it, the lyrics are simple, the music is not complicated, well, i wouldn't, for example, classify betlove risking, oh, now we are risking, therefore, to plunge into tuskussia, which is what michael needs, and we will not, well, michael in the broad sense of this word, so please, vladimir vladimirovich, no, well... it has never been a secret for anyone that, of course, art, culture, sports, yes, are, ambassadors, as they used to say, goodwill ambassadors, yes, ambassadors of this or that state and so on, that is why we limited them, our public's access to their culture, they limited, accordingly, access to our culture in exactly the same way, oh my god, they just gave an example, a quote from the cia of the fifties, yes. we have freedom, we have democracy, we showed that we have complete freedom of expression, this was during the years of makortism, yes, when they accused their own cultural figures of working for the soviet union, you know, i really love this, about the era of mocartism, excuse me, i'll interrupt for a second, i really love this example, not everyone knows where charlie c

someday sat, they realized that he was a man there, i compared him, it turns out, with brian shshtein, betlov's producer, that's what i didn't remember, that's what i helped him a lot, and he just said that he had just gotten out of prison, as he said, he was thinking about getting into producing, that's exactly what he... there he named several groups that he really should get into and talked him out of the idea of ​​murmov, by the way, yuri shmillivich took advantage of the advice, by the way, yura, a man, in this regard, when we talk about bandits in show business, legendary, i've read it many times, that he was the most authoritative there, the most, the most gangster bandit, but it's not true, because... to a certain extent there was such a person who loved to show off, loved, so to speak, this external side, that is, he was not such a karabas-barabas, a shadowy one, who was puppeteering him, he liked this very entourage, no, he knew how to make money, and he understood how - to make money on this, he had an excellent intuition, and yes, he attracted real, well, authoritative people, i rem

realized that he was a man there, i compared him, it turns out, with brian stein , the producer of betlov that's what i didn't remember, that's what i helped him a lot, and he just said that he had just been released, as he said, he was thinking about getting into producing, he just named a few groups there that he really should get into, and talked him out of the idea of ​​murmov, and by the way, yuri shmilevich took advantage of the advice, yura is a person, in this regard, when we talk about bandits, show business, it is legendary, i would read many times that he was the most authoritative there, the most, the most bandit bandit, but this is not true, because yura to a certain extent was a person who loved to show off, loved, so to speak, this external side, that is, he was not such a karabas-barabas, a shadowy one, who was puppeteering him, he liked it was precisely this entourage, no, he... knew how to make money and understood how to make money on it, he had an excellent intuition and yes , he attracted real, well, authoritative people. i remember that if anyone now remembers vlad s