be forgiven for your sense so st augustine the spanish catholics that they seem a little bit more astaire than the french ones running that they were a little more austere but when book when florida and of course st augustine became part of the united states in the early eighteenth twenties the americans i mean there's just this surge of americans that wanted to you know get rich in florida on what land selling cotton things like that but they they really did not like the catholic practices in selling in august and we had a very minor mardi gras carnival yeah you know and they talked about how decadent it was and the editor of the newspaper who was northern you know complained about this sort of they would have this pseudo burial you know they'd march in the street with the coffin and things like that and he and the northern editor of the brand new newspaper complained about this so the next time they had their little coffin parade they put the editor in the coffin not the editor of. the editor marching down the street is that gonzo journalism you know that's become sounds like twentieth

. >> the unsold items include works by james dean, fred astaire, phyllis diller, and kurt vonnegut, whichet another cosmic-art happening baird and hoop are surely planning wherever they are. >> it will be a long time before we see anything like them. they were both really unusual people. together they were fantastic. >> so much that's hip in one generation is totally uncool to the next. old uncle hoop once drove his niece, hugh's daughter, to school in one of his hoop mobiles. the teen was mortified. after that, all hugh had to say to keep her in line was, "watch out, young lady, or uncle hoop will be driving you again tomorrow." i'm jamie colby. thanks for watching "strange inheritance." and remember -- you can't take it with you. ria " begins right now. ♪ >> from the fox studios in new york city, this is maria bartiromo's" wall street." maria: happy weekend. welcome to the programming that analyzes the week that was and helps position you for the week ahead. i'm maria bartiromo. we have another jam-packed program this weekend. coming up, blackrock's rick reider is with me overseeing $2

made lucid and cool♪ i know it's no when you move i move ♪ ♪ you're less polunin leaping or fred astairewhen you move honey i'm putting all of something so flawed and free ♪ ♪ so move me baby shake like the bough of a will ho tree ♪ ♪ you do it naturally move me baby ♪ ♪ so move my baby like there's nothing left to lose nothing to prove move me baby ♪ ♪ move move hey hey ♪ move like gray skies move ling a bird of paradise move like an old sight come out at night ♪ ♪ yeah yeah hey hey hey hey hey ♪ ♪ move me baby shake like the bough of a willow tree you do it naturally move me baby ♪ ♪ ah ah move me baby i got nothing left to lose and nothing to prove move me baby ♪ ♪ hey hey hey hey [ cheers and applause ] how does ron make sure he's on time to face brock the sadistic strength trainer? his ikea dresser helps him organize his... equipment? woo! be the morning person you're not. the one with the designer dog collar.(sashimi) psst. hey, you! wondering how i upgraded to this sweet pad? a 1,200-square-foot bathroom, and my very own spa. all i had to do was give my human "the look". with well

cool ♪ ♪ i know it's no improvement when you move i move ♪ ♪ and you're less polunin leaping or fred astaireou do it naturally ♪ ♪ move me baby so move me baby ♪ ♪ like you've nothing left to prove and nothing to lose ♪ ♪ move me baby ooh o o ooh ooh ♪ ♪ move like gray skies move like a bird of paradise ♪ ♪ move like an odd sight come out at night ♪ ♪ hey hey hey ♪ ♪ move me baby shake like the bough of a willow tree ♪ ♪ you do it naturally move me baby ♪ ♪ move me baby like you've nothing left to lose and nothing to prove ♪ ♪ move me baby so move me baby ♪ ♪ shakily the bough of a willow tree you do it naturally ♪ ♪ move me baby [ applause ]. >> for those of you still with us, we have more music from hozier. >> this is "nina cried power." ♪ it's the waking it's the rising it is the grounding of a foot uncompromising ♪ ♪ it's not forgoing of the lie it's not the opening of eyes it's not the waking it's the risin ♪ ♪ it's not the shade we should be cast in ♪ ♪ it's the light and the obstacle that casts it it's the heat that drives the light ♪ ♪ it's the fire it ignites it's not the waking it'

a bit of fred astaire. stuart: you will give me the confidence confidence indicator with we get it.is with us. a chief investment officer. amazingly enough on the day the dow is up 200 points, you sir, have turned cautious on the stock market. what is wrong with you? have a nice day. >> it is an embarassment of riches. remember when we started this year, you and i spoke we said could we hit 26,000 this year? the environment was very different then. stuart: you said yes. >> we have done it today. we're up 200 points. we're past it. we have something like 11 or 12% return in roughly 60 days. that is the return i thought we would get over 365 days. my point, i think the market is fairly valued right now. it's a fair shake which is good news and bad news which means it gets tougher to make money from here. you need earnings to take a big leap or need valuations to expand. as we talked before, getting valuations to expand at this point in the cycle is a bit of a tricky thing. stuart: suppose we got a trade deal with china, i don't know what kind of a trade deal it might be but looks like

fred astaire. stuart: check big tech please. let's have a look at that i think they're all up. streaming boxes. loop capital, now that is an investment firm they cut their rating to a sell. a lot of people are selling. the stock is down 3 1/2%. roku back to $68 per share. what we're waiting for is precisely 10:30 eastern time, we're about a few seconds away. at that time we get the latest on how much oil we've got in storage. that is an indication of how much oil we are using or not using and could affect the price. okay, we just crossed 10:30 eastern time. so we're waiting for the numbers. ashley: we're good. stuart: what have you got? ashley: we're down 3.86 million barrels. we were expecting to add 2.65 million barrels. so again they're off by about 6 million barrels. so we're using more oil. you noticed oil prices are going up because there is a belief that the crude production in the u.s. will slow down more than expected this year and that has been pushing prices higher. this means of course that we're using more than we thought we were. stuart: it is kind of an economic