release the programmer from jan sklif 65 and exquisite music and outstanding choreography at the bolshoi theater two ballet premieres at once and a big classical mouth to hurt is stolen? the movement of trains on the savelovsky direction was completely restored after the accident on the stretch in the dubna region, i remind you the night before, on this section, a truck crashed into several wagons of an electric train. derailed were damaged poles of the contact network of liquidation. the consequences of the accident attracted 80 employees of the ministry of internal affairs and two recovery trains worked until the morning. now the movement. at this site, it is carried out according to the usual schedule upon the fact of the accident by the transport prosecutor's office. started checking according to the preliminary information of the truck driver, he left for the crossing, not making sure that the maneuver was safe. on the northeastern section of the large metro ring, a technical launch of trains was carried out today, this is more than 7 km underground from elektrozavodskaya to the still final sto

two performances in one performance bolshoi theater presents this year's first ballet premiere in oneg, the audience will see two one-act ballets - the legendary shipaniana and an excerpt from paquita. the first ballet was staged in 1908, the second at the end of the 19th century, who today will enter the historical stage of the great zinaida kurbatova recognized in the big resumed the evening of two one-act ballets. these ballets are the legendary champiano, staged by mikhail fokin back in 1908, and the second performance is also a legendary even older excerpt from the ballet pohita, staged in the 19th century by marius pepetipa oni very different and connections of these ballets. in one evening there will be an elegant and significant divine performance. it seems to me that here in combination with the second work. they seem to compensate for each other, where there is such a triumph of the real boriska in this and it’s just so touching some kind of fragile on the one hand, on the other hand so powerful in the state of fokine’s work that hmm i think i’m convinced of this that we don

as part of home music making, but seriously really perform on the stage of the bolshoi theater at first it was one or twobut already in 1948 he fully returned to the stage , figuratively speaking, a front-line wound. he i also overcame the feat of kobzon, who, all drugged with painkillers, went on the donbass stage and sang for 5 hours, and the feat of lemeshev is one thing. military correspondents and the poet semyon pegov i also know in 2014. it was he who introduced me to arsenal, motorola pavel in the midst of the battles for the donetsk airport. it is with him, not discouraged, restless, impatient, bright, always cheerful seed, over all these years, they have driven hundreds of kilometers along the roads of donbass. pegov, of course, is an incredible phenomenon both military and human and which is very important, the poetic in our country has matured from somewhere . this is a ridiculous notion of poets who are so creative that any draft can blow them away. this is the right word, some kind of nonsense, if you know at least a little the history of russian poetry, where pushkin, who was eager for any

two directs of one theater are celebrating today the 70th anniversary of the people's artist of belarus ballerina, and now the teacher and tutor of the bolshoi theater of belarus tatyana yershova. she received a choreographic education in riga and was a soloist of the latvian state opera and ballet theatre, until she was invited to the first ballet festival in minsk. elizariev. and he invited the ruff to stay in minsk in her repertoire, both classical performances and modern productions from this and the hotel. aurora carmen sylph. she even danced when she became a tutor in 1990. since then, she has trained several generations of useful performers. calling, yes, probably. yes , i just could not imagine anything else, because the profession combines so many elements. look, we are going through the first yoga, this means the body is the knowledge of your body, the feeling of your body, by the way, dramatic actors, we are very envious. if everything else we can as they we can, yes learn the skill. we can play some videos. yes, we can do it all, they can’t do it for me with ballet . well, you understand, this is your fiftieth birthday since chil

two prims one theater is celebrating its anniversary today, the 70th anniversary of the national artist, belarus ballerina, and now the teacher and tutor of the bolshoiheater tatyana ershova. she received a choreographic education in riga and was a soloist of the latvian state opera and ballet theater until she was invited to the first ballet festival in minsk, her technique and virtuosity in fouette attracted the attention of the chief choreographer of the bolshoi theater of belarus, people's artist of the ussr valentin elizariev. and he offered ruffs to stay in minsk in her repertoire, as classical performances as well as contemporary productions from eto and odile aurora carmen sylphide. she even danced when she became a tutor in 1990. since then, she has trained several generations of ballet performers. calling, yes. well, probably, yes, i just didn’t imagine anything else, because the profession combines so many elements. look, we are going through the first yoga, this means the body is the knowledge of your body, the feeling of your body, by the way. dramatic actors we are very jealous and everything has become. the rest we can as they we can,

the fact is that it is nice to note that the bolshoi theater of belarus toured in moscow at the bolshoi theater of russia, since we know that there are only two, uh, that moment of the repertoire policy that was done in moscow. i believe this is such a necessary accent to this wild hunt kingdoms. and of course however, the upcoming holidays are coming soon - this is the nutcracker performance for all times, which was fully prepared by tatyana mikhailovna and which is pleasant to note the audience. we stood and inspired we returned to minsk to continue. today is the world ballet day. anniversary season, in which a series of anniversaries, and one of them belongs to the artistic director of the bolshoi theater valentin nikolayevich ryazaev, and right after him , belongs to the anniversary of tatyana mikhailovna ershova, who for many years has been cutting each performance and thus , when you come and understand that yershov is immediately visible. well, let's say. so, november 13 is tatyana mikhailovna's birthday. not just a birthday, but an anniversary tatyana mikhailovna here is another detail i will reveal in our audience. you have been work

