because i grew up listening to classical music, i love beethoven. mr.salis: was dizzy gillespie and influence? mr. marsalis: the thing that hit me first was the depth of his intelligence. i met him at 14 and when he started talking, my dad and i would listen to him. he was intelligent. we developed jazz at lincoln center because i did not want to play in a big band. i wanted small band music. i called him and asking, what should i do? he was telling me you need to figure out how to keep our cultural heritage. we paid dues to build up orchestral music and jazz and to give it away, that is not intelligent. david: let's talk about jazz at lincoln center. you begin playing jazz at lincoln center in the late 1980's? mr. marsalis: 1987. david: you are the music director of the jazz at lincoln center orchestra, is that right? mr. marsalis: we wanted to build, build, build. we wanted to provide enough education and music and advocacy. enough concerts for us as a nation to have our native art form when it came time for us to address our mythology correctly. so t

it is like what i loved about the beethoven symphony.was not just one thing repeated over and over again. jazz is a music most in the world like conversation. as is a music that prizes individuality. you have great groups that play in different forms. have the whole afro latin form of jazz that takes you everywhere from brazil to cuba to puerto rico. it integrates your citizenship and your understanding of the world and most importantly, it gives you tremendous pride in being american. it's a non-predatory form. it is symbiotic form. you can be as rich as you want to be in jazz and nobody else has to be poor. david: you are a teenager by my standards. so you're very young, but you will continue to do this for another couple decades because this is what you love doing, m.r.i.? wynton: -- david: am i right? wynton: man, i still smell similac on you. i don't know what you're talking about. david: you are young. wynton: i'm going to do this until i die if i can. the good lord willing. and people will have me. i've been blessed to do somethin

and because i grew up also listening to classical music, i love beethoven.avid: what about dizzy gillespie? was he an influence on you? wynton: the thing about dizzy gillespie that hit me first was the depth of his intelligence. i met him when i was 14. and just when he started talking, the way my daddy and other musicians listened to him. dizzy was very intelligent. he's part of the reason that we developed jazz at lincoln center. because i didn't want to play in a big band, because i always wanted to play small-band music. dizzy told me -- i called and asked him, what do you think i should do? he said, "to lose one's orchestral heritage should not be considered an achievement." so he was telling me because you need to figure out how to keep our orchestral heritage. we paid a lot of dues to build up orchestral music in jazz. and for us to just give it away and say the big band is old-fashioned, that's not intelligent. david: let's talk a bit about jazz at lincoln center. so you began playing jazz at lincoln center when, in the late 1980's? wynton: yeah, 198

ah, beethoven knew what he was talking about — he dropped beats!en. one, two, three, four. three, two three, four, bingo. i'm m ixin 9 ! now time to see if all that training has worked. it's the moment of truth. i tell you what i will say — it is very loud in here. dance music plays i'm in the dj box with gavin mitchell. he's the resident dj and promoter for the gallery, which takes place every friday night at the club. fortunately, it is still early, so the pressure is off a bit and i'm getting the hang of things. by the end of the night, i've got the house rocking! i think all clubs have their nemesis moment where there comes something along that wants to close it. it's usually residents, and it is the balance between a city and the fact that it needs some form of entertainment. you can't have one without the other, because a city full of bedrooms is no fun, so you have to have nightclubs, you have to have restaurants, you have to have bars, you have to have entertainment. ade at the ministry of sound back in 2017. time now for something a little

because that is the key to us away with ah, in now beethoven often escaped to the countryside to leave behind the noise of the pollution of the early industrial age. but that's not an option for many of us. we just need to find sustainable solutions to alleviate the effects of moist solution, right? where we are, if you have ideas to bring down noise in your neighborhood, do right to us equal india a d, w dot com. you will get next week, goodbye and thanks for the the the the me the the news . the news. ah, what secrets lie behind me discover new adventures in 360 degree and explore fascinating world heritage site w world heritage 360. now, are you ready to get more extreme places in europe are smashing all the record. gets into a venture. just don't lose your grip. the treasure map for modern globe trotter's cover. some of us are wicker, breaking on you tube. and also in book form the little guys, this is a 77 percent the platform for african issues and share ideas. you know, decide that will be in north africa population is when people clearly have the solutions that belong to the 77

to my culture and say, you know, "oh, you know, i have german heritage "and you can't listen to beethovenll relax and share what we know... right. ..and extend ourselves to each other. that's obviously one of the things that fiction is good for. but i guess... i guess your critics in the so—called progressive or woke community or whatever one calls it, but people who culturally are on a different side to you, they say, well, that's all fine, but you have to look at the realities, the systems and where power and control lies in culture and society today. and why not spend more time trying to address the structural inequalities? and they would then point to what you said after big publishing house penguin random house said that it was going to make its authors and staff members reflect more closely the uk's demographic balance across ethnicity, gender, sexuality, etc, and you said that was completely unacceptable. and you said that it was going to be a complete sort of block on creativity. why? why is it? why can't there be efforts made to increase diversity? i have no problem with efforts

