belarusian opera and ballet goes hand in hand with the drama theater, the first house that hosted the performers became the belarusian stateater for a long time. charista ballerinas and opera primas were forced to share the stage with dramatic actors. in 1924, musical technology opened its doors in minsk. a couple of years later , specialized ballet and opera classes were opened in it, it became evidently two great art forms. closely in one place and the city authorities. we decided not to trifle, but to build a separate theater for the opera and ballet, the project was not made in such a way that it gave you a task. yes, design an atrow, pereboletova. there conditions also became at that time in the construction of these cultural buildings, as well, especially on theaters. well, everything was rejected, the so -called, developed over decades and centuries in the construction of theaters. everything bourgeois has already been put forward with this or well, the world has been put forward like this. and that it was all over the soviet union, not only in belarus, to build such universal buildings of culture , it was supposed

cultural life of the bssr creative the revolution opens the belarusian state philharmonic conservatory and the renovated opera and ballet theater ask, issues a resolution, and the restructuring of literary and artistic organizations. this document largely determined the musical future of the country from now on, the performers and composers united in a creative union the goal of creating world masterpieces was more a very serious film that helped the composer create masterpieces to provide housing. composers who could create operas to ballets provided apartments for someone everything had to be done by machines in order to create good music, music that would be superior in quality, content , and forms of embodiment. the west was an ideological program in the same years , two iconic figures appeared on the creative horizon of the bssr, whose names in a few years will be on everyone’s lips in tekutsky’s opera, conquer the sophisticated moscow audience, and alovnikov’s songs. the whole country will sing in chorus. belarusian triumph on the moscow stage on the stage of the great theater of the union of the ussr came the opera mikha

directing from this profession in the eighty-fourth year he graduated from the belarusian state academy arts, majoring in theaterears i worked at the minsk youth theatre , as you remember this period very well, firstly, we were lucky that we got almost the entire course, here we did not have such a strong experience, so that under a strange team we don’t know anyone, it was us 10 people who came there as a result, that is, the boys went into the army, naturally, the girls have already come during this time. we came from the army gradually there and we were organized by our own team. and it was very easy for us. interesting right there on yankova, to work as an independent work to manifest itself as a director. she, of course, occupied us very much and somehow we felt good and the night performances were you decided not. i want to install myself. why did this happen? what was the name of the german court of culture, uh, judging by the south, then with my wife, then the future, then we decided to still perform and from the third year we went to the third year to act, we left acting. we decided to speak first to ch

the cultural life of the bssr creative revolution opens the belarusian state philharmonic conservatory and the renovated opera and ballet theater ask issues a decree, and the restructuring of literary and artistic organizations. this the document largely determined the musical future of the country from now on, the performers and composers were united in a creative union, the goal was to create world masterpieces, it was more a very serious social film that helped the composer create masterpieces , provide housing for leading composers who could create operas, ballet, provided apartments, make someone machine. everything was needed to create good music that would be superior in its own way. what, in terms of content and forms of embodiment, the west was an ideological program in the same years two iconic figures appear on the creative horizon of the bssr, whose names will be on everyone’s lips in a few years in tekutsky’s opera, will conquer the sophisticated moscow audience, and olovnikov’s songs. the whole country will sing in chorus. belarusian triumph on the moscow stage on the stage of the great theater of the union of the

as such, the state opera and ballet theater of the bssr appeared much earlier than the iconic building itself on may 25, 1933, the start of the season thundered on the stage of the belarusianr on the stage of the opera and from carmen the main part with larisa alexandrovskaya translator he was such a musicologist, a belarusian quite well- known in his time. gracer. here the opera was prepared in the studio of this opera and carmen was opened on may 25th. uh, the opera and court theater opened its doors to the first spectators . the bolshoi theater only in 1938 gracefully art instantly wins hearts, opera divas and ballerinas suddenly become practically celestials overnight, the audience is ready to carry artists in their arms. all the years, the opera theater in general in the soviet union it was very prestigious. it was a business card. eh, any republic. i mean, they were gods. these were the stars. they say that they had some. so, if these were people with titles with regalia, then they knew that they were people's artists, which means they had some kind of benefits there and they received something else. that is, they had. stream they streamed. they had such a competitiv

head of state or head of government and the european theater decided to turn up for the d-day 70th anniversary. this is beyond significant. we have put in the ukrainian president. the belarusians were there, the germans were there for the first time. every belligerent decided that normandy was the point at which they would commemorate the victory of world war ii together. it could've been moscow, leningrad, a lot of places. they came together to identify that site is a central moment of world war ii. one of my favorites put it on june 6, 1940 4, 75 years ago, the nazi war machine was attacked on the beaches of normandy. d-day was and is the single greatest event for good ever wrought by mankind. which is a critical moment in central to the legacy of dwight eisenhower. what kinds of things could have trained him or his contemporaries for this supreme moment in american history and all that followed it. to say i grew up on a civil war battlefield and listens to civil war history would be one thing. i am a great believer in visiting battlefield. my grandparents did expose us to normandy and fairly spectacular way. remember, 1962, i was 14 years old. my grandparents decided to tak