naked venus, seen here in botticelli's the birth of venus, symbolized divine love.his was a nude based on classical forms, which also suggests a baptism and a rebirth. [colin eisler] in renaissance florence, the nude again became the focus of artistic effort. donatello's david, probably commissioned by de medici, with its obvious reflection of the roman past, is a masterpiece of technical virtuosity and erotic suggestion. but it was more than that. it was also a brilliantly inventive symbol of the christian faithful, armored only in the word of god. finally, in brunelleschi's church of san lorenzo, we find the two bronze pulpits that donatello left unfinished at his death in 1466. here, for the first time in western art, we find a true late style that leads on to the work of titian and of rembrandt. leaving behind the technical perfection of his early work, donatello now engages with his material in a rougher, more direct manner-- biting into the bronze with his chisel to convey a more emotionally charged message. here in the harrowing of hell, christ's urgent figur