my food work is kind of what most people know, but going back to botany of desire there is a long chat are in there about cannabis. by largest interest are the food work as an outgrowth of a larger interest in our relation to other species and how they change us and how we change them and how a certain class of planets evolved to gratify our desires. you can understand something about us by looking at those plants. we used plants obviously to feed ourselves, to quote ourselves. we have all these uses that are pretty obvious. but then there's this interesting weird one, which as we used plants to change the content or experience of conscious is. almost everybody in this room all but today used a plant in this way. >> well, maybe. >> coffee, tea, cigarette. it is very common and it is a curious human desire. why are we happy with the consciousness we have? >> i have to say it stretches this prologue that i think you call. there is a personal quest to it but i didn't necessarily feel the same way. in the prologue you kind of talk about yearning to open this new door. i was wondering if yo

figures the filigree leaves and blossoms just allude to the stone look like illustrations from a botany manual they are an anthem of god's creation. when you pass through the archway under the crucified christ you enter the west choir and find yourself confronted by a larger than life statues famous for their expressiveness. these are not stylized statues of saints or as you might expect but images of historical figures the founders of the complete figures are depicted with an almost incredible realisation that they had a tape. and they look like portraits of living people. but we must remember that the personalities depicted here and surpassed in this form that is that of quinn's he's a form that's he wouldn't i guess. as i hear from here in the northwest tower of number cathedral you can get very close to the gargoyle. user also attributed to the number master bios and all and what's special about these gargoyles is that they have human faces and you. mentioned on the one side we have a nun and on the other side a monk i mean one of the unknowns i thought i was. nuns and monks the pea

do you know what that botany? not much. it botany a dream that she thought i could been educated. i go off to college. now, not everything was perfect in college. i go back to the university that come if you were a latino you had to have two ids to go to the discos that i like because they didn't want the local latinos going with the college kids. you had to figure out how to do with it. unfortunately i got a young lady pregnant. i don't have that happen bu buti was involved in a situation. and i thought my whole life was going to fall apart. i was a 21-year-old dad facing a very difficult decision. i married a young lady who had been at tech for three years and was still a freshman. at tech at the time there were a lot of issues regarding race and class, but somehow we persevered. we both worked really hard, graduated and we became teachers. she became a bilingual teacher in dallas. i became a teacher and would buy back to the inner city of the house where i was as a teacher, as a student i became a teacher and a coach. two things helped me become a superintendent. one, i was a g

figures the filigree leaves and blossoms just a link to the stone look like illustrations from a botany manual. they are an anthem of god's creation. when you pass through the archway under the crucified christ you enter the west choir and find yourself confronted by a larger than life statues famous for their expressiveness. these are not stylized statues of saints as you might expect but images of historical figures the founders of the cathedral it was common in the middle ages for the rich to donate money to build churches as reparation for their sins as if he didn't in these figures are depicted with an almost incredible realisation that he had a tape. and they look like portraits of living people. but we must remember that the personalities depicted here had died between one hundred fifty and two hundred twenty years previously and flushed what was it as the medieval courtly tradition has been brought back to life here queer to you just to tie all the detail which shields jewelry and crowns even the hair and corresponds to real objects from that period it is. that it's quite except

. >>> you got an interest in botany. i've got something you want to try. its pretty cool.e's cutting open a green pepper and he's got himself some watermelon as well. he slices off a piece of watermelon and he starts scraping some of the seeds from inside that pepper on to that piece of watermelon and then he wraps it all in cheese cloth, takes that and he goes over and plants it and then he starts showing the progress. we seen start seeing as it starts to grow. we've got some little red peppers right there. >> what? stop it. stop it. stop it now. >> we ve waterpepper, a pepper melon. >> no. >> who knew that it was so simple? >> i can't help but feel slightly skeptical. >>> if you're planning on having a bit of a party during the summer, you can take a watermelon, cut a hole, get the alcohol to soak in to it. cut open some more holes and that's where we'll be placing these bananas. what's going to happen is something awesome? soaked up the watermelon and mow hitto. >> i had a distinct sense of sarcasm here. >> if you don't have a watermelon at home and you want to create o

he was a scientist with a career in botany. he returned to design theory and published widely on ornamental design and industry. he is best known for his designs for ceramics. he did this for wedgwood and metalworks for elkington's. he is central to the study of the evolution of british decorative arts in the second half of the 19th century. he was able to impose a rigid system on ornamental form. all of which created his distinctive design vocabulary. for example, his design for elkington's set the revivalist names which dominated victorian design in 1850. many was captured in his -- he was certainly well known as a designer in britain in the 1870s and was equally admired in the united states. he traveled to chicago in 1876 and met with a wallpaper retailer. he met with them in chicago and along the eastern seaboard. the washington post noticed that the demand for modern design was here to stay. the decorative arts mania has, in more ways than one, simmered down to actual work. in fact, it is quite time to leave off calling it

