i think benedetta, this is very striking to look at visually, isn't it? it is hard to describe.from director paul verhoeven, who, of course, gave us basic instinct, showgirls and more recently, the rather more thoughtful film l. but he's kind of still known for those tawdry films. it's a french language film based on the true story and the book set in the 17th century italy. and it stars virginie figure as benedetta. now, she is a young girl who claims to have visions. she's very religious. she's devout. she's sent to a convent where she meets a young girl and they develop a controversial relationship. let's have a look at a clip. i mean, there were lots of controversial elements of blasphemy and sex and power. at what point does it tip into vulgarity? do you think vulgarity? at what point does it tip into vulgarity, do you think? vulgarity, i think in the erotic scenes, perhaps it does, but very knowingly. i mean, paul verhoeven always has this tongue in his cheek. and you know, this is an element of satire and knowingness in this in how ridiculously over—the—top it is. i don't

and it stars virginie figure as benedetta. and it stars virginie efira as benedetta. girl who claims to have visions. she's very religious. she's devout. she's sent to a convent where she meets a young girl and they develop a controversial relationship. let's have a look at a clip. i mean, there were lots of controversial elements of blasphemy and sex and power. at what point does it tip into vulgarity, do you think? vulgarity, i think in the erotic scenes, perhaps it does, but very knowingly. i mean, paul verhoeven always has this tongue in his cheek. and, you know, this is an element of satire and knowingness in this in how ridiculously over the top it is. i don't think anyone�*s expecting it to be fully, historically accurate. it's never dull. what i will say is it's never dull. i had some problems with it from a feminist perspective, i'm sure many religious people will have problems with it, but it is interesting film—making. it's going to be offensive? i think if you think it's going to be offensive to you, you'll know and you won't go to see it. i don't think an

and then finally, we are off to i7th—century italy for benedetta, which is the true—ish story of a lesbianth 0peration mincemeat, which was the subject of a book by ben macintyre. it's an absolutely incredible story, isn't it? it's an extraordinary story, and this is the first film based on that book. there have been other films and tv series about this,

and then, finally, we are off to 17th century italy for benedetta, which is the true—ish story of a lesbiank off with operation mincemeat, which was the subject of a book by ben macintyre. it's an absolutely incredible story, isn't it? it's an extraordinary story, and this is the first film based on that book — there have been other films and tv series about this — but it really is an incredible true story in world war two, where british intelligence basically plotted to plant a body in the sea near spain with false documents to imply that the allies were going to be invading greece rather than sicily, so effectively to put the nazis off the scent. and let's see a clip in a second where we see colin firth and matthew mcfadden kind of in shock that their plan mightjust be working. i may vomit. i may vomit with you. every piece of intelligence says the nazis are waiting for us in greece. and every piece of intelligence may be the greatest deception the nazis have ever played against it. . why do you think churchill. still believes this can work? because he has to. so, historic dramas based on

and then finally, we are off to 17th century italy for benedetta, which is the true—ish story of a lesbianutely incredible story, isn�*t it?

i think benedetta, this is very striking to look at visually, isn't it?more thoughtful film l. but he's kind of still known for those tawdry films. it's a french language film based on the true story and the book set in the 17th—century italy. and it stars virginie figure as benedetta. now, she is a young girl who claims to have visions. she's very religious. she's devout. she's sent to a convent where she meets a young girl and they develop a controversial relationship. let's have a look at a clip. i mean, there were lots of controversial elements of blasphemy and sex and power. at what point does it tip into vulgarity, do you think? vulgarity, i think in the erotic scenes, perhaps it does, but very knowingly. i mean, paul verhoeven always has this tongue in his cheek. and, you know, this is an element of satire and knowingness in this in how ridiculously over the top it is. i don't think anyone's expecting it to be fully, historically accurate. it's never dull. what i will say is it's never dull. i had some problems — problems with it from a feminist pe