it is an assemblage of local musician, the best in local talent, and we pay tribute to some of the best artists of our time. >> and a lot of the people local, have you been in every single one of them, patty? >> not every single one but a lot. >> and this year, it kicks off this saturday? >> this saturday, august 16 at 8:00. >> and the tickets are on the screen. between $15 and $29. and you can get more information on the web site as well. and patty, you're here with the guitar for a reason. what are you going to play? >> i'm going to make you lonesome when you go, by bob dillen. >> okay, patty, take it away. -- by bob dylan. >> okay, patty, take it away. ♪ 3w4r57♪ ♪left love by my door. ♪ never been so close before. ♪ never been so easy or too slow. ♪ i have been shooting in the dark too long. ♪ you have going to make me lone some when you go. ♪ clouds so high above ♪ i have only known careless love. ♪ it only hits me from below. ♪ this time it is right on target. ♪ in the right direction. ♪ are you going to make me lonesome when you go. ♪ blue river running slow. ♪ and lazy. ♪ i can l

so, this is quite an assemblage of wealth in a single spot and he went into the other world very well dressed for the occasion. keach: as cultures evolve in complexity, finer distinctions are made about social status. jewelry fashioned from jade, rainbow-hued headdresses crafted from the feathers of rare tropical birds, and the pelts of jaguars could only be worn by maya lords. kings paid special attention to the symbols of their rank. like the pharaohs of ancient egypt, they expressed their power in monumental buildings -- palaces and temples erected in their honor. archaeologists in the acropolis group are just now uncovering buildings commissioned by the earliest kings of copan. their problem is to figure out who built what. it's not very far below the ground, is it ? yeah, we cleaned a lot of it out. keach: this building has recently been uncovered beneath one of the great plazas. etched across the risers of this ancient stairway is an inscription, but the archaeologists are not yet sure of what it says. i'm just not quite sure what's going on. this could be... modern archaeology

did i forget the popular assemblage from which i come i will lose my strength. i think that's what they lose in the white house. when they lose that they lose their ability to communicate the same way they did when they were on the road. >> jim is calling from newport news virginia. jim muir on the air. >> what was the most in fascinating thing you learned about abraham lincoln? >> i guess i knew that he was a great statesman but this isn't a thing. i don't think i realized what a great politician he was. that was the great pleasure in seeing how he was able to deal with people seeing how he was able in the middle of a tough cabinet meeting to reach over and tell a funny story and make people laugh how he sensed the mood of the country and sense what was happening with a great sense of timing, knew when to do what. i mean those where political instincts that somehow when you see him you think of him as this wouldn't figure because of the pictures. in those days when you take pictures they can't even smile because they are clamped to a vat. their head of clamped

if i ever forget the popular assemblage from which i come, i will lose my strength. and i think that's what they lose in the white house. and when they lose that, they lose their ability to communicate in the same way they did when they were on the road. [applause] >> host: calling in from newport news, virginia. jim, you're on the air. >> caller: yes. my question is what is the most fascinating thing you learned about abraham lincoln? >> guest: you know, i guess, you know, i knew that he was a great statesman, but this isn't a thing, but i don't think i realized what a great politician he was. and that was the great pleasure in seeing how he was able to deal with people, seeing how he was able in the middle of, you know, a tough cabinet meeting to reach over and tell a funny story and make people laugh, how he sensed the mood of the country and sensed what was happening, had a great sense of timing, knew when to do what. i mean, those were political instincts that, you know, somehow when you see him, you think of him as this wooden figure because of the pictures. in

they have their pods, but that's just, you know, an artificial assemblage of their collection.s they should mix them and whichever ones happen to be born or bought or brought in. that's not a family. you know? come on. >> you've got animals from different cultural subsets that have been brought in from various parks. these are different nations. these aren't two different killer whales. these animals, they've got different genes. they use different languages. >> well, what can happen as a result of them being thrown in with other whales that they haven't grown up with, that are not part of their culture is there's hyperaggression. a lot of violence, a lot of killing in captivity that you don't ever see in the wild. >> for the health and safety of the animals, please do not put your hands in the water. >> there's always this backdrop. this underpinning of tension between animals. whale-on-whale aggression was just part of your -- you know, the daily existence. >> we ask that you use the stairs and aisle ways as you exit. please do not step on the seats. these areas may become we

the clues or indicators to where people were going to collect food, particularly when they are in assemblage, in a mix with other species. -- by detailed analysis we began to understand the resilience of the people here and parts of their culture. they endured an long-term cld.of the abandoned the site around a three years. when they returned was when they began to use the middens and buildingd to be massive structures as well as excavating a canal that took the wast -- the route with what likely to be a freshwater stream. it was 30 feet wide eight to 12 feet deep and went all the way .cross this island as has for that kind of as menction work is also mounds. going as the 1600s, they established a posse-using. colusa awaycap the from the conflicts. began myriad -- when they , it set the stage for the people who became professionals and were equipped with guns and elusivetake south area people as slaves. in the 16 90's there numbers had in reduced to about 2000 people. -- they only had their basic tools and no guns. in 1711 then known as a group of ship toding: 701 by cuba. there were others