the one of monica group is theorists, projects is the beethoven jubilee. even though many concerts had to be cancelled due to the covert, the pandemic, the vendor of the call went up and looking back at the covert pandemic, it must have been one of the greatest challenges of your term and office. what impacted you personally? the most often in these are tut from michelle, my son, but i felt most taken back by the genuine, visible and absolutely palpable hardship periods by artists just like the rest of us. they made personal sacrifices. every one of us did across many different groups that includes children, young adults who couldn't get on with their lives, and the many elderly who suffered loneliness. it also applies to the entire economy and it's many fun rubel sectors, finance, leasing, boston about biting korea. even that would really shook me was how much creative struggle to be seen and heard. they felt they had to grow attention to their predicament, to fear that the social significance might be overlooked or not appreciated. but they were always s

the, when it's monica group is dearest projects, is the beethoven jubilee, even though many concerts had to be cancelled due to the covert, the pandemic. the then your article went up and looking back at the cover pandemic, it must have been one of the greatest challenges of your term and office. what impacted you personally, the most often good mark in desert. first, michelle mason. but i felt most taken back by the genuine, visible and absolutely palpable hardship periods by artists just like the rest of us, they made personal sacrifices. every one of us did across many different groups that includes children, young adults who couldn't get on with their lives. and the many elderly who suffered loneliness, it also applies to the entire economy and it's many unreadable sectors. so let's listen boston about biting korea even. met wouldn't really shook me was how much creative struggle to be seen and heard. they felt they had to grow attention to their predicament, to fear that the social significance might be overlooked or not appreciated. but they were always saying that we have a pr

the monica group is dearest projects, is the beethoven jubilee, even though many concerts had to be cancelled due to the covert the pandemic then you're off the call went up and looking back at the cover pandemic, it must have been one of the greatest challenges of your term and office, what impacted you personally? the most often in these are tut 1st michelle mason. but i felt the most taken back by the genuine, visible and absolutely palpable hardship periods by artists just like the rest of us. they made personal sacrifices. every one of us did across many different groups that includes children, young adults who couldn't get on with their lives, and the many elderly who suffered loneliness. it also applies to the entire economy and it is many fun rubel sectors, solicitation boston about in clear even that wouldn't really shook me was how much creative struggle to be seen and heard. they felt they had to draw attention to their predicament, to fear that the social significance might be overlooked or not appreciated. but they were always saying that we have a professional association. do we

the, when it's monica group is theorist projects is the beethoven jubilee. even though many concerts had to be cancelled due to the coven pandemic, the venue of the call went up and looking back at the coffee pandemic, it must have been one of the greatest challenges of your term and office. what impacted you personally? the most often in these are tut from michelle, my son. but i felt the most taken back by the genuine, visible and absolutely palpable hardship periods by artists just like the rest of us. they made personal sacrifices. every one of us did across many different groups that includes children, young adults who couldn't get on with their lives, and the many elderly who suffered loneliness. it's also applies to the entire economy and it is many unreadable sectors. so let's looking boston about biting korea even. that would really shook me was how much creative struggle to be seen and heard. they felt they had to grow attention to their predicament. fear that the social significance might be overlooked or not appreciated. but they were always sayi

thank you. [ beethoven's "moonlight sonata" playing] ♪♪ ♪♪ -it's january 1933, and germany has a newr. he refuses to engage in the boring day-to-day detail of running a country. he has no interest in the opinions of experts and refuses to read iefings.

among the presents he receives are a set of records containing beethoven's nine sympathies -- symphonies stands nearby. ♪ [cheering] after traveling for hours during which time the venerable german and the youthful american remained on their feet, shake hands and delivered innumerable speeches, they are going strong. he smiles as he spots the kennedy pt boat story build in -- billed at a movie house. the score for the first five hours, 2 million people lined the streets to cheer president kennedy. after these five hours, kennedy has learned again in whatever land you are it is a strain to be a celebrity. in the residence of the american ambassador, the president has his first chance to relax but it is to the about -- the background music of the fire department band. ♪ but, even this pauses short. in the evening, he is the guest of honor at a banquet. there the chancellery greet him along with 300 personally just -- personages from academic life, business, and journalism. president kennedy meets the minister presidents of various states, the governing mayor of west berlin, representatives

