minsk boris lutsenko, it must be said, then entered the long apogee of his creative success. i saw the first performance. there, with the participation of yuri kozyuchits, i'm not afraid of virginia woolf. the fact is that by this time the play had already been filmed in america. there, two married couples, older and younger, were played by the brilliant married duo elizabeth taylor and reacher burton, and the film has already received five oscars, four of which are acting. - this is richardbarton an inventor and a couple of young actors who did not become famous as the best supporting actors, but we didn’t see this film then, we knew that it was filmed and we knew about these oscars for jor, that you need a fight on equal children, that’s all to you went crazy with anger. i'm already angry. don't worry, we'll play to the death. you will be surprised to die, and here are our little friends. get ready the point of the play is that a couple of professors and a couple of young scientists are getting together. here's some view of some party and the tired couples gradually begin,

boris lutsenko i think i will be right if i say that it was boris lutsenko who made yura the premierensk scenes, moreover, when boris headed the second time after the break. as the main refrain of the russian theater, he dragged three actors from the theater of the film actor to his russian theater, it was svetlana kuzmina. it was vanya maskevich. and it was, of course. yura is swinging. i spoke about the stage creations of yura, this is something that cannot be restored even now. well , his film roles. you can see the pokopa. online, they're all there. the prose of the belarusian classics is incredibly difficult to stage. this is the monotony of the narration, the verbosity, the implicitness of the identification of conflicts, the primitiveness of the dialogues of the big one, you understand, well, it’s enough to recall, frankly, the unsuccessful film adaptation of the relatives of the mind of the voice, and now people in the swamp stood before viktor turov, who took up the film adaptation of ivan. this is the task of turning this prose into this epic, filming a tough screenplay late

but something happened that happened, which i recently learned from the widow of boris lutsenko fromd right on the set and they brought him. for some reason, not immediately to the hospital. he speaks to us at home, then he says they did a consultation in the personal commission saw after analysis that he has a strong oncology. and he just says they stopped it, the hearth was already taken by his wife from moscow and sent to moscow no treatment already. it didn’t make sense the process was running. man what more do you need to know? if not this is how his career ended in minsk, which began one of his first films with voice acting in my little film, the rest 17. the eternal dream ends and all the destitute should come together. so our fate could. that sitting like this, at a table in a tiny kitchenette, on the second floor of the two-room khrushchev apartment number 45 in house number 25 on kakhovskaya street, i will sit talking with him, and then remember that's how it is today in the past tense. and what, i , of his contemporaries who communicated with him, worked, probably remained

lyudmila lutsenko is our guest today good afternoon lyudmila petrovna good afternoon. glad to see you in our studio, let's start with a sad occasion on february 5, the anniversary of the death of borisvanovich lutsenko 3 years. he is no longer with us. whether you continue to conduct an invisible dialogue with him and whether the pain of loss subsides over the years, this has not yet gone out. it looks like he's gone on tour. or somewhere abroad on a trip. he is present, he is present at home. he is with me all the time. that's just very recently very recently. i felt that something was letting go. and it made the biggest impression on me. i'm a teacher and my year starts with september to september, and now on september 16, boris ivanovich turned 85 years old, they did not convey that in the museum of music and theater. the exhibition dedicated to the 85th anniversary of lutsenko i was shocked, because i did not ask anyone, and no one told me the theater, and we went to the museum at the box office. we said that we had come to the exhibition of boris ivanovich and she showed us his photo and ads right at the entrance. and i asked her. uh, show where the director is. do he have to t

why does the widow of the people's artist of belarus, director boris lutsenko, consider the kupalovskyheater and not the russian theater to be their home and why the creators of the sixties have every chance to be reborn in the current generation alpha with their memories of her husband? elites, from all over the soviet union, writers andrey makayunok and vasily bykov, people's artists gennady garpunk. and alexei batalov director yuri lyubimov, a witness to the formation and restoration of the kupala theater , told how she accepted the split in the kupavlovsk theater in 2020. yes, right before that , our closest very first friends died. this is august milovanov and his wife galya waxman tolkacheva quickly left him, and if makarova were alive and if glebov and platonov had not strangled everyone just everyone can have their own opinion, but if you are in the public service. this should be obeyed, the law and in general, in principle, i believe that the main thing in the state is constitution what it means to be the wife of a famous director, and why i had to give up my own career as a c

using a long-standing friendship with the chief director of the theater from the stage director boris lutsenko, four orlovs were sitting in the fifth row near the boat and tasted this performance amphitryon impression of the performance amphitryon in one short word shock. when i returned home, i sat down at the typewriter and directly typed out my review of my letter, which i handed over to boris in the morning, he immediately read it, posted this paragraph on the notice board of the theater. the stranger on this stage means the russian theater yuri kozerovich, an artist who is so lucky with everything important he outplayed a film actor in his theater and then pulls this performance, untamed mobile, his every trick and gesture to the place deceived well the happy antitryon resigned himself to the power of fate. he sang in falsetto on a tree. peaches are ripe again for the first time theater. used his musical talent over the river the moon shines brightly.