letter, with a petition from the massfilm film studio, to to the rector of the shchukin school boris evgenievichhat about mikhail kalik and goodbye boys, expedition, well, besides , i already had to go to academic vacation, but somehow the teachers treated me favorably, it’s clear from boris evgenievich himself that i was later reinstated. i didn’t lose a year in my course, but i understood that i understood that many people were jealous of me, and i tried to behave somehow delicately towards my comrades, and in general i’m such a non-boastful person, that’s how i am by nature. the only thing i remember is that many people began to behave very complimentarily with me, and i understood that in this complementarity there might be some kind of flattery and... well, something like that, that i became famous, that with me, as it were, vasya vasya, means demonstrating some kind of closeness, this i understood, and i somehow differentiated, i still tried to discern the true relationship with myself, but this is also natural, natural, because this we pulled out a lottery ticket, well, well, are you real

letter, with a petition from the massfil film studio, to the rector of the shukinsky school, boris evgenievichhat he would let me go with a request, he greeted me very kindly in general... he kindly let me go, but what about mikhail kalik and goodbye boys, expedition, well, i already had to go on academic leave, but the teachers somehow treated me favorably, it’s clear from boris evgenievich himself that i was later reinstated in my course, i didn’t lose a year, well, i understood that i understood that many were jealous of me , and i tried to behave somehow delicately towards... my comrade, and in general i’m such a non-boastful person by nature, i just remember that many began to behave very complimentarily with me, and i understood that in this complementarity there may be some kind of flattery, the calculation is, well, some kind, that i have become famous, that vasya is with me, so it demonstrates some kind of closeness. this is what i understood and i somehow differentiated, i still tried to discern the true attitude towards myself, but this is also natural, natural, because it was we wh

was forbidden, as far as i remember, yes, no, they didn’t forbid him anything, it’s just that boris evgenievichnce, he just told him , you go ahead, either study or act, well, in general , somehow choose one of the two, well, then nikita left. i stood in the city theater, so i answered questions, and then they showed me the city, everything there, in particular they me, there is a very good local history museum, they took me in the local history museum and showed photographs there, in particular, i remembered photographs of the grand duke’s visit to the city of rybensk, here the grand duke is standing, and two people in uniforms, which means such youthful friendship, it’s all very realistic, some kind of image of moscow that we now it seems completely real, but again we know from memories, yes, that as if during the filming it was even necessary to wash houses in order to create such an image of bright moscow, clean moscow, i don’t know, it’s unlikely that the city that we see on screen, different but from the real moscow of those years, yes, well, here’s an example, and how did it differ from

banned, as far as i remember , yes, yes no, they didn’t forbid him anything, it’s just that boris evgenievich i ’m explaining this to the audience, he’s just doing it to him. he said, go ahead, either study or act, well, in general, somehow choose one of the two, well , then nikita went to the facility at the directing department, and an outstanding film director was born, whom we have the honor of knowing, we are with him, to be honest , we don’t see each other so often, but we, of course, are people of the same destiny, and we are so connected by destinies, precisely because in the nineties i went to... to perform in rybensk, well, as is usually the case with this creative evening, i performed there for 3 hours in the city theater, which means i answered questions, and then they showed me the city , everything there, in particular they me, there is a very good local history museum, they took me to the local history museum and showed me photographs there, in particular i remembered photographs of the visit... of the grand duke to the city of rybensk, here the grand duke is standing, and two

well, besides , i already had to go on academic leave, but to me somehow it's kind. teachers, boris evgenievichs demonstrating some kind of closeness, this is what i understood, and i somehow differentiated, i tried still discern the true attitude towards oneself, but this is also natural, natural, because we were the ones who pulled out a lottery ticket, well... that was really lucky, so i didn’t just end up in the cinema, in my own cinema. the film is now turning 60 years old, well, if you read the moment of the premiere, 1964, and the logical question, of course, yes, the previous generation of viewers know it by heart, especially this famous phrase: my favorite scene, when mikhalkov’s hero walks down the street, meets some a group of repairmen who is hammering the asphalt asks what you are looking for here, so more than everyone else is needed, get out of here, this is it, once they dig and they will dig up, so it’s necessary, no matter how you don’t need to know this, this young generation is asking questions , asking questions, today, yes, when new viewers who watch this film for the firs

school that we used, which we received from the hands of vakhtangov and which was developed by boris evgenievichpossible, because easy to destroy, difficult to create. boris nikolaevich, what would you say? i would certainly say and say when. "comes, think about it, do you need it, if you are ready, even with great talent, today you will have a hamlet, and tomorrow you will have a second gravedigger, are you ready to play not a hamlet , the second gravedigger, if you are ready, then yes, you can then, so to speak, for the rest of your life, associate yourself with the scenes, with the theater, with intrigues, with the fact that you will not have for some time... roles for some time there will be less money than your neighbor in the dressing room, roles in cinema and so on, if you adore this smell of the scenes, then so to speak, yes, if you are ready at some point, if life doesn’t work out at all, if you find something a second profession within the theater, but i will be anyone, but only in the theater, then it makes sense to do it, i also want to say that there is no jealousy here and in relat

to the school according to which we, which we received from the hands of vakhtangov and which boris evgenievichuch as possible, because it is easy to destroy, difficult to create. developing them and living in this small but differently existing collective, a kind of unity with our own problems and, but here we stand and hold on, and we have been holding on in our school for more than 200 years. we are in this sense, and in our this year is 110 years old too many, very, of course, of course, and 130 years of boris vasilyevich shchukin, we have such a double anniversary, so we are also, as it were, on this anniversary, it was not easy for us to survive all these difficult years, but it is possible, and this profession, if it... as cruchini said on the guilty without guilt, how do you feel about the acting profession, is it an art or a craft, what is it? it’s so rare that our profession and performances become art, but when it happens, you’re ready for it, probably everything give it away because you succeeded, and while there, if there are performances, usually you are some kind of translator be