and it was such a very harsh critical article against the story of boris vasiliev, the meaning, whichng, there wasn’t, there wasn’t there were no such girls anti-aircraft gunners there in karelia, it is impossible. the situation that i wrote and i must say that i willingly believe that it may not have happened. well, this does not beg the dignity of this story at all. it is still beautiful, and here a very interesting topic arises, that there is such a truth about the war. eh, that's literally documentary and there is still the artist's right to fiction. actually. leo nikolayevich tolstoy, too, but reproached. they said that this was not so and napoleon was not like that kutuzov was not like that and the battle of borodino was not like that, but we perceive it this way through literature, and boris vasilyev still doesn’t even compare war and peace and azuri is quiet here, but nevertheless it has become like that. this is the key book in our minds in our understanding of war, and i think it's a very, uh, important topic. in her. after all, there is alexei nikolaevich in this story , th

of the war and to lead the film the dawns here are quiet a very personal story for the writer boris vasilievnd director stanislav rostov the hero of the picture and real fate real alarm in the luhansk republic air defense calculations spotted air targets on ukrainian drones there are several mines under the wing, but our fighters are always on the alert. a drone launched by nationalists becomes a trophy, according to the positions of militants. fire, artillery, all shots in the report of our correspondent. and yusupov's world is under shelling. in the line of fire , along with the fighters of the south group. we are moving in front of you, the task is to quickly jump into the position of the shooter and left before it starts to fly in response to cloudy rain, enemy copters do not fly, a rare opportunity to remain unnoticed with the fighters of the group. south. so we get to the firing position calmly, the gunner takes aim . from the inside, the shots seem unusually loud , even in comparison with the tank ones, i cover the hatch. for the crew, this is the case. habitual systematically they wo

he dreams of making another film, the case turned up when the script of boris vasiliev was brought tosurvive the goals at the very beginning of the spring of 1976 filming in zagorsk, but work, every now and then, stopped bykov , they stopped funding, they didn’t deliver the film frost on time, and he watched everyone and knew that she was tied up with her earflaps, and that we were dressed underwear. e, he walked with this short teoreechka, his skin peeled off with scabs. while working on the picture , already in the pavilions of dovzhenko's studio, due to an accidental marriage, which required ubykov's reshoots, the second fact happened. he was urgently hospitalized in one of the hospitals, kiev spends a month and a half in a hospital bed. the group washes around. you don’t know, too, it will be further gypsy with the exit performs the birthday man will portray. well, bykov got out , it was necessary to finish the work, and he came in and finished. this scene with the gypsy was filmed immediately on the second day after the director was discharged from the hospital. despite the selfl

the fact is that e participants in the war, e, and bondyrev and boris vasiliev and so on. not dwell so much on the technical details of the contemporaries. and seryozha or i would have a seam and other authors. uh, often addicted to wikipedia. i understand access to information has become huge. and when you start doing research. you. well, you are fond of this or that fact, yes , technical and this affects, and in the end big there, but meet. that the machine gun fired at a speed of 1,200 rounds per minute, and i think so, i think so. and why should i know? here but this is precisely, as it were, the author's delight from the information that he has now received. well, by the way, since you're talking about a big fucking wonder that two writers. in general, i think independently come. here's to this idea to portray the war as a confrontation. well, two people. yes, some achilles yes, uh, and uh aces. both are cheap. this is the tankers, which means our tanker, who appears. here is the beginning of the romanas story of roman's bewitching, when this man, who is absolutely bu

and the dawns here are quiet, a production based on the famous novels by boris vasiliev was organizedory day , the theater hosted a screening of our ninth musical literary performance, and the heroism of boys and girls during the great patriotic war. this is the memory that we must preserve and pass on to our children, grandchildren, great-grandchildren, great-right, and the great victory and the strength of the spirit of our people. you need to know history. we need to know our culture. and victory day ended with a festive concert, in which the leading actors of the luna theater in moscow took part. they created a chat bot to help wild animals. citizens can report the facts when they are illegally offered to take pictures with representatives of the fauna in telegram messengers, you must specify the address , type and number of animals. users can also attach photos or videos. as proof, the application will be sent to department of environmental control specialists will promptly conduct inspections. all news is available on media platforms in the app or on the website smotrim.ru who i

