>> bigelow: yes. >> stahl: best screenplay, best picture, best director. >> bigelow: yes. >> stahl: inrt locker," a riveting two hours filled with fear and violence, bigelow shows how terrifying it is for a bomb squad in iraq. >> butcher shop, 2:00. dude has a phone. >> stahl: here, they're trying to stop that butcher from detonating an i.e.d. with his cell phone. >> put down the cell phone! >> stahl: by using wobbly hand- held cameras, bigelow heightens the tension and the sense of immediacy. she wants the audience to feel like the fourth member of the bomb squad. >> bigelow: the ground just erupts out of nowhere. i mean, it's just an incredibly harrowing, dangerous, volatile environment. >> stahl: she sees the film both as anti-war and as a tribute to the soldiers who sign up to do this kind of work. >> bigelow: these are men and women who volunteer, who are there by choice, who are walking toward what you and i and perhaps the rest of the world would run from. and they arguably have the most dangerous job in the world, yet they're there by choice. >> stahl: they don't know where to