we'll be helped in answering these questions by art historians like john boardman of the ashmolean museumoxford. we're used to looking at greek art this way, in museums, in this case, in a cast gallery, university of cambridge, where they've assembled these figures-- plaster casts of the more important greek and roman statues present in many museums in the world. the art historian and archaeologist try to work out the original settings of these figures-- what was in the artist's mind when he made them and the impact on the society for which they were made. there are several examples here which show the difficulty we have in making this adjustment. this figure, probably made in crete in the seventh century b.c, isn't unlike figures which might have been made in other cultures in antiquity, syria or egypt. only an expert would know the difference. it's not distinctively and obviously greek. there's another problem about it, too, which we have to adjust for. there were traces of color on it, and a duplicate cast has been colored up with what they think to be its original colors. it's a strik