side. because behind us rusi a dawns, here the quiet ones are filmed according to the story of boris vasilievof karelia, saboteurs wanted to blow up the kirov railway, an unequal battle with them was fought by five girls and a foreman vaskov, he alone survived in reality almost everything was like that. only in that dead detachment there were men a note about them in the newspaper , the writer’s wife accidentally read it, when he read, uh, she says, well, zorenka brought something, but it was the men who died. this is their duty, and zori albertovna was very beautiful woman very impressive, and she looked so carefully at the saying and said, you think about it. borenka it dawned on him that the main characters should be women, dedicating stories to women of the war vasiliev didn’t seem to invent describing real people, how many later the actresses approached the spectator, who recognized herself in the single mother rita osyanina and the psycho -intelligent sonegurovich, one woman came up crying, crying together with the detachment too little girls, about as young as that. we were they guarde

and it is embodied and it’s good that boris babkinkin returns, like chapaev and the director, but another director here vladimir petrov did peter i, and the vasiliev first film, and any characters from the thirties appear in military film collections in the same way. uh, for example, maxim performed by boris chirkov, only they return with other directors. it's so interesting how the directors take, and their favorite character, which was invented by their other colleagues, and imagine him like that, and such a cameo, and they take it and it turns out, really the universe, but soviet movie heroes and cranes, who all meet in one kind of interesting , but dangerous world. there, of course, there are different plots, there are plots on the theme of some foreign life. yes, the czechoslovaks, poland, where it is already underway, and these fascist populations are fighting. here is how in this assembly block nine there are stories that take place at our front, but everything is largely, of course, on the one hand. we say goodbye to poster style, but the rice begins on the screen and is no longer here semitones. everybody is here. clearly transparent othe

and it’s good that boris babkinkin returns, like chapaev, moreover, the director , but another director here vladimir petrov did peter i, and the first film was made by the vasiliev any characters appear in military film collections in the same way from the thirties . uh, for example, maxim performed by boris chirkov, only they return with other directors. it's so interesting how the directors take, and their favorite character , which was embodied by their other colleagues and themselves , and they take such a cameo and it really turns out the universe, and soviet movie heroes and cranes, who all meet in one of some kind of interesting, but dangerous world. there, of course, there are different plots, there are plots on the theme of some foreign life. yes, the czechoslovaks of poland are also going where, and these struggles are the fascist underbelly. here's how in this assembly nine there are plots from which we have at the front, but everything is in one, of course, on the one hand we say goodbye to the poster style, and the picture begins on the screen and there are no more halftones here. everybody is here. it is clearly transparent in this that others are

that boris babkinkin returns, like chapaev, moreover, a director, but another director here is vladimir petrov , who made about the first one, but the first ones haven’t been done yet, the vasilievs exactly the same appear any characters from the thirties. e, for example, maxim performed by boris chikov. only they come back from other directors. it's so interesting how the directors take, and their favorite character , which was embodied by their other colleagues and themselves like that, but they take such a cameo, but they take it and it turns out, really the universe, and soviet movie heroes of other screens, who all meet in one kind of interesting such.

it’s good that boris babkinkin returns, like chapaev, moreover, uh, the director, but another director here is vladimir petrov, who made peter i, and the first ones were made by the vasilievrothers, and in military film collections exactly like that same appear any characters from the thirties . uh, for example, maxim performed boris chirkov, only they return with other directors. it's so interesting how the directors take, and their favorite character , which was embodied by their other colleagues and themselves like this, and such a cameo, but they take it and it really turns out the universe, and soviet movie heroes who all meet in one of some interesting such. but in a dangerous world there, of course, there are different plots, there are plots on the theme of some kind of foreign life. yes, czechoslovakia, poland , where it is also going on, and these fascist populations are fighting. here's how to take it apart. us there are nine scenes from which we have at the front, but in many respects, of course, on the one hand, we say goodbye to the poster style, and the rice begins on the screen and there are no longer halftones. here everything is quite clearly transparent