in the sixties, he brought this script to life, this script is an adaptation of the story by boris lavreneve seventh witness, but then in the sixties, when poloka brought this script to production, using the authority of his father, the famous... kovodka, it is in any proportion, a product, i can’t, somehow you yourself, a film director who was formed in that great soviet cinema, gennady ivanovich works the old fashioned way, on the table, standing next to him. a monitor in which you can see everything that the camera shows, but the shelf, even if the camera is on the balcony or on the scaffolding, he will definitely go up there and the viewer will definitely look at what is visible in the frame, although the monitor shows him everything, during the break he comes up to me and asks: volodya, what are you reading? i say, yes, here is a play about such an impossible hypothetical... meeting of two great german women, this is marlene dietrich, who is 90, and leni riefenstahl, who is also 90, but marlene dietrich, an ardent anti- fascist, alena riefensteil glorified the fascist regime in her ver