in order to do that i had to write it from the various view whosepoints of lives impacted betty jeannd vice versa. tavis: speaking of vantage point from which you had to write since there are so many characters here. i am curious as to your process. how do you take what is a very and deliver itue in a narrative that is poignant, that is funny at times, that is not proselytizing. that is a serious issue and you take it and how do you turn it into a novel? rex is a dramatize it. because i dramatize it. i love writing in first person more than third. i have to basically suspend my own world. i don't exist. i am just a conduit. -- so i can be a years old eight years old, i can be the mother of a kid and you find out certain things, i am not going to say. and i take what people feel and think, especially when it is different and i find it liberating, to be honest with you. i empathize with the young man who was in prison but i see a lot of letters from for his nurse. they used to get my nerves, especially family members. everybody is innocent. i know differently. it is how you -- how i am