curtis mayfield never gets his props. >> what i love about curtis and bob dylan and bob marley, they, if you watched the life of curtis mayfield and bob dylan, they all had this commercial success. it was based on pop records. what happened to the three of them, at some point, they became almost someone else. they went on a spiritual journey, some type of spiritual rebirth. the person that was born was much more spiritualized. there are times when an artist needs to represent without saying anything. when i see bob dylan or bob marley, i know there is a god. it does not matter what they are saying. it is the conviction of their soul. they are just standing there and you know there is a god. he is the same. he is a boxer and i did not like that when i was a little girl. it did not make any sense to me at all. but he is a character, he underwent this transformation. he became a different person, muhammed ali. where has he gone? what has happened? then i understood. it was a spiritual transformation. four very interesting characters to me. daughter, they times to believe in god. -- they

odetta sings bob dylan. highly recommend this record. sings bob dylan, and this recording was done in 1965, a real endorsement of dylan as a voice of protest, a voice of conscience and then over there kind of a little bit off stage peter, paul and mary. in jazz you had protests coming from folks who had been on the scene like duke ellington. i don't know if any of these faces are duke ellington. there are lots of african-american historical luminaries but not duke. we insist, freedom now suite. you can see the album covers are re-enacting the sit-ins, and this album was inspired by the sit-ins, the sort of mass uprising, spontaneous uprising of college, black youth. white youth took part in the sit-ins throughout the south and then charles mingus who was a very distinctive and strong voice of protest. spirituals in gospel music, of course, paul roveson identified with the spirituals and also identified with a strong voice of protest. leatine price, another african-american classical singer who was very prominent in this period. mahalia j

later, miley cyrus is going to -- [ cheers and applause ] miley cyrus is here to play -- sing a bob dylanong for us, which, it's about time they collaborated. and also, "science bob" pflugfelder is with us. [ cheers and applause ] really? "science bob" stops by from time to time, to use the magic of science to do wonderful and amazing things like this. whoa! >> there we go. when. >> jimmy: wow. whoa. [ cheers and applause ] that's right. so, we've got some things planned. and maybe tonight we'll finish the job and kill me for real. who knows? my goal is to get science bob his own show so i can be like oprah did with dr. oz. speaking of dr. oz, you know, dr. oz does five new shows a week. and i feel kind of sorry for him because there are only so many parts of the body to talk about. there's only so many illnesses you can address. and with that said, it's time we ask this important question, is dr. oz out of ideas? ♪ >> so, this is your pubic hair. okay? i'm not saying you have this much of it. i'm just saying, representative. [ cheers and applause ] >> jimmy: take it easy on the miracle g

memphis, so -- and, of course, "change is going to come" was written by sam cook who was inspired by bob dylan's the 1960s still. okay. okay. janis ian's "society child," she is singing the story from the standpoint of a white high school city from a northern city who is giving the reasons for breaking off her relationship with her black boyfriend, and with the dream-like refrain "i can't see you anymore, baby. she says she can't continue the relationship because she is society's child. ♪ come to my door baby ♪ face is clean and shining black as night ♪ ♪ my mother wants to answer you ♪ ♪ now i could understand your tears and your shame ♪ ♪ she called you boy instead of your name ♪ ♪ when she wouldn't let you inside ♪ ♪ when she'd turn to sit and honey, he's not our kind ♪ ♪ she says i can't see you anymore, baby ♪ ♪ i can't see you anymore ♪ walk me down to school, baby ♪ everybody's acting different ♪ and they say why don't you just stick to your own kind ♪ ♪ my teachers all laugh ♪ preaching equality ♪ and if they believe it then why won't they just let us be ♪ ♪ they say i can't see you anym

there was the concert that took place at the pavilion, where phil gramm came in and brought in bob dylan and the grateful dead and the starship and 20 other acts and basically save the san francisco sports program in the schools and raised a whole lot of money. then there was the unity festival in 1975, when i was still living at the park, where the grateful dead and the starship played for free. an amazing time. my favorite weekend of the year is the first weekend of october. i would never miss it. that is because of hardly strictly blogger's. when i started going about five years ago, what i remembered was that it reminded me of a simpler san francisco, a simpler, gentler time, a friendly time, where there are no hassles. never seen a fight. i have been there for hours and hours and hours. i have never seen it came during -- never seen angry and pushing people. i was amazed at how big the bike lock up was, and this is a wonderful lesson for our city, and we need to cherish it. we really do. let's help people have better festivals and more festivals in the park. supervisor mar: sir? >>

in his official biography, jobs said he collected bob dylan vinyl albums, but downloaded the beatlesolling stones on to his ipod. old school meets new school. >> indeed. >> thanks for being with us. join us tonight at 5:00, 6:00 and 11:00. nbcbay area.com. have a great day.

