assaf: no. at a certa point, it's all the same. [yaffa laughing] assaf: you know? seriously, you have it also when you play with bluegrass musicians. you know them? or irish musicians. you say, "wow! it's amazing! how do they play?" then you realize they just can play this thing. that's what they're doing. so klezmer is kind of the same. it's not concert music. i mean, we love it. it's amazing. it's clever, and it's weird, but it's also iectious. these melodies, you can play them at an airport in japan. you play, like, 3 melodies like this, five people will come, right? not because it's so... i mean, there's nothing high about it. it's just like, stuff that was tested over the generations. this makes people happy. you take something that is sad to say and you put it in a happy note, and you make pele dance tit. this is--this mixture is, i think, seriously, you can find it in any folk music. that is part of what is nice in it. man: ♪ hardly wakes, his eyes are heavy he didn't get that much sleep he barely crawls he's barely standing headed off to another week ♪ yaff