coleman hawkins and lester young or you know in duke ellington spanned ben webster held a tenor saxophone chair in the 30s into the 40s and then paul gonzÁlez came to the band in the 50s and he was sitting in ben webster's chair. everybody knew it. he was playing in the shadow that man and i mentioned a mention it partly to say that i don't think people abbreviate harold bloom to say it's all about you know paris side. you have to kill the father. i don't think this infinite love is in a tutu but these these guys don't ever get to voice it as explicitly as the writers do. implicitly i think maybe it should be our goal to listen to those versions for what they are saying to each other about each other. charlie parker plays with johnny hunter who is the king of the tenor saxophone before him and i hear nothing but this kind of you know praise and thank you, thank you and i'm working on your blues tune and funky blues johnny and i'm playing two courses after you. it's like i'm playing with god but i am taking a completely different direction. anyway the question and there is somehow, can we

the saxophone chair into the 30s and 40s and paul gonzalez in the 50s and he was sitting in ben webster's chair. at the inuit, he was playing in the shadow of that man. i mentioned that to say people don't abbreviate howard bloom to say it is all about you have to kill the father. it is not the infinite love in two but those guys don't ever get to voice as explicitly as the writers do. implicitly it really should be our goal to listen to those musicians for what they are saying to each other about each other. charlie parker plays with johnny hodges who was the king of the tenor saxophone before him and i hear nothing but this kind of phrase and thank you. .. it's a sunday sunday morning and something true must be said. the influence is absolutely wonderful. it is clearly written by an academic. it is such a confined world and they are so jealous of each other. and it is a time and a book that someone had out. so clearly for an academic, i think someone in jail, you would feel that the characters would be desperately jealous. this simply isn't the case if you are a novelist or a composer.