i remember him when he was a premier social -- back to the mainstream, ronald reagan, bob dylan and popular music. >> i wanted to thank vernon very much for putting this together and everybody else who had a part of it. this is a wonderful occasion and i'm very proud and honored to be part of it. what i'm saying kind of repeats what has already been said but with a different angle, certainly an angle of my experience with jim mcpherson. for a quarter century i was privileged to be jim mcpherson's teaching colleague at princeton. i have him to thank directly for that as he was the chair of the search committee that hired me. i've never tried to thank him properly for that, because i couldn't possibly do so, so great is the debt. but i also have the privilege to share the classroom with him on numerous occasions. someone mentioned preceptorship at princeton, basically like having a t.a. back in the way old days of princeton, very distinguished senior scholars would actually be the t.a.s for recently hired assistant professors. it's like having in the civil war if you put raw recruits in charg

but as i walked around the snowy streets, another '60s era icon kept coming to mind-- bob dylan. for the times, they are a changing. davos was created as a joint european-american project to help the poor developing world escape its political, economic, and social woes. but as dylan sang, the first now shall later be last. this year, there was comparatively little discussion about the woes of those who live on $2 a day. in fact, the rampant growth and rise of brazil, india, and china is now taken as a given. no, the real concern was with the rich countries... or formerly rich countries. how could europe stay together while greece struggles to pay its debts? why did the u.k. plunge itself back into recession? will washington's dysfunction torpedo a global recovery? the big question looming over davos 2012 was whether the rich and powerful could manage their affairs with any skill and competence. as the gathering dispersed, the question remained very much an open one. in davos, where a hard snow was falling, you don't need a weatherman to know which way the wind blows. i'm daniel g

has written as well about ronald reagan and more recently bob dylan and popular music. >>> i wanted to thank vernon very much for putting this whole thing together and everybody else who had a part of it. this is a wonderful occasion, and i'm very proud and honored to be a part of it. what i'm going to say this morning kind of repeats some of what's already been said but maybe with a different angle. certainly the angle of my own experience with jim mcpherson. for a quartier century, i was privileged to be his teaching colleague at princeton. have i him to thankly for that as he was the chair of the committee that searched for me. and i have never been able to thank him properly for that, because i couldn't possibly do so so great is the debt. but i also have the privilege to share the classroom with him on many occasions. someone mentioned the preceptorship program at princeton. but back in the way old days of princeton, very extinguished scholars would actually be the t.a.s for the recently hired assistant professors. it's like having in the civil war as if you put, you know, the raw

gentlemen, bob dylan. [ cheers and applause ] ♪ ♪ ♪ new boy in the neighborhood ♪ lives downstairs andur wrongs and our rights ♪ ♪ and i want charles in charge of me ♪ ♪ and i want charles in charge of me ♪ ♪ ♪ [ cheers and applause ] >> hey, jimmy, it certainly is cold outside, but i could probably go inside with you and we could warm up a bit. >> jimmy: uh -- we're not gonna do that song. we're doing the other song. >> but, jimmy, it's cold outside. >> jimmy: i know. [ whispering ] we're not doing that song. >> yeah, we are. [ in chipmunk voice ] >> jimmy: i thought we were going to do "the chipmunk song." [ laughter ] >> no, remember? at rehearsal we decided to do "baby it's cold outside." [ in chipmunk voice ] >> jimmy: well, can i get a mic for that to start that? ♪ ♪ i really can't stay baby it's cold outside i've got to go away baby it's cold outside ♪ ♪ this evening has been been hoping that you'd drop in so very nice ♪ ♪ i'll hold your hands they're just like ice my mother will start to worry beautiful what's the hurry ♪ ♪ my father will be pacing the floor listen to the firep

they are stealing our stuff quite another well over the barricades played on the guitar and sang bob dylan's when the ship came in. elsewhere chants rang up measure six feet from your cucumber take off up their rights to. [laughter] and some of what democracy looks like. this is what democracy looks like. under the dump truck and jan scarano and the crowd thinned, journalist and a view view to display campers will protesters try to reconcile themselves with what happened and speculated about the future. occupiers chatted in between text and phone calls reassuring friends and loved ones who wanted to know where they were and if they were safe. they also exchanged with fellow protesters to scattered throughout the streets of lower manhattan. still others claim is scribbled on police cars and from the days when along the line of police vehicles and use their site here to let the air out of the tires in landfill search. their 5:00 a.m. on the dump trucks that carried up the bulk of the part content can police made their push to reopen broadway. to see her in a police line commit three hawklike p

