the last 15 years of life due to complex operations. and boris kustodiev is confined to a wheelchair’s canvas is still filled with vital energy, even in the face of death, light, brightness and colors do not leave the canvas of the russian author. and especially for those who if you like the art of southeast asia, welcome to the center of the language of indonesian culture, which opened at the minsk state linguistic university. the event was timed to coincide with the thirtieth anniversary of the establishment of diplomatic relations between belarus and indonesia. this is how we opened an interesting center. well, right now i propose to virtually move to an equally exotic place in hawaii. after all, unusual phenomena are studied on the hawaiian island of maui. one of the coastal reservoirs on the territory of the natural reserve unexpectedly turned purple-pink. well it turned out beautifully. tourists rush to take pictures of themselves against the picturesque backdrop. paintings, and scientists, meanwhile, are trying to understand the cause of the changes. at first it was believed t

boris kustodiev, but why not monna lisa, tell me, the second monna will probably surprise you, this isily kandinsky, it’s interesting that last year the picture was reattributed received its real name, although not so bright, number 207, without a name. western european painting is represented here by artists from france, italy, spain, flanders, and the netherlands. each painting of yasen-stump has its own story, for example, john the baptist bartolome. came to tyumen from armitage in the fifties of the soviet century. the original, of course, and only later did i discover that the original is in great britain, and this is a magnificent copy, but from the hermitage. there are carpets in a separate room of the museum. so that you become the same know-it-alls, like us after visiting this museum, remember the traditional ornament of the tyumen carpet, a black background and red flowers. art, forged weaving, ordinary central asian weaving. they were brought to distant, harsh siberia at the turn of the 17th and 16th centuries by people from the bukhara khanate. kavritkut from the evening of

it is this slavic tradition that the artist of the early 20th century, boris kustodiev, chooses for his completely weakened due to a serious illness, at this time created a series of works about maslenitsa. they imbued with fun, life and colors, despite the sorrows that happen around. critics wrote about him, he is interested in life, living, ebullient, varied, colorful life. the theme of maslenitsa festivities haunted the artist for 6 years from 1916 until 1922, he even depicted the famous fyodor chaliapin against the backdrop of the maslenitsa fair. the collective hero in the artist’s works is the common people, men, workers, collective farmers and peasants. his canvas can be divided into several mezzanines, each of them has its own little story. here the viewer sees sleigh rides, a booth, ice slides, all traditional maslenitsa fun. another characteristic detail: the three horses that carry the sleigh. this motif is often depicted by boris kustudiev. joys simple fun peasants literary motif of the work of the russian painter. it is interesting that russian painters drew inspiration fro

an image of the moscow art theater actress faine shevchenko, who became for the famous artist boris kustodievf goddesses. it would seem that the standard measurement of illumination of paintings at this exhibition takes on a special meaning. light , as an important part of the design concept, needs to be caught correctly. this is how these goddesses give birth to light, so he is our hero here, light, they seem to give light, as if this glow, yes, light, stars, in each hall the stars of their era shine in different in the rays of glory, the actresses of the imperial alexandrinka, maria savina and vera kamissarskaya played under the heavens and spheres, the ceiling of the theater, the image of which was placed between their portraits, this is the sunset of an era, in general, the drama of this hall is such, a premonition of something that is about to happen . the title of the exhibition, the judgment of paris , the birth of the goddess, appeared thanks to this 16th century canvas provided by the hermitage, the artist anton raphael manx played on the plot of the myth with three goddesses, aphrod