so that these germans, lubitsch and von sternberg and marlene dietrich and billy wilder, fritz lang.nd naturally i didn't start out working with them. i just was a draftsman; it was a great learning period. quite literally top executives particularly from paramount and universal would regularly go to europe for what were perceived over there as talent raids. to demille, art is international. so tonight we find him looking at a european picture, starring a young hungarian, franciska gaal. stop the picture a minute. get me budapest. c.b., it's 5:30 in the morning in budapest. you can't get that girl out of bed. and why not? operator. get me budapest, miss franciska gaal, g-a-a-l. (thomas schatz) and of course we're not importing movies, we're importing the talent developing in other countries. hello. franciska gaal? this is cecil b. demille in hollywood, california. who? cecil b. demille, paramount director, speaking from hollywood. cecil b. demille! oh, yes! we want you to come to america for a picture. i want a fine emotional actress for the part i have in mind. you'll have to leave