, which was way ahead of its time, because bloomer girl was dolly bloomer, who was an actual suffragette in 1860 who stood up and invented pants. and it was radicical in tse d days. and the show was about dolly bloomer, and she ran an underground railroad, bringing slaves up, and she had an underground paper, and she was an incredible woman. and this was a political show. some great songs in there. maureen mcgovern does "right as the rain" in a great way. lena horne does "eagle and me," which was the first song on broadway that wasn't a blues lamentation about the black-white situation. it was a call to action. "we gotta be free, the eagle and me." ok? and dooley wilson, who was in casablanca, sang that. so, agagain, yip managed to o gt his philosopophy into o his sho, which was the second truly integrated american musical after oklahoma. and while, you know, it hasn't been played around, it's still marked that historically. after that came finian's rainbow. amy goodman: you mean blacks and whites playing in the cast. ernie harburg: no, not in there. in finian's rainbow, i mean that it w