the bolshoi theatre, the long-awaited premieres will be presented to the audience in one evening by two one-act ballets at once - the legendary champagne and the classical pahita pas in the theaterill they have not been for many years, why did the productions decide to resume and which of the famous dancers will take the stage will be told by zinaida kurbatova in a large resumed evening of two one-act ballets. these ballets are the legendary champiano, staged by mikhail fokin back in 1908, and the second performance is also a legendary even older excerpt from the ballet pohita, staged in the 19th century by marius pyatip, they are very different and the combinations of these ballets. in one evening he will be smart and that means a divine performance for him. it seems to me that this is a combination with the second work with hits. they are like each other compensate, where there is a triumph of such a real master's dance. and here it is so touching, somehow fragile, on the one hand, on the other hand so powerful, and in the state of fokine’s work that hmm i think i am convinced of this, that we missed this evening, it is considered without a plot to be a ballet on the stage of

the history of the theatre, a ballet performance features two women based on a work by turgenev in the lead role accompanied by bolshoi theaterer and director of the amok performance based on the choreography of the same name. like the soloist of the bolshoi ballet victoria litvinova this is the first work where she performs as an independent choreographer. it was, of course, very exciting. for me, because. i didn't know how much, enough do i have the strength like it will be natural? it was a big thrill. but when i plunged into the staging process, probably when we began to discuss. the positor began writing music, that moment mmm. i had already stopped thinking about it and the excitement let me go. such a team was assembled by a famous ballet dancer, choreographer, teacher, people's artist of the ussr mikhail lavrovsky, it was decided to make both performances one act. in general, i love it when everywhere, both in literature and naturally. uh, i love theatrical activities, when something about something the author writes what the director wants to say and, of course, khrestrov. it should be compact so to speak, not stretc

detail, the technique is rehearsed a day at the bolshoi theater for 6 hours, there are many professional secrets. here. well support actually, it depends on twowith a bag, but a ballerina, she must always help her partner, that is, there is a technique, then how should you enter one or another professional support, children begin to study from the age of 9, maybe at first, i, honey, how the game is perceived, but from the age of 9, when you enter a scientific institution that directly educates you within the framework of this profession every year. you are aware of the seriousness of teaching health, how to follow, because after all, heavy loads, you can say sports. well, there we have been getting a profession for 18 years, and officially retires from the age of 10 , relatively speaking, and up to forty colossal physical exertion is a tough discipline. man deprives himself of a lot. beyond hard work need and talent get the best and these are units. perhaps this may be given somewhere from above. well , if not given, but still want to show some kind of movement that everyone can repeat and feel involved in the ballet. one of the simplest in a

two years. yes, and already on monday, november 21, as part of the festival program, a master class will be given at the bolshoi theatercers, it will be held, by the way, by the artistic director of the chelyabinsk theater of modern dance, and the master of the bolshoi theater of belarus igorkov will help her. and then i saw that olga pona's name is e, the artistic director of the chelyabinsk modern dance theater. so, we are waiting for olga. we are here in belarus. i think she will like it, because it will be such a mutually beneficial cooperation, including mutually beneficial ones. yes, although the residents of chelyabinsk wanted to say that they would not be surprised that it was snow outside the window. especially in general. e. by the way, i thought, they collected pieces of a meteorite there, it’s interesting, olga keeps more than that show people, they come and look. i also looked at olga once, let them bring it with them, if anything, olga well, we’ll also give something , at least our good mood and hospitality. oh, by the way, friends. uh, the fact is that the guys within the framework of this event, but tak

we have spartak, and like you, there are two performances, who received the state award, this is today's russia. no, another performance. at the bolshoi a theater about the conflicts between nikolai tsiskaridze and the leadership of the bolshoi theater in the media space, i didn’t tell only the lazy one , of course, is the unconditional star of the legendary corpse of the soloist, to whom all world ballet stars enthusiastically responded at different times. he harshly criticized the overhaul. in the main theater of the country and the composition of the soloists of the bolshoi ballet and the policy of the theater and the quality of new productions, had the right to do so. after all, all my creative life. he led us on the stage of a large, on the sidelines of which there is an emotional truth-teller. they called nikolai an objectionable, the situation went so far that the premiere of the state academic bolshoi theater of russia, the people's artist, was no longer let on the threshold of the theater persistently, calling former premieres in ballet an experimenter. so it turns out that a book from any public person, in its form , becomes either re