the only one who invited bilzatsky alone to write music.director richard viktorov, he invited him to his film. there is a sharp turn ahead. and there was also a very peculiar contribution to the belzanian in the music for the film red list, on which i also worked, i needed a polish pre-war tango, some kind of which the heroine of this film, the cabaret singer jadwiga, performs in this cabaret, and then bezatsky was invited. he arrived in leningrad and now the director vladimir vladimirovich korsa gathered, damn it, sound engineer concert georgievich tank director of the film seventeen navigator, i perched somewhere in the corner. yuri davydovichsky sat down at the piano and two more completely unknown people came. it was a student of leningrad university. a very beautiful woman. edita piekha and the head of the ensemble. friendship, her husband alexander armorevichsky, they only just last year at the world festival of youth and students in 1957 became some kind of laureates there and , uh, their popularity. it was just getting started. and

bilzatsky understands that the program should be built on the appearance of eddie rozny.nd he sits down to create this program. these were the most fruitful years of creativity, the state jazz orchestra of the bssr was born, as the belarusian government called it and gave it this status, provided it with salaries with tours, good organization equipment, and put the words in capital letters to create a repertoire. here, the only thing that played a leading role was jebilization, of course, it was necessary to rely on something already familiar to the audience . before the war, the film was very popular, which was called the great waltz all over the world; in the ussr it was called the great waltz. and so the implementation takes the strauss theme and makes it for an island of different characters, then the caravan theme appeared, invented by the trombonist of the duke and lington orchestra, khon teasel, takes this theme in a birch and turns it into a musical canvas, a musical picture from afar, some measured clatter is heard such a kind of percussion, then some kind of der

create an orchestra under the artistic direction and with the participation of the enderose, so bilzatskyhe creator of the legend of the legend of the soviet and world jazz enderose, but who cares the person who creates all this turns the public's attention to the one who feeds all this on these rosora plentiful in the shadows. in the shadows , zatsky understands that the program must be built on the appearance and he sits down to create this program. these were the most fruitful years of creativity, the state jazz orchestra of the bssr was born, as the belarusian government called it and gave it this status , provided it with salaries with tours, good equipment, and the main words of our deeds are to create a repertoire here. the only leading role was of course, it was necessary to rely on something already familiar to viewers and listeners before the war, the film was very popular, which was called the great waltz all over the world; in the ussr it was called the great waltz. and now she takes the mesan ones, all the more so the trausa and makes it for the orchestra in different charact