an internationally renowned curator who has worked for the documentary exhibition his exhibitions examine the present day effects of colonialism and the challenge of displaying foreign cultures in european museums he argues for a fundamental change in perspective. what knowledge is created. when you bring. the so-called objects over us we have to go back to the huge tree of it in the graphic museums we have to go back to. the...