was a very common story in the past generation, you know, clive james, and germaine greer, and bob hughesle like that. a whole generation of successful australian authors. yes. whose success was in the end rooted in london or new york or wherever by going away. yes, and i wanted to go a different way. i loved where i was from. i felt invested. i felt unable to just leave it behind for the sake of a career. i thought well, if i'm into making art, if i'm into making stories and getting these imaginary characters to get up and stand on their hind legs and walk around the park, which is the strange mystery of art, it's a pretty unlikely business, you get to make things that shouldn't feel real seem real. i wanted to do that from home. and it's the mix of the imaginative and the real that so strikes me about you, because when we talk about your rootedness and your determination to write about home rather than go away, it's also about the use of language. because in the novel i've just read, your new one, the shepherd's hut, you know, it's deeply vernacular, it is so aussie it's unbelievable, a