while over the barricades a lone jirga door played tenor guitar and played bob dylan's when the shipcame in. isles were chants rang out, you are, you're cute, take off that riot suit. [laughter] and, tell me what democracy looks like. this is what democracy looks like. under the dump truck engines and the crowds didn't journalists interviewed to displace campers while the protesters try to reconcile themselves with what had happened and speculated about the future. occupiers shouted in between text and phonecalls reassuring friends and loved ones who wanted to know where they were that they were safe. they also exchanged text with fellow protesters at foley square and scattered throughout the streets of lower manhattan. still others client and scribbled on the lease cars and some inventive activists water ordered along a line of police vehicles and let the air out of the tires in one fell swoop's. nearby -- if ivan would dump trucks had carried off the bulk of the contents of police made their worst to reopen run with. three punk clad protesters whistled at a young blonde female offi

he was introduced to weed by the one and only bob dylan but says his high days are over.rob wouldn't be able to speak. right? it's all about kate upton, who is the "sports illustrated" cover model. >> mm-hmm. >> and she is a beautiful little 19-year-old, 5'11" actress -- actress. whatever she is. >> mm-hmm. >> she's acting, right? >> get to it! >> so anyway, she -- her friends had to have like an intervention because she had put on some weight last year. so last summer -- this is her on the left. this is her i guess if you want to say overweight. but they staged an intervention because they said she's not one of those pretentious models, she likes to eat, she's not into herself. i guess all she had to do was go to the gym a couple of times and now she looks like that on the right. >> and then she looked like this on the cover that came out this week. >> she's only 19. >> only 19. that's why she has such beautiful eyes. >> eyes. what color are they? >> you know, blue, green -- >> you're talking about these. >> of course i am. >> okay, guys. >> all right. we have a male con

but finally this half hour, when bob dylan sang about the times they are a-changing, he may as well havex in salt lake city. >> now, you want a combo with a cup of soup? >> reporter: these are busy times for anthony consolo. he's a manager at a popular salt lake city restaurant. >> i have a chicken carbonara. you're going to love that pasta. >> reporter: and he's about to become a father of a baby boy, a baby girl, another girl, and one more girl. >> and then she started counting. then when she reached number four, my wife and i, well, we looked at each other. i think i went like this. >> reporter: the consolos are 31 weeks into the pregnancy, two weeks more than the average for quads. and to avoid really premature births like the ones you see here, natalie consolo has been hospitalized for more than two months. anthony says while she didn't want to be on tv she's very excited. >> she's very uncomfortable right now, obviously. but she's a very strong person mentally, physically, and spiritually. and she's embracing it too. >> reporter: having quads forced the consolos to move from their

where is the next bruce springsteen, where is the next bob dylan coming from, where is the next balladg birth to great people, you have to be somewhat concerned. >> with technology and everything done so digitally, it may be bad for business. but for the consumer buying it, they say this is great stuff. is it possible to make it a win-win for everybody, do you think? >> i think in some ways i'm from this generation of music, what i do is a throwback. we record all our own records to tape because we love the sound of the record that smokey and motown made in that era. but at the same time, you have to be aware that your stuff, your record is not being printed on a thing like it's going to look this big on the itunes. i think that -- i don't know. it's hard. you can't really sit around griping and complaining about the way things are now. you just have to continue making good stuff and hope that your stuff stands apart from the crowd. and i still go to record shops. i still put on records. i still read notes. >> you mean online or know where there's a record shop? >> especially in englan

where's the next bob dylan coming from? where's the next ballad singer coming from? i love music.echnology and everything is done so digitally, it may be bad for business. for the consumer buying it, they say it's great. is it possible to make it a win-win? >> i think in some ways -- i'm from this generation of music. i'm a bit of a throwback though. we record all of our music to tapes. at the same time, you have to be aware that, you know, your stuff, your record's not being printed up on a thing this big with artwork. it's going to look this big on the itunes store. i think that -- i don't know. i mean, it's hard. you can't really sit around griping and complaining about the way things are now. you just have to continue making good stuff and hope that your stuff stands apart in a crowd. i still go to record shops. i still put on records. i still read line and notes. >> do you mean on line, or you know where there are record shops? >> there's a few record shops, especially in england. there's more. >> do you have concerns about the music industry as we know it today? >> i have co

bob dylan and dancers. >> one of the items we were throwing around, actually, was getting a lot of theucts from down the line with the first ipod, first macbook. those were probably tough to get. we decided on this as kind of a positive celebration. >> seth, how big of a fan are you of steve jobs? to what extent? do you have every single product? have you read every single book? give us a glimpse into why you would bother doing this. >> so my first computer was the apple 660 av when i was 11. and since then i've used apple computers and i have an ipad. and, i mean, i think they're great products. pretty much any -- being in technology now, in the digital space, everything we work on, every project, every new product, has been really touched by steve's, kind of, vision of elegance and design. it's part of our culture now. we kind of take that elegance and inquisitiveness very seriously. it's really part of our culture that we're proud of. >> you obviously both have a special place in your hearts for mr. jobs. brendan, i'm curious, now with tim cook in charge at apple, are you confident