thimphu is bhutan's capital and largest city.g population of 100,000, as bhutanese have begun the inevitable move away from a rural agrarian lifestyle. tourism was only allowed starting in the 1970s. the amount of foreign visitors each year is strictly limited to protect bhutan's culture and environment. there are no starbucks, no kfcs, no king or clown. basically, they don't want you to come here, at least on mass. >> watch your head. >> you all right? >> wow. >> what do you think of the altitude? >> i'm here because of this guy, my friend, the film director darren aronofsky, fresh off the unjustifiably horrified reaction to what i think is his masterpiece, mother. >> but i know you've studied the effects of high altitude, you know, your blood gets thicker and thicker, so it's like freaking marmalade. >> all right. >> you'll be dying slowly. >> awesome. >> mother is an angry and thinly veiled warning that we are destroying our planet. and policy-wise, bhutan is something of an environmental wonderland. >> we want to protect the

the administrator bhutan had requested a meeting with the existing architects. soon those architects bowed out of the project and john carl warnicky was on board and the whole thing changed. so that's just it's incredible to to think about the influence that she had in being able to change that program. that was so far along and you know, she had a sense of what could be done because she had seen it in other countries as well, you know in her letter to the administrator. she talks about the the historic monuments. laws in france and how those could be applied to the united states. so, you know she did it here in washington ultimately later in life. she applied that influence to to the saving of grand central station in new york city. so i think she was always quiet about what she did it's hard to ascribe and he motivation to her because she famously never talked about it, but i want to get one of her quotes right? she she did later on talk about how when she discovered what was going to happen at lafayette. where that it was going to be ripped down and horrible

the administrator bhutan had requested a meeting with the existing architects. soon those architects bowed out of the project and john carl warnicky was on board and the whole thing changed. so that's just it's incredible to to think about the influence that she had in being able to change that program. that was so far along and you know, she had a sense of what could be done because she had seen it in other countries as well, you know in her letter to the administrator. she talks about the the historic monuments. laws in france and how those could be applied to the united states. so, you know she did it here in washington ultimately later in life. she applied that influence to to the saving of grand central station in new york city. so i think she was always quiet about what she did it's hard to ascribe and he motivation to her because she famously never talked about it, but i want to get one of her quotes right? she she did later on talk about how when she discovered what was going to happen at lafayette. where that it was going to be ripped down and horrible

>> in bhutan. >> trevor: what are you doing there?hem? >> not yet. >> trevor: you are traveling around the world. "emancipation." i just watched it. it is, it is so hard to describe movies like this because people see it in the clip, but you play one of most famous unknown people, and you know what i mean, from america's history. a man whose picture went around the world, that basically showed many people who did not know innately how brutal slavery was. let's talk about this. "emancipation" is not the kind of film we would expect to see you in immediately as will smith. so why this project? why get into the story? and why this story in particular? >> when i read this script, man, you probably have seen the image, it is a black man and his back and his arms, it is a pretty famous portrait. >> trevor: i think we have that image. it is one of the famous ones. >> yes. it is that image. and first, seeing that image was one of the things that really got me, you know, excited to explore this, because you see the image, but you don't know wh

friend, jane writes man who was always whispering inner ear about collecting and of course stephen bhutan, the french decorator as well. she had a vision of her own and was always willing to take that advice from others. i think the timing of it all came together and that she knew about the efforts of her predecessor, she knew that they had not always been successful for some very simple reasons. like there wasn't a foundation under which to make that legacy go underneath her own there. and so she was very smart to work with her husband's advisers, and setting of the fine arts committee, which brought in mr. dupont, she was honorary chair, not only pulling in wealthy donors who could contribute financially to our project, but also having an advisory committee of museum directors and curators. that's up a real foundation. and then they set up about creating legislation in 1861 to create the interiors of the white house with the national park service, to make the interiors a preserved space. that of course established a permanent collection. a permanent collection that today has grown into

the jury is that he is worthy to fight for the main prize ladies and gentlemen of bhutan.ifter impossible to watch his performance without a smile going through life not annoying and helped him get to the finals. last week we were able to return 20 years ago, and i was able to feel like a participant in the legendary project zvezdnoe nome factory, you know, spring spring spring and a warm cold age, our fantasy house has not yet been very danceable, very fun, very incendiary. and here it is thanks to you. well done, it's nice when the bud says, yana, i grew up on your broadcasts. here you are, as always, krasava, i honestly want to tell you that the story does not end there. everything is just beginning ahead, we are waiting for a lot of interesting things. together we went all the way with a smile to the end. and i can't sleep at night when love songs are sung to the wave. happiness, and about the family fantasy is not around in me and in you. i'm as happy as anyone. i'm a lucky ticket. i'm happy. i won't be so happy. we will leave, someone knows, i myself don’t know where

the country forward and right now we're wrapping our arms around people with the cost of energy of bhutan'se of weeks ago, being realistic about what needs to be done as a result of both the pandemic and the war. actually, in the end, cause people be fed up during a parliament. we've got a couple of years go and in that time i believe will set out a very story about it is that we've the right ideas to take this country and got time to do that . yes, and got time to do that. yes, some mps may decide they want to fight in another general election. as i say, that happens every cycle , you know, and i can every cycle, you know, and i can remember this story by the every single cycle being asked very similar questions. well oh, now, come on, come on, grab . you come on, come on, grab. you know, knees is on this cycle as well . it's really good. it's well. it's really good. it's really good stories . again, really good stories. again, that's what we do . i tell you that's what we do. i tell you what, it's a bit like i'll tell what, it's a bit like i'll tell what look, i'm going to be in so much t