it was probably bitov, it was trifonov too, yeah, well, with alzhenits after all, but among the directorsilms seemed to you , of course, under the enormous influence of m was always alexey german and even for some time considered himself his student, although my way of making cinema, so to speak, was different from his. in principle, it was difficult to repeat, it seems to me that the director is klimov shipitka, a very good director, here’s some kind of iron films, as he said, he said, an iron book, i would say iron films, which did not live in a relative world, as if everything was allowed, everything was permitted, here is the world of the thaw, they already lived in a world of rigidity in the world... he was president of the tarkovsky festival in ivanovo, there is a mirror in the wheel, and yes, i even remember how young torkovsky and konchalovsky came to nikrasov and showed him andrei rublev’s script, the two of them wrote it, they wrote it for victor, we called him vika, always vika to viktor platonovich nikrasov, who lived with us then two such young people came. handsome, i was pr

you think defined the time in which you grew up, matured, matured, of the writers, it was probably bitovrifonov too, yeah, but with a liar after all. and of the directors, of the film directors whose films seemed to you , of course , alexei german was always under the enormous influence and even for some time considered himself his student, although the way of my, so to speak, making cinema, it was different from his, he in principle it was difficult to repeat, it seems to me that klimov and shipitka are a very good director. these are some kind of iron ones films, as shukshin said, he said, iron books, i would say, iron films that did not live in a relative world, as if everything is allowed, everything is allowed, here is the world of the thaw, and they already lived in a world of rigidity in the world, you are on this side, and i’m on that side, this is it, for some reason it worried me, just as it worried me. herman, who simply created a world, not a mood, he did not create a musical theme, he sculpted some kind of special world with great tension inside, and torkovsky, torkovsky was

think defined the time in which you grew up, matured, growing up, of the writers, it was probably bitovng the film directors whose films seemed to you , of course , alexey german was always under the enormous influence, and for some time he even considered himself his student, although the way of my, so to speak, making cinema, it was different from his, it was, in principle, difficult to replicate, it seems to me that it was very good... director klimov, hiss, these are some kind of iron films, as shukshin said, an iron book, i would say iron films, who did not live in a relative world, as if everything was allowed, everything was allowed, here is a world of thaw, but they already lived in a world of rigidity in a world - you are on this side, and i am on that side, for some reason this changes... ... worried, just as i was worried by herman, who simply created a world, not a mood, he did not create a musical theme, he sculpted some kind of special world with great tension inside, and torkovsky, torkovsky was in that world, in the old , although for many years i was the president of th

you think defined the time in which you grew up, matured, matured, among writers, it was probably bitovrs, whose films? iron films, as shukshin said , iron book, i would say iron films, which did not live in a relative world, as if everything was allowed, everything was permissible, here is the world of the thaw, they already lived in the world of rigidity in world, you are on this side, and i am on that side, this is it, for some reason this worried me, just as herman worried me, who simply created... a world, not a mood, he did not create a musical theme, he sculpted some special world with great tension inside, and torkovsky, tarkovsky was in that world, in the old one, although for many years i was the president of the tarkovsky festival in ivanova in plyos, a mirror yes, and yes, i even remember how torkovsky. locked myself in the room, they kicked me out, and i fell to the crack trying to hear something, but i couldn’t there was a man from a completely different era, they think that he understood the ruble, but what, what did they want to hear from him, why did he need it, is it w