because berezatsky was not, and until his death he never became a member of the union compositions., well, jazz, secondly, foreign polish musical education, thirdly, well, there were more, but as you can guess, but in fact the gasoline one received the sheets, and he was not only the only one who could in general, to write it all in the style of light, necessary cinematic cinematic music, but he was the only composer in belarus who, given his taper past, could accurately decompose the duration of the sound of a musical episode already orchestral. the duration of the screen episode is not enough there were still some necessary accents in this, that is, at that time he was the only composer in belarus tina. of the ten films listed, i worked on three. and on none of them did i see composers who were then next to the mesalt indicated ptitra, and on one i always saw only the bilzat. the only one who invited the balsat one to write music. it was film director richard viktorov, he invited him to his film. there is a sharp turn ahead. and there was also the contribution of a very peculiar c