and also, that book starts with the line "billy pilgrim has come unstuck in time." i wonder when you talk about the crazy with the capital c does it feel like you become unstuck in time drifting back and forth between the two places? >> yes, i'm a huge fan. and i loathe to admit that. the comparison makes me uncomfortable. there's something about unworthy to tie a sandal strap but yeah, i definitely read "slaughter house five" before i wrote the book. i didn't intentionally model anything there. but the sentiment, absolutely. i guess i look on box a little bit differently than i used to. i see a lot of war stories where i didn't see war stories before. and maybe, you know, there's a lot of examples, but two -- but you had to go to fiction based upon his all of bombing of dress din, of course, to be able to write that. lot of other writers who experience something too. they go to fiction too. they go farther out. two of the best examples are actually [inaudible] which maybe are not names you were exec. they served in the tremplegs in world war i. i think they both fo