truly part of the creative circles of florence around lorenzo the meeting with artists like the betty dillon dial or michelangelo these were folks who wrote latin sonnets and could hold their own and find society there not it was never part of that. but said piero never forgot his son and was only he's ready to use his connections to help him get work but the lack of a proper education left young leonardo at a major disadvantage. instead he was apprenticed to the workshop of one of the most prolific artists of florence and that i am here here leonardo learned how to mix pigments prepare panels for transfer large fresco drawings called cartoons to a plaster wall and eventually for akio allowed him to paint one of the angels in his panel of the baptism of cries it's obvious that leonardo's angel is much more beautiful than the rather dollar angel to the right painted by for tokyo himself. so how did he create such lovely and jelly faces the ensor by using a new invention called oils as most of florence still use the flat collars of tempera paint which dries quickly leonardo had begun to experi