barys andreevich, you asked that we rule this interview in the language of the menavit. at ourselves, we can use english, german, polish language, we can use english, german, polish language, i think, for the specialists, we can use polish language, master, there is a lot of literature in getai language written, but for ourselves, we, the citizens of the republic of belarus, we will be our sovereign, independent country. and i think that i am borrowing my best months, good months, and pavinna vykarystoўvatstsa yak magachastsa, i am a great chasm, navat abminavachvayutsya from such a huge tolerance, a big memory, yes, belarusians are memory people, but for hours this memory is a barochvaetsa supra ts. we are required to demonstrate our honor, our will, our character, i am willing to do this, but in the sphere of culture the great ones are not safe in their judgment, the great ones are not careless about certain cardinal, sweeping, drastic measures, as many meetings as there have been thousands of our svyadomastsya, our pavodzinas, our adnosinaў, our well... "i don’t under

barys andreevich, you are called the wild baroque experts.uth, we can only guess from those close to and reasonable from that era. І baroka ў tym lіku. style, but slutsk payas - geta taksama baroka, geta baroque kassyum, kontushova tunings. we, often for everything, belarusian baroka, vilenskiy style, vilenskaya baroka and glaubica ўspring from specific memories, which at times, the vyalika kolkastsya had a lot of fun with. we, magchyma, our architects practice on the trots “deconstructionism, for hours we will try to understand, the unexceptional.” forms, ab'yomaў nekikh, as geta ўsprymayuts, gramadzians, zhyhars, pobach, gostsі, in the capital there are other garads, geta ўzho... another , which is important, but at the same time there are traditions i, who we are, i so i think, the pavins can see as such a basis, as a base, as a padmurak, on which it is possible to further develop and explore, and it is possible to recognize this baroque admetnasty of the belarusian culture, what is it, on the contrary, in the same race? i i think that yes

barys andreevich, you are called the exuberant baroque connoisseurs, and then you know why the belarusian the heat don’t fall for the explanations of the decipherers, we can only understand the wisdom of that era, and baroka in your face is changing such a situation, this time, this period, when it happened great important laws, laws of physics, chemistry , svetabudove, yakraz geta 17 stagodze, here you go. our christian denominations, first of all the catalic denomination, then the orthodox denomination, and the current changes of these denominations, we express the baroque style, but the slutsk songs are the same the baroque itself, geta baroque kascium, kontushovye systems, we are often for everything, belarusian baroque, vilensk style, vilensk baroque and glaubica ўspring from specific memories that are at the hour... the vyalikay kolkastsi have been enjoying, we, magchyma, are working we, our architects in the quest of deconstructionism, will spend hours practicing art, unusual... forms, ab'yomaў nekih, as heta ўsprimayuts gramadians, zhyhars, pobach, gostsi, in the capital there are