is so, you know, pointwise, well, you can’t say that we have foresights, we have kilyans, we have bolonsic for the west, but we still haven’t, let’s say, raised, haven’t brought up such people , that is, i understand what you’re saying. that this should be done, i believe that this it is necessary to practice so that it is a big risk, this is a risk, you know, here are young choreographers who do not yet have a big name, who do not have a large, large repertoire list for theaters, for companies, to entrust artists, to entrust time, this is a risk , because you can get a small death, or you can get, yes, well, that is, you have to take risks, yes, i think you have to take risks, and where does the choreographer come from? if he has no practice, and you argue with choreographers who do something for you? no i do not i bet, sometimes i, yura posokhov, our amazing choreographer, who has staged a lot of performances in the big theater, every time he, and he can literally choreograph so many movements in just a few bars of music that you stand there and think, this is i tell him that it ’s imp