jangler anatoly dutkin is remembered kindly by the veterans of the belarusian philharmonic, this formere maystar of the vyalikay litara, i would say that the intellectual has its own genres. “i’m working on this problem, that two spheres of yashche can be one another three, three, this is already inmagchy, you have five, which people, confused me, and here dutkin gives out the secret, these five balls were blocked at the pipe, what he will throw , they were higher, and below were these five balls that were on the other side, the skewer of some wasted there, and here they were shaking and they were taken out of the course. of course, i didn’t know the getaga, and i snatched up the geta number for the good. napaina, the most folded hands, like anatol dutkin, were born in the cold world. of course, she is a slave, like meetings, virtuoso and cold-crowned. ale menavіta gety truk kashtava yama ўsyoya yago further stage career and, of course, the first day of health. with daggers, the geta was careless, the pit was said, the smokes of the geta numar, the wound and the knowledge of the drain e

a flock of couples, alexander van li , works at the belarusian philharmonic.r mulyavin arrived here, of course, they added their adnosins, yans, darechs, velmi-velmi douga collected, and vanli meetings with fees say: i brought this one mulyavina in minsk." and this news was quite true. alexander wang-li, a chinese in his own work, i don’t know. how he grew up in the savetsky union, but in the smallest way he came here and his father ў from a group of chinese people . here he grew up and the tsudonnaga kauchuk. what is the rubber? he is so upset that the galava has come out of his legs. yashche tsikava, that ў gety momentant pit gave sticks. pіsаў, that kali yany are working on the scene, the situation is like this, bytstsam yany svae the urchins are washed out and packed in the grime. so the same thing could have been said by our great alexander van lee. it’s only because they didn’t have time to be filmed on camera at the right time, the angry síastser ros. shchyra seeming, alexander van lee works with the same hands, in your face and the balance with the flo

today. it would be nice to know that the performances of pop singers the collection of the belarusian philharmonicsong and dance numbers, but also from modern times. abavyazkov's elements of pop programs were the so-called argynal genres, for example, illusion, jugglery, master's whistle, psychological experiences, competitive acrabat and others. wolf messing traps in belarus for 39 years with other polish musicians and it is settled in minsk and the belarusian philharmonic. geta was careless, they said there was a hole.

the competition was anatol kalandzenak, he was the director of the belarusian philharmonic society, andt that time he was already the head of the right department of the ministry of culture of belarus. as it lightened up, this heart was my favorite song, the smell of which it lethally melted. and of course, so that the enchantresses could become laureates, and everything would be done to transfer them to the authorities. in minsk, on the 1st of june 1974, the charmers were introduced into new warehouses in the staff of the belarusian state philharmonic. i just played somewhere, and you played in good halls, you played to sold-out audiences, and then the trumpet, after all, he me, that is, my third instrument was the trumpet, it was on the trumpet that he left me, he said, this is your instrument, and so it was with many. he himself showed more of a manner, but he , for example, when i started on the trumpet, he immediately took me to valeria shcheritsa, that is, he took me to musicians with whom he was friends, whom he knew well, who were professionals, i took lessons from my teacher. h

i'm through. on the occasion of the belarusian philharmonic society in 1989 godse. nly then they told me that i knew who they were to us. right mitsul, that this is not just a scriply, zyazhurny vakhtser, that this is a star of the first greatness, and not only in belarusian, but also on the savetskaya stage. the name eduard leanardavich mitsul was mentioned on the belarusian stage. uzho young boys sleep in the royal choirs, dze pra... finished musical studies in gomel, pastors in the canservatory. being students of the canonservatory, they would already be salists of the harawa chapel of belarus by rygor szyrma.

in 1965, eduard mitsul had to perform on a long concert tour of the belarusian philharmonic hall, calledy of variety, special for this program, requested garry goldi, this would be we are at that hour. when the ussr welcomed foreigners, our emigrants, they first came from the savetsky union in 1947 from china, when i was 27 years old, for some hours i grazed in ryza, and then i lived pasta yanna, even my own emigration from canada in 1972 godse. garry goldi, my real name was hema goldfeld, former spy kruner kshtaltu bing crosby, frank sentra, fred astaire. in the ussr, this manner of singing on the stage was absolutely new, unfamiliar to the savetsk listener. do you remember the film we are with jazz? there, lethal, in the first frames. and then musicians, accompaniments, dancers, artists of arginal genres, and this entire tour was carried out on their own van. mitsul was... yany gavaryli, that it is not necessary for the pit to be so modest, because it does not match goldzi, ale mіtsul, geta was... 1965, and here yana sustrakali geta new year in minsk. 100 gathered in our studio brave g

the first of november 1974, the sorceresses were fully accepted into the staff of the belarusian state philharmonic he himself showed more manner, but let's say, when i started on the trumpet, he immediately took me to valery shcheritsa, that is, he took me to musicians with whom he was friends, whom he knew well, who were professionals, i took lessons from valery's daughter, that is, he definitely us... here is our beginning, beginning, beginning costume designer, now, probably, somewhere there will be a good trumpet player, normal, even already pas need to be done, pas or as she is already starting to do, this is the last, probably, of creativity, solo, solo, now, solo, this very solo, we could allow the work to be divided vocally into four to five voices, that is, this polyphony, beautiful female polyphony, this was the first trick, the second was the pipes, not all girls' ensembles had pipes, but we had pipes and he basically taught us to play quite professionally, that is, we played omas. nikolai ignatyuk, there was iolika from the baltics, well in general, there were such groups that later re

sacramental sensation, and i heard this day, when the stage of the philharmonic and the final presentation, and my books and history of the belarusianxa rises in our ancestral world, all the same, all the same, all the same. let's live our lives, let's listen to music together, let's dance together, and we don't need to invent words for this music, because no matter how many words you invent in your songs, they about love, about love, our hearts. irrefutable to the rightful faiths, which the public knew and loved in all corners of our indispensable country, who from the friendly team of thought leaders established the belarusian stage not only in the ussr, but also in many parts of the world. belarus rightfully honors these legendary artists and belarusian veterans. the stage cannot be divided equally in the world, money is not success, so let at least the music be music for everyone, it will respond with sadness, it will respond with laughter, it is bright melody. this music is for everyone.