my job isn't to make sure everybody gets it. >> the biennale is somethig that you and jeffrey have been to submit a proposal to the state department, which selects the artists who will represent the u.s. >> why is the biennale so important to an artist, to the art world? >> it is truly a global stage. artists like jeffrey having a lot of success in the united states, but people outside the united states don't really have an idea who he is. and here people just come from all over to see what's important. >> does this change an artist? >> it can, definitely. >> reporter: ash millby, a member of the navajo nation, is the first native american curator and commissioner for the u.s. pavilion. >> there are a lot of firsts here. >> absolutely. it's long overdue for a native american artist to be representing the united states in this place. >> one of the questions that's followed me during my career has been, why do you identify as a native or indigenous artist? don't you find that to be pij holing. >> what's the answer? >> personally i feel like i have moved beyond titles. my answer has always

in the 6th biennale of art in venice, the iranian painter is representing the emotions of iranians towardslobal event, with the compilation of the national visual arts document, a new life was breathed into the fajr visual arts festival. a society in which art is active makes the spirit joy of hope for the future and he should be active in his life as long as the works of this document progress. it became more visible, like the better rotation of the wheels of the art economy by strengthening the connection between the private and public sectors. many foreign visits for the ministers of islamic countries, the works i give as gifts, mostly the works of iranian artists, especially calligraphers. supporting the young generation interested in visual arts was another part of the results of those intimate meetings and drafting a document that supports art and artists. from slogan to practice. the event of the 31st and 31st youth visual arts festival was one of the first events that was held in the henryad council as a superficial event. accredited. this matter made the national elite foundation

he exited exhibited at the veni biennale and won a medal for this. >> there he is, the pope. >> reporterally wearing his cloak, a piece jago says he never really liked. >> there were no one piece of freedom in that. >> reporter: you decided to take the pope's clothes off? >> when the pope decides to retire, it was an incredible excuse to go back to the work. unveiling what is behind the humankind. >> reporter: he is unveiling humankind and making headlines with his contemporary approach to this classical art form. you have been called the young michelangelo. >> don't say that, please. >> reporter: why do you not like that? >> i don't want to be the next, you know, someone. i want to be the next myself. >> reporter: one key implement he uses is social media to expose his process, a technique that is centuries old. he draws dots as reference points on a full-scale plaster cast. >> you have pixel, right? more pixel, more quality, the finish. >> reporter: then moves a framed from the cast fitting it into the same place in the marble. the tool pinpoints how deep to carve. >> now i am here and

speak more quietly, this is an installation by a very promising artist, in the fall at the geneva biennalee need to find out who painted, nikita bazheromsky, in these two halls only his work is lenya, i already remember, tomorrow we’ll drag him out to our place. let's talk, why? so this is a kolya bar drawn, what kind of kolya bar is it. author, well, don’t you see, or something, it’s written, something i haven’t heard of kolya drawing a picture of a candy bar, no, well , he could have built this stool, but every fool can do that, lenya, no, well, so he drew pictures, it’s like hell, he draws, of course he draws, only poorly, for example, i have better identikit photographs, hell, check it out. still, it won’t hurt, but now, i think we can smoothly move towards the restaurant, i know a place here not far away, otherwise some unhealthy associations arise from this cubism, well, actually, this is the very place, yes, that i was talking about, and you know, i’m not hungry, and i’m not feeling well, or something, but what’s wrong with you, violeta , i don’t know, i blew it, probably at work ye