banned, as far as i remember , yes, yes no, they didn’t forbid him anything, it’s just that boris evgenievich, zakhavalaining this to the audience, he’s just doing it to him. he said, go ahead, either study or act, well, in general, somehow choose one of the two, well , then nikita went to the facility at the directing department, and an outstanding film director was born, whom we have the honor of knowing, we are with him, to be honest , we don’t see each other so often, but we, of course, are people of the same destiny, and we are so connected by destinies, precisely because in the nineties i went to... to perform in rybensk, well, as is usually the case with this creative evening, i performed there for 3 hours in the city theater, which means i answered questions, and then they showed me the city , everything there, in particular they me, there is a very good local history museum, they took me to the local history museum and showed me photographs there, in particular i remembered photographs of the visit... of the grand duke to the city of rybensk, here the grand duke is standing, and two people in

that we used, which we received from the hands of vakhtangov and which was developed by boris evgenievich zakhava, because easy to destroy, difficult to create. boris nikolaevich, what would you say? i would certainly say and say when. "comes, think about it, do you need it, if you are ready, even with great talent, today you will have a hamlet, and tomorrow you will have a second gravedigger, are you ready to play not a hamlet , the second gravedigger, if you are ready, then yes, you can then, so to speak, for the rest of your life, associate yourself with the scenes, with the theater, with intrigues, with the fact that you will not have for some time... roles for some time there will be less money than your neighbor in the dressing room, roles in cinema and so on, if you adore this smell of the scenes, then so to speak, yes, if you are ready at some point, if life doesn’t work out at all, if you find something a second profession within the theater, but i will be anyone, but only in the theater, then it makes sense to do it, i also want to say that there is no jealousy here and in relation to t

the school according to which we, which we received from the hands of vakhtangov and which boris evgenievich zakhavaossible, because it is easy to destroy, difficult to create. developing them and living in this small but differently existing collective, a kind of unity with our own problems and, but here we stand and hold on, and we have been holding on in our school for more than 200 years. we are in this sense, and in our this year is 110 years old too many, very, of course, of course, and 130 years of boris vasilyevich shchukin, we have such a double anniversary, so we are also, as it were, on this anniversary, it was not easy for us to survive all these difficult years, but it is possible, and this profession, if it... as cruchini said on the guilty without guilt, how do you feel about the acting profession, is it an art or a craft, what is it? it’s so rare that our profession and performances become art, but when it happens, you’re ready for it, probably everything give it away because you succeeded, and while there, if there are performances, usually you are some kind of translator between. b

mikhalkov was forbidden, as far as i remember, yes, yes no, nothing was forbidden to him, just boris evgenievich, zakhaval history and showed me photographs there, in particular i remembered the photographs of the visit grand duke in the city of rybensk, here is the grand duke, and two people in uniforms, which means steblov, who headed the city duma, he was the director of two gymnasiums, this is your relative, well, yes, my great-grandfather, well, that means they also knew each other, you it really turned out to be such an almost cosmic friendship with nikita mikholkov, yes, on the screen that’s why it looks so natural, so alive, this is... such a youthful friendship, it’s all very realistic, some kind of image of moscow that seems to us now completely real, but again we know from memories, yes, that as if during the filming it was even necessary to wash houses in order to create such an image of bright moscow, clean moscow, it is unlikely that the city that we see on the screen differed from the real moscow of those years, but well , here’s an example, and how it differed vadim's talent? the cafe was