some former batiste military and police officials who launched attacks from miami trying to bring down the revolutionary government. in the exiles didn't just threaten they took action. usually in mid october of one nine hundred fifty nine they flowed the twenty six is from the us to bomb have. either since the revolution took power. in all we had to do more than denounce the attacks. we had to send our people there. cuba complained to washington about allowing cuban exiles to use south florida bases to bomb the island secretary of state christian herder raise the issue with the president eisenhower responded why don't the cubans just shoot the planes down . but eisenhower didn't stop the raids and cuba began heavier infiltration of its agents into the violent groups in miami. that movie ended in a second migration comes in the one nine hundred sixty s. that opera be able to see of the merchant class who came to the u.s. . the people who fled cuba fled castro came primarily to florida. were greeted with open arms in march one thousand nine hundred sixty president eisenhower ordered the

some former batiste military and police officials who launched attacks from miami trying to bring down the revolutionary government. in the exiles didn't just threaten they took action. usually in mid october of one nine hundred fifty nine they flowed b twenty six's from the u.s. to bomb have. either since the revolution took power. we had to do more than denounce the attacks. we had to send our people there. cuba complained to washington about allowing cuban exiles to use south florida bases to bomb the island secretary of state christian herder raise the issue with the president eisenhower responded why don't the cubans just shoot the planes down . but eisenhower didn't stop the raids and cuba began heavier infiltration of its agents into the violent groups in miami. that movie ended in a second migration comes in the one nine hundred sixty s. an opera be able to see in the merchant class who came to the u.s. . the people who fled cuba fled castro came primarily to florida. were greeted with open arms in march one thousand nine hundred sixty president eisenhower ordered the cia to la

the revolutionary court acquitted thousands of former batiste police and military officials but executed some five hundred others. some former but tista military and police officials who launched attacks from miami trying to bring down the revolutionary government. in the exiles didn't just threaten they took action. usually in mid october of one nine hundred fifty nine they flowed b twenty six's from the us to bomb have ana. either since the revolution took power. we had to do more than denounce the attacks. that. we had to send our people there. cuba complained to washington about allowing cuban exiles to use south florida bases to bomb the island secretary of state christian herder raise the issue with the president eisenhower responded why don't the cubans just shoot the planes down . but eisenhower didn't stop the raids and cuba began heavier infiltration of its agents into the violent groups in miami. that would be ended in a second migration comes in the one nine hundred sixty s. that proby able to see of the merchant class who came to the us. the people who fled cuba fled castro

but again, the swiss batiste with just a little bit of lace.n i get a piece-- again, when i purchased this, i thought, "you know, one day, i'm going to make this into a christening dress, because it would be such a beautiful"-- and what i might do, i might cut it off here and use new batiste, and although there's some batiste in part of the petticoat, there really isn't enough, i don't think, 'cause i like long christening dresses. so i could cut it off here and then do the other part of the christening dress and have something perfectly magnificent, which i think is fun to do with petticoats. thank you for joining me in my sewing room today. i'd like to invite you to come back next time. >> announcer: to receive a newsletter written personally by martha with sewing tips and a great recipe, visit our website. for more information on show projects or to purchase the martha's sewing room series, log on to: or call: the 13-program series is available for $39.95 plus shipping and handling. funding for martha's sewing room is made possible by the wa

. >> linda batiste is a lawyer and co-author of "the twelve victim." >> he used that to probably fuel the hate he had already into more hatred. >> but there was one person, the 18-year-old starkweather didn't hate. he had eyes for a spunky and rebellious 13-year-old named carol ann fugate. >> she said, my god, he was so funny, he put me on a pedestal, he always wanted to buy me things. >> the two cruised around lincoln in charlie's beat up '49 hot rod. charlie was also a crack shot and really into guns and carol's parents didn't like him one bit. >> they probably weren't very impressed with him. as a person, they serge were concerned about the age difference between them. >> this empty lot is all thatry mains of where carol was living at the time, with her hard working stepfather, and her mother sell da. also giving there was her 2 1/2-year-old half sister jean. charlie's desire to buy things for carol soon became problematic. after getting fired and having a fight with his father, he was kicked out of the house. charlie was desperate for money. located here on corn husker highway, th

. >> linda batiste is a lawyer and co-author of "the twelve victim." >> he used that to probably fuelhe had already into more hatred. >> but there was one person, the 18-year-old starkweather didn't hate. he had eyes for a spunky and rebellious 13-year-old named carol ann fugate. >> she said, my god, he was so funny, he put me on a pedestal, he always wanted to buy me things. >> the two cruised around lincoln in charlie's beat up '49 hot rod. charlie was also a crack shot and really into guns and carol's parents didn't like him one bit. >> they probably weren't very impressed with him. as a person, they serge were concerned about the age difference between them. >> this empty lot is all thatry mains of where carol was living at the time, with her hard working stepfather, and her mother sell da. also giving there was her 2 1/2-year-old half sister jean. charlie's desire to buy things for carol soon became problematic. after getting fired and having a fight with his father, he was kicked out of the house. charlie was desperate for money. located here on corn husker highway, this used to

. >> linda batiste is a lawyer and co-author of "the twelth victim." >> he used that to fuel the hatehad already into more hatred. >> but there was one person the 18-year-old starkweather didn't hate. he had eyes for a spunky and rebellious 13-year-old named carol ann fugate. >> he became intrigued with carolyn. she was with him too. he was so funny. put me on a pedestal. he always wanted to buy me things. >> the two cruised around lincoln in char low's 49 ford hot rod, charlie was a crack shot and into guns. carol's parents didn't like him one bit. >> they weren't impressed with him as a person. they were concerned about the age difference between them. >> this empty lot in the low income belmont section is all that remains of where carol was living at the time with marion bart let, a night watchman, and 36-year-old mother velda. also living there was her 2 1/2-year-old half sister, betty jeanne. charlie quit high school. but he hated working menial jobs which included a stint as a garbage man. after getting fired and having a fight with his father, he was kicked out of the house. ch

you press it, the fusible on the fleece is actually gonna trap the embroidery design between the batiste the fleece. so now we have this gorgeous piece that's ready to be quilted. and you can see the shadow here, which is absolutely fantastic. now, if you are stitching on a piece of cotton or denim or linen or whatever, that's fine. you can still do the same technique. just trim it really nice and close. now, if you have a lot of small vine-type things that come out from the embroidery design, trim those away. you don't need those. you can actually stitch those. then you're gonna take it to the machine. and i'm gonna bring the pillow back over here so i can show what i've done. and you can see that i've just used plain straight-stitch quilting stitches to accent the embroidery underneath and frame it. and you can see that i used colors that accent the embroidery design that's actually underneath the linen. it's just a great way to use up designs that you ordinarily would have thrown in the trash. >> martha: well, i think that's completely--now, you did not stitch all the way around it. y