the the one of the monica group is dearest projects, is the beethoven jubilee. even though many concerts are to be cancelled due to the covert, the pandemic, the then your article went up and looking back at the cover pandemic, it must have been one of the greatest challenges of your term and office. what impacted you personally? the most often in these are tut 1st michelle mice, but i felt most taken back by the genuine, visible and absolutely palpable hardship periods by artists just like the rest of us. they made personal sacrifices. every one of us did across many different groups that includes children, young adults who couldn't get on with their lives, and the many elderly who suffered loneliness. it's also applies to the entire economy and it is many fun rubel sectors. finance, leasing, boston about in korea even met wouldn't really shook me was how much creative struggle to be seen and heard. they felt they had to draw attention to their predicament, to fear that the social significance might be overlooked or not appreciated. but they were always saying

the news when monica group is theorists, projects is the beethoven jubilee, even though many concerts had to be cancelled due to the covert, the pandemic. the then your article went up and looking back at the coffee pandemic, it must have been one of the greatest challenges of your term and office. what impacted you personally? the most often in these are tut 1st michelle mice noon, but i felt most taken back by the genuine physical and absolutely palpable hardship periods by artists just like the rest of us. they made personal sacrifices. every one of us did across many different groups that includes children, young adults who couldn't get on with their lives, and the many elderly who suffered loneliness. it's also applies to the entire economy and it's many unreadable sectors finance looking boston about biting, clear even. that was really shook me was how much creative struggle to be seen and heard. they felt they had to draw attention to their predicament, to fear that the social significance might be overlooked or not appreciated. but they were always saying that we have a profes

it started with the beatles and then the stones, well, move over, boy, and roll over beethoven, the spiceed. they wanted to have fun. ♪ even in my heart ♪ ♪ i see ♪ ♪ you're not being true to me ♪ >> the backstreet boys made a video for quit playing games with my heart. them in the rain, getting all wet, being all sexy. and it became a hit. ♪ quit playing games with my heart ♪ ♪ with my heart ♪ >> this is where it started right here, this house. the guys coming here doing vocal recording on a little karaoke machine i had. >> their manager lou perelman said i think i need another one of these. snot tearing up my heart when i'm with you ♪ ♪ when we are apart ♪ ♪ i feel it too ♪ >> it was overwhelming to be, you know, 16 years old and have that many people trying to attack you. it was craziness. and it felt like a dream. >> one by one the breathless few got their lucky autographs. most were missing school. many had mom as chaperones. >> all these people who would go on to be huge pop stars began on disney. so many people came out of the mickey mouse club. keri russell, justin timberlake, chr

in one place, it doesn't matter— beethoven in one place, it doesn't matter whether it is in your homeg to pay £10 per month— they are willing to pay £10 per month for, and that is bringing in more _ month for, and that is bringing in more money than ever before, and the public— more money than ever before, and the public is _ more money than ever before, and the public is not _ more money than ever before, and the public is not doing that because they necessarily want nile to get paid or— they necessarily want nile to get paid or a — they necessarily want nile to get paid or a songwriter to get paid. they— paid or a songwriter to get paid. they are — paid or a songwriter to get paid. they are paying that money out of convenience and the record companies are benefiting from this technology that the _ are benefiting from this technology that the streaming companies have brought— that the streaming companies have brought that allows people to consume music in this fashion, and theyjust _ consume music in this fashion, and theyjust need to share it more fairly— theyjust need to share it m

first person you see, do you think this at you like the -- before you listen to halfner, listen to beethoven's ninth. these people don't exist. >> how about mozart, can you bring him back >> yes. >> or what if you like stra vin ski. >> it's the right of spring. >> i know this is a little scary for people and the typical way is to be able to sell something like what i said with unity where you're looking what people are walking and you're looking at how people look and you're saying, you know what? and then you're matching yourself with it i want -- what size is that and then press, you order. >> you can also re-create the entire workplace, couldn't you this is like the tenth iteration of zoom. >> this is the -- look, some people view this as terminator. >> fold into that self-driving mobility, ai, musk has already announced the tesla ai day for august it is, it's minority report. >> it is minority report okay i just want to get this so people know because unity's really involved. when i see a model in the scene walking and turning in my direction, that model is me wearing this shirt and i can

sort of the beethoven.hestnut broke his own record, setting -- he set that record last year and now he broke it. this is news. by eating 76 hot dogs in if just ten minutes at nathan's annual fourth of july contest, marking his 14th, fourth of july win. chestnut celebrated to cheers of several thousand attendees watching from the stands of a minor league baseball stadium at coney island. >> i want to see lee greenwood right now. >> the runner up managed down 50 hot dogs while third place ate 44. what are we doing here? can we stop? >> jonathan lemire, and i proudly stand up next to you and defend her still today. gorging like a g. o.a.t. joey chestnut sets record with 76 hot dogs in no minutes, a true american great. i want to bring up willie geist trying to get in our head suggesting that the red sox have won the east. we know that's not true, jonathan lemire. we're about to collapse. you could see it a couple nights ago in oakland. true we've won nine out of ten games, we're ahead of the new york yankees b