is on a unique training placement with bournemouth symphony orchestra where he is fulfilling a long held ambition, creating and directing his own group of musicians. 0ne one of james ‘s 0ne ofjames ‘s mentors is roger preston who has been a cellist with the bfo for nearly 40 years. he recently became disabled as a result of cancer. while he still plays in the main orchestra, he is also part of the new ensemble. we don't want to be thought of as we are successful because we are a disabled ensemble. we want people just to listen to our musicmaking and think, thatis listen to our musicmaking and think, that is really good. probably most disabled people, if they could play a bit, would discount the idea of taking it further. it would be great to see a few more amateur people incorporated. it will have performed their own ensemble. it is great. the ensemble's professional musicians like siobhan, who is partially deaf, have all fought hard to get where they are today. we are united in

a conductor for the bournemouth symphony orchestra is leading a new ensemble of disabled musicians.sn't have control of his arms. the conductor, who has cerebral palsy, uses a baton attached to his head to lead the group. they want to show that people with disabilities can be more involved in classical music. our reporterjames ingham was at one of their first rehearsals. classical music plays. music, james says, ignites a ball of fire in his stomach. it is a passion he was always determined to pursue as a profession to prove his disability is no barrier. james rose is on a unique training placement with bournemouth symphony orchestra where he is fulfilling a long—held ambition, creating and directing his own group of musicians. one of james's mentors is roger preston, who has been a cellist with the bso for nearly a0 years. he recently became disabled as a result of cancer. while he still plays in the main orchestra, he is also part of a new ensemble. we don't want to be thought of as we are successful because we are disabled ensemble. we want people just to listen to our music maki

james rose is on a unique training placement with bournemouth symphony orchestra where he's fulfillingntors is roger preston who's been a cellist with the bso for nearly 40 years. he recently became disabled as a result of cancer. while he still plays in the main orchestra, he is also part of the new ensemble. we don't want to be thought of as we're successful because we are a disabled ensemble. we want people just to listen to our music making and think, "oh, that's really good." probably most disabled people, even if they could perhaps play a bit, would discount the idea of taking it further. it would be great to see a few more amateur orchestras incorporating other disabled people, but if disabled people have performed their own ensembles or orchestras as well, great. the ensemble's professional musicians like siobhan clough, who's partially deaf, have all fought hard to get where they are today. they're united in wanting to inspire others. all through my career, i was told that i couldn't be a professional violinist, and it was something i wanted to do. and now i am doing exactly w

a conductor for the bournemouth symphony orchestra is leading a new ensemble of disabled musicians.ll his life, doesn't have control of his arms. the conductor, who has cerebral palsy, uses a baton attached to his head to lead the group. they want to show that people with disabilities can be more involved in classical music. our reporterjames ingham was at one of their first rehearsals. classical music plays. music, james says, ignites a ball of fire in his stomach. it is a passion he was always determined to pursue as a profession to prove his disability is no barrier. james rose is on a unique training placement with bournemouth symphony orchestra where he is fulfilling a long—held ambition, creating and directing his own group of musicians. one of james's mentors is roger preston, who has been a cellist with the bso for nearly a0 years. he recently became disabled as a result of cancer. while he still plays in the main orchestra, he is also part of a new ensemble. we don't want to be thought of as we are successful because we are disabled ensemble. we want people just to listen t