and then i started to think like, well, what about all that great stuff in the early 1980's like blondie the cars. so i was just like focusing on what i thought were kind of pure pop productions and taking elements from them. a lot of that was, you know, when i was a kid and first hearing synthesizers used in pop music and how like, whoa, that sounds so crazy and different, and recapturing some of those sounds. tavis: when you say pure pop, by that you mean what? >> i think, you know, radio hits from the 1970's, yeah. tavis: you have been honest about what you were hearing and what you wanted to bring back to this project. it raises me this question whether or not you think musical taste is cyclical or, once an era is gone, is that musical era gone? >> i think it's like, you know, waves on the beach. you know, it's cyclical. the waves will keep coming back, but a lot of sand gets eroded as it happens. so i do think that they're cycles, but there are going to be things that do eventually just die off forever, which is too bad. but then again, you know, you can't spend that much time like