one of his assistants was a scientist who had started a career in botany and returned to design and published on ornamental design. he is best known for his designs for ceramics and for carpets, and metalwork. it is central to the study of the evolution of british decorative art of the 19th century. he was able to impose a rigid system and to incorporate elements from different continents, in particular japan which created a distinctive design. his designs for elkington's reflect the survivalist themes that dominated the taurean design, many of which were captured in indian and oriental. he was well known as a designer and equally admired in the usa. she traveled to chicago and his household with centers in chicago along the eastern seaboard. the demand for modern design was here to stay. decorative arts mania has simmered down to actual work and it is time to stop calling it mania at all. the pragmatism was addressed by ideas with craftsman architecture and design. his firm is called the folkman and company with a mission to reform what he considered to be a degraded current state of decorat

botany carnival call also the last. of. a. long list of is a flame and i count on. her as on water i call a theme. which ran across from him for a club which we don't. no the. whole of. the whole are traditionally put on. took city in her d.d. two thousand of. a palestinian hamlet isolated since two thousand and three when the israeli army sealed off the village behind earthen walls. the only way in and out was through a steel gate which the israeli soldiers opened only three times a week. the room with. them under guard. houses. your mother. and i was. a member. member. rugeley. yes nine massive. car bomb outside of had enough and had to. run one on trial and how many. when i want to mention. all the such i know what i said about michele in oh my gosh what if i do wonder how i don't know and i'm not a. military has confiscated large areas of the jordan valley to use this firing ranges and for training exercises. despite the numerous checkpoints her and city made a point of visiting neighbors in the sealed off village of monday. including a booth in a man an old fri

a scientist who had sort of a career in botany. he returned to design theory and published widely on ornamental design. he is best known for his designs for ceramics, which he did for wedgewood and for carpets, which he did for louis and metal work for elkintons. dresser is central to the study of the evolution of british decorative arts in the second half of the 19th century. he was able to impose a rigid system on natural forms and incorporate elements from different cultures, in particular japan, all of which created his distinctive design in vocabulary. for instance, it reflects the revivalist themes that had dominated victorian design since the 1850s, many of which were captured in james' grammer of ornament, egyptian, indian and orientalists styles. dresser was well known as a designer in the 1870s and equally admired in the usa. he traveled to chicago in 1876 and met with john mcgraw at his household wares, carpets and newspapers were made available in chicago and along the eastern seaboard. in april 1879, the washington pos

going back to botany of desire there's a long chapter about cannabis. my largest interest are the food work is now a larger interest in our relationship to other species and how they change us and how we change them and how a certain class of plants evolved to gratify our desires. you can understand something about us by looking at those plants. and we know, you know, we as players obviously to feed ourselves, for beauty, to clothe ourselves. we have all of these uses that are pretty obvious. but then there is this really interesting weird one, which is what use plants to change the contents or ever experience of consciousness. most everybody in this room i bet today has used a plant in this way. >> nap. well, maybe. >> coffee, tea, cigarette. it is very common and it is a curious human desire. why aren't we happy with the consciousness we have. >> i have to say i've read the book and how this prologue that i think you called a new door. the book felt personal to me like there is a personal quest to it that they didn't necessarily feel in the same way.

el nuevo detergente gain botani.el paso fronterizo con venezuela hasta que se garantice la entrada de inmigrantes de manera ordenada y en condiciones humanitarias aceptables, la grave crisis que atraviesa la naciÓn suramericana ha potenciado la inmigraciÓn masiva, siendo los paÍses en fronterizos los mÁs afectados. en el caso de brasil al menos 500 venezolanos cruzan al estado de roraimaque sufre con el colapso de los servicios mÉdicos y el argumento de los Índices delictivos y de prostituciÓn. como un proyectil en direcciÓn al blanco se avanzÓ un carro que se *al borde de una carretera en canadÁ el impacto es tan violento que hacen volar piezas y escombros estas imÁgenes muestran como un hombre parado junto al vehÍculo salen disparado mientra una mujer ensalzada al interior del mismo por la fuerza del choque aunque parezca increÍble nadie muriÓ en el incidente. expulsan una mujer de un centro comercial en alabama no por mala conducta ni por alterar el orden sino por vestir un short demasiado corta, en los guardas de