and now i'm very proud to introduce beth taylor. [applause] >> well, i thank john and julie for having me today. i thank, um, all of you or for turning out. "a slave in the white house: paul jennings and the madisons," was a great labor of love. i spent three years researching the book and a year writing it. i have a fondness for good narrative nonfiction, and a lot of times if i read journalistic pieces, i enjoy when they begin with an extended anecdotal lead. so i adapted that approach in my book, and each chapter starts with what we might call a vignette. i really labored over the details. if i give the weather, it's documented. if i say james madison's overcoat was olive, i have an eyewitness and so on. so i thought what i might do today is intersperse my comments with reading excerpts from some of these vignettes. they all place jennings at or near a doorway or some kind of opening. in one case it's the hatch of a ship, and in this first one it's an open gravement -- grave. on or about 28, february, 1801, montpelier, the madiso