bernini's david is textbook baroque. bursting with life, david's body, wound like a spring, and lips pursed as he prepares to slay the giant, shows the determination of the age. bernini was just 25 when he sculpted this, and the face of davis his. caravaggio tackled the same topic on canvas. grabbing an opportunity to shock his viewers, the artist caravaggio also sneaks in a self-portrait -- this time as the head of goliath. in keeping with the baroque age, berninirape of persephone packs an emotional punch. persephone's entire body seems to scream for help as pluto drags his catch into the underworld. his three-headed dog howls triumphantly. bernini's apollo chasing daphne is a highlight. apollo, happily wounded by cupid's arrow, chases daphne, who's saved by turning into a tree. in typical baroque style, bernini captures the instant when, just as apollo is about to catch daphne, her fingers turn to leaves. her toes sprout roots. and apollo is in for one rude surprise. this statue, as much air as stone, makes a supernat