>> bergman: we found dr.back in northern california, performing autopsies for the same company he was working for before-- the forensic medical group, or f.m. >> he may have had problems in the past-- i know he had a problem with drinking-- but it... he doesn't have that problem anymore. >> bergman: dr. arnold josselson is one of the owners of f.m.g. you think dr. gill is a competent forensic pathologist? >> i do, yes. >> bergman: and you believe he performed well in sonoma county? >> yes, i do. >> bergman: records show that trial fell apart because he was being coached to create answers in his testimony. >> yes, i'm aware of that. >> bergman: you haven't read the state bar report. >> no, i haven't. i didn't even know there was one. >> bergman: did you ever look at those tapes-- they're available-- of what was going on in that coaching, what the issues were? >> i've been told what happened, yes. >> bergman: but you haven't independently gone to look? >> no, i haven't. >> bergman: and f.m.g., as an organizatio

at number five humphrey bogart and ingrid bergman in "casablanca." >> you knew how much i loved you.much i still love you. >> the kiss between humphrey bogart and ingrid bergman is so powerful because it's so tragic. they can't be together and they know it ♪ a kiss is just a kiss." >> reporter: at number four she's a bad boy. she's the blue collar girl he won't admit too until he becomes an officer. in real life they felt anything but romantic. >> they hated each other. they couldn't stand each other on set. he said he did it for the money. she said working with him is like working with a wall. >> reporter: the kiss is a cinderella ending. richard gere in a shining white suit walks into his girlfriend's factory and rescues her from a drab working class existence. >> it's so cinematically perfect. you try that in real life. you're likely to throw out your back but on film, beautiful. ♪ this kiss this kiss >> reporter: he's a bad boy mutt and she's a purebred. it makes for some major animal attraction. our number three best kiss, "lady and the tramp." ♪ side by side with your loved one

and bergman things are very collectible. - yes. - this is-- has got all that appeal, it's got real sexappeal in my view. well, i think there are many people who would like something like this-- the vibrancy, the sheer delight of it. and a conservative estimate for this would be somewhere in the region of £1,200 to 1,500. really? gosh. that's a bit more than £100, isn't it? yes. my husband thought it was the top of a walking stick. - what do you think it's made of? - i don't know. horn, a horn of some kind. you're right. it is a horn. that's absolutely spot-on. it looks a bit like plastic, doesn't it? but it is horn. this is actually inlaid in ivory, those pieces and stained. and it's in the form of a cicada, i think. and it's japanese. and it dates from probably the middle of the 19th century. and those two holes are the clue as to what it is. it's actually a netsuke. it's worn at the waistband like that. i think it's a very unusual and rare object. i think you wouldn't have much trouble getting around £1,000 for it. good heavens. - bit of a shock? - good heavens. well, it is a big sho

sheryl munoz-bergman/instituto internacional del area de la bahia 1:45 el mero hecho de que estaban hablandoon la policia, les tomo las huellas puede resultar en ordenes de deportacion y deportacion de esas personas 1:56 con el programa comunidades seguras las huellas de toda persona detenida por la policia local son ahora enviadas a inmigracion. segun esta agencia en casos de violencia domestica el problema es que por lo general hay acusaciones mutuas al principio, que hacen que detengan a las dos personas. 2:21 dentro de un par de horas ya saben quien es la victima y quien es el abusador, pero ya en ese periodo de tiempo la policia de inmigracion ya puede estar involucrado y pueden llevar a deportacion tanto a la victima como a su violador.2:35 aunque en el caso de patricia, al parecer el reporte vino de su esposo, este ilustra lo vulnerables que son victimas como ella 15:47 yo me imagine que si yo lo reportaba a el, ellos me ibana a defender a mi, no que ellos me iban a atacar a mi por haberlo reportado 15:54 patricia ahora anda con un grillete electronico, enfrentando una orden de deport

find a link to frontline on our website, also there our interview with lowell bergman. all that at pbs.org. >> woodruff: and again, to our honor roll of american service personnel killed in the iraq and afghanistan conflicts. we add them as their deaths are made official and photographs become available. here, in silence, are 11 more. >> brown: and that's the "newshour" for tonight. i'm jeffrey brown. >> woodruff: and i'm judy woodruff. we'll see you online and again here tomorrow evening with mark shields and michael gerson, among others. thank you and good night. major funding for the pbs newshour has been provided by: >> oil companies have changed my country. >> oil companies can make a difference. >> we have the chance to build the economy. >> create jobs, keep people healthy and improve schools. >> ... and our communities. >> in angola chevron helps train engineers, teachers and farmers; launch child's programs. >> it's not just good business. >> i'm hopeful about my country's future. >> it's my country's future. >> you can't manufacture pride, but pride builds gre

but early on, i was influenced, i think, by filmmakers like luis bunuel and fellini and ingmar bergman. you know, back in the '60s, i was a teenager going to art school-- the late '60s. and so this was-- these were the people who were influencing me-- as well as marcel duchamp and others. is there a--an impulse, when you've-- when you find a reaction in what is-- what some people view as--as shocking, and you didn't intend to shock, is there an impulse to replicate that or to avoid it? you know, basically, i do both but not intentionally. i'm aware that when i go in the studio when i do my work, you know, it comes from within. i forget about the critics, the audience, the fans, the detractors, the collectors. i forget about everything, everyone, you know, and i just listen to what is inside of me that i need to do. you do that when you work, but a lot of the controversy of your work stems from the titles that you give the work. so if someone were to have seen piss christ or see any of the works-- "piss satan," or any of the other works that you've made-- without a title, they wouldn't

you see a picture of his long-suffering wife, "playboy" playmate jaime bergman. admitted he cheated on her a couple times. the extra says he sent very graphic picture of himself to her cell phone number. therefore she filed suit against him and he just settled out of court to put the whole thing to bed, no pun intended. >> he pulled a brett favre and sent naughty pictures? >> some really naughty pictures, yes. he returns to the series "bones". we'll have to check that out. >> come on, dude, get it together. >>> well, these two, you know, i don't know why we're talking about them today. i picked this because i find them fascinating in a weird, bizarre kind of way. apparently paris hilton may have taken a little jab at her -- >> your girlfriend. >> -- kim kardashian. one of my favorites, favorites. she said, quote, there's so many people out there who try to imitate what i do, but i am the original, is what paris said. some people said that was a dig at her old bff, kim kardashian. both have had similar pasts. famous for being famous, sex tape scandals, reality sho

plus, we talked to correspondent lowell bergman about the money behind basketball's march madness. that's one of three stories on tonight's "frontline." also on the broadcast, more from martin smith's profile of wikileaks suspect private bradley manning, and a portrait of a chinese artist pushing the boundaries of freedom. all that and more is on our web site, newshour.pbs.org. judy? >> woodruff: and that's the newshour for tonight. on wednesday, we'll update the ongoing crises in japan and libya, and remember the attempted assassination of president ronald reagan, exactly 30 years ago. i'm judy woodruff. >> ifill: and i'm gwen ifill. we'll see you online, and again here tomorrow evening. thank you, and good night. major funding for the pbs newshour has been provided by: >> you can't manufacture pride, but pride builds great cars. and you'll find it in the people at toyota, all across america. >> okay, listen. somebody has got to get serious. >> i think... >> we need renewable energy. >> ...renewable energy is vital to our planet. >> you hear about alternatives, right